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James Achilles Kirkpatrick landed on the shores of eighteenth-century India as an ambitious soldier of the East India Company. Although eager to make his name in the subjection of a nation, it was he who was conquered—not by an army but by a Muslim Indian princess. Kirkpatrick was the British Resident at the court of the Nizam of Hyderabad when in 1798 he glimpsed Khair un-Nissa—'Most Excellent among Women'—the great-niece of the Nizam's Prime Minister. He fell in love with Khair, and overcame many obstacles to marry her—not least of which was the fact that she was locked away in purdah and engaged to a local nobleman. Eventually, while remaining Resident, Kirkpatrick converted to Islam, and according to Indian sources even became a double-agent working for the Hyderabadis against the East India Company. Possessing all the sweep of a great nineteenth-century novel, White Mughals is a remarkable tale of harem politics, secret assignations, court intrigue, religious disputes and espionage.
The engineer Klaus Johannsen works for a Hi-Tech company in Los Angeles. He is instrumental to get for his company an upgrade job for an Indian satellite earth station, which is located in Gujarat and which is designated to be the official uplink station for the Satellite Indian TV Experiment (SiTE). This experiment shall bring Television to India’s rural population for the purpose of education and entertainment. During the following 3 years, while the job slowly progresses, Klaus has the chance to explore North-Western India, Gujarat, Rajasten and Mahrashtra. At the same time he gets acquainted with Indian religions and philosophies of life. He has to deal with primitive surroundings, but he also gets to know the most beautiful artistic marbel works dating back 1000 to 2000 years. He witnesses the awakening of the Indian High Tech industry, which is nowaday one of the best in the world. When he finished his job he thought that India is holy earth
"An English adaptation of Helmolt's Weltgeschichte, with a rejection of sections which did not seem quite adequate from the point of view of its English readers". -- Publisher's note.
Illustrations: 2 Maps, Numerous B/w Illustrations Description: The present reprint of Fergusson's History of Indian and Eastern Architecture is being brought out to meet the growing demand from scholars for whom this book is still the basic work of reference on Indian Architecture. In the preface to the second edition (1910) of this work James Burgess wrote, Though descriptions of Indian monuments may be written in various ways, no one could pretend to take up the systematic study of Indian Architecture without the aid of this work, and no history of Architecture can be scientifically written without appropriating the principles Mr. Fergusson showed how to apply. This work, in a way, fulfils the desire of Fergusson. In the Preface to the first edition of the book (1876) the author expressed his desire to open an hitherto unknown field of Indian Architecture and to give an impulse to its study, and assist in establishing Indian Architecture on a stable basis, so that it may take its true position among the other great styles which have ennobled the arts of mankind. It is needless to go into the merits of the present work. Fergusson covered in his study of Indian Architecture the vast range of time and space. Tracing the Indian Architecture from its remote antiquity, Fergusson covered the entire panorama of India with its diverse monuments including even the contemporary modes. In order to provide the reader with an all-encompassing view, he included in the present work, the Architecture of the neighbouring countries which were vastly influenced by the present-tradition of India. The books thus became, and still is, an authentic compendium on Architecture. The excellent woodcuts and photographs are still utilized for primary reference work.
This is the fourth and final volume in the pioneering series on Perspectives on Ma,or Forms of indian English Literature edited by Professor M.K, Naik, Following the pattern of the earlier three volumes this collection also includes two types of essays-those evaluating the entire corpus of major fictionists and schools and those attempting intensive textual analyses of outstanding novels like Untoucl,ahle, The Guide. The Serpent and the Rope and Midnight's children. The final essay on “The Achievement of Indian Fiction in English" is an attempt to survey the entire field and evaluate the total achievement in this genre. A number of collections of critical essays on Indian fiction in English have appeared during recent years but perhaps none of them. has the range and depth of this volume. The contributors include distinguished scholars such as K.R. Srinivasa Iyengar, V.A. Shahane, D.V. K Raghavacharyulu, PremaNandakumar and the editor, M,K. Naik, himself. The carefully selective Bibliography appended to the volume has further enhanced its value as a comprehensive collection of incisivse critical studies covering the entire range of Indian fiction in English. and this series which is now complete easily constitutes a significant landmark in the ongoing scrutiny of Indian English literature.