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It Is A Collection Of Thirty Essays On Various Aspects Of Hindu And Buddhist Art And Iconography Contributed By Indian And Foreign Scholars. These Represent Deep Insight And New Interpretation Based On Sound Scholarship And Accounts. While Intended To Commemorate The Loving Memory Of Professor Kalyan Kumar Dasgupta, The Book Is A Fitting Tribute To The Great Savant. Professor P.K. Mishra And Publisher M/S Abhinav Publications Have Spared No Pains To Make It An Outstanding Publication Of The Year
Few other Hindu gods guide a regional consciousness, pervade walks of everyday life and define a collective psyche the way Lord Jagannath does in Odisha and its contiguous areas. Jagannath is metonymic of Odisha and the Odia way of life, arguably much more than any other god for a particular geography or its peoples. While not derecognising the historical and the spiritual aspects of Jagannath, Bonding with the Lord attempts to look at the deployment of Jagannath in contemporary cultural practices involving the sensorium in the widest sense. The project of a cultural Jagannath not only materialises him in people's everyday practices but also democratises scholarship on him. The expansion of the scope of research on Jagannath to cultural expressions in a more encompassing way rather than confining to 'elitist' religious/literary sources makes him an everyday presence and significantly enhances his sphere of influence. Jagannath's 'tribal' origin, his association with Buddhism and Jainism and his avatari status make him an all-encompassing, multilayered symbol and a treasure trove for multiple interpretations.
This book studies Nātha sampradāya through archaeological evidence for the first time. Drawing on a pioneering approach to the study of ascetic traditions, it investigates not only the nature of the Nātha sampradāya’s religious architecture but also examines the extent to which they shared space with other religious groups such as the devotees of Siva and Sakti, Buddhism, and Islam, especially with the Sufi tradition. Focusing on western India, the book sifts through a variety of archaeological evidence and documentation of their temples, caves, and maṭhas. It critically analyses iconographic representations of ascetics on temple walls and sculptural representations of yogic postures or āsanas. Further, these representations are discussed within a pan-South Asian framework to highlight both the commonalities of the tradition across the subcontinent and the regional specificities, along with their chronological spread. Breaking new ground, this volume will be of great interest to scholars and researchers of religion, especially Hinduism, history, archaeology, and South Asian studies.
The art history of South Asia covers a time span of roughly four and a half thousand years. During this period, a vast number of animal stone sculptures has been produced, ranging from the pre-historic period till today and covering a great variety of motifs and imagery in different regions and religious traditions. Even so, the number of studies devoted to these animal sculptures has remained extremely limited. The present book aims at filling this knowledge gap. With this richly illustrated book, the first of its kind, Van der Geer offers a comparative study of the ways in which various animals have been depicted and a lucid analysis of the sculptors’ treatment of their “models”: living animals. The art history of sculptured animals is contextualized with a description of the use of animals as can be read from ancient texts, archaeological evidence and contemporaneous culture. In doing so, parallels as well as differences in style or iconography are highlighted, elucidating the variety of animal depictions across regions, religious contexts and through time. The corpus of discussed material ranges from Indus seals, stupa panels and railings, monumental temples from North and South India, non-religious palace and fort architecture to loose sculptures in museum collections.
The author traces the development of the theme of Krishna as butter thief from its earliest appearance in literature and art until the present. He focuses on the dramas (ras lilas) of Krishna's native Braj and on the Sur Sagar, a collection of verse attributed to the sixteenth-century poet Sur Das that is as familiar to Hindi speakers as Mother Goose is to us. Originally published in 1983. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
Volume I: Archaeology covers various aspects of archaeological sites research carried out Worldwide. It contains 53 articles contributed by reputed archaeologists and covers topics on Prehistory, Rock-art, Indus Valley, Iron Age, Early history, Early medieval history, Ethno-archaeology, Palaeo-Botonical studies and Museology in India and Southeast Asia.This book serves as a valuable source book for students, research scholars and teachers in Archaeology, Ethno-archaeology, History and Museology who want to known about the evolution of mankind in different perspectives. This volume also highlights the love and affection of Prof. P. Chenna Reddy enjoys in the intellectual world. The felicitation Volume is brought out in a series of 12 independent books covering a total of 460 articles. Every volume contains two sections. The first section contains the biographical sketch of Prof. P. Chenna Reddy, his achievements and contribution to archaeology, history and Society. The second section of each volume is subject specific, E.g., Volume-I on Archaeology, Volume II on Early and Medieval Indian History, Volume III on Modern Indian History, Volume IV on Epigraphy and Numismatics, Volume V on Art, Volume VI on Architecture, Volume VII on Religion and Philosophy, Volume VIII on Economy, Trade and Commerce, Volume IX on Literature, Volume X Tribalore and Folklore, Volume XI Contemporary India and Diaspora, Volume XII, Tourism and contains as many as 460 articles.