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Reproduction of the original: Highlife in New York: a series of letters to Mr. Zephariah Slick by Jonathan Slick
Highlife Saturday Night captures the vibrancy of Saturday nights in Ghana—when musicians took to the stage and dancers took to the floor—in this penetrating look at musical leisure during a time of social, political, and cultural change. Framing dance band "highlife" music as a central medium through which Ghanaians negotiated gendered and generational social relations, Nate Plageman shows how popular music was central to the rhythm of daily life in a West African nation. He traces the history of highlife in urban Ghana during much of the 20th century and documents a range of figures that fueled the music's emergence, evolution, and explosive popularity. This book is generously enhanced by audiovisual material on the Ethnomusicology Multimedia website.
Highlife is Ghana's most important modern home grown dance-music that has its roots in traditional music infused with outside influences coming from Europe and the Americas. Although the word 'highlife' was not coined until the 1920s, its origins can be traced back to the regimental brass bands, elite-dance orchestras and maritime guitar and accordion groups of the late 19th and very early 20th centuries. Highlife is, therefore, one of Africa's earliest popular music genres. The book traces the origins of highlife music to the present - and include information on palmwine music, adaha brass bands, concert party guitar bands and dance bands, right up to off-shoots such as Afro-rock, Afrobeat, burger highlife, gospel highlife, hiphop highlife (i.e. hiplife) and contemporary highlife. The book also includes chapters on the traditional background or roots of highlife, the entrance of women into the Ghanaian highlife profession and the biographies of numerous Ghanaian (and some Nigerian) highlife musicians, composers and producers. It also touches on the way highlife played a role in Ghana's independence struggle and the country's quest for a national - and indeed Pan-African - identity. The book also provides information on music styles that are related to highlife, or can be treated as cousins of highlife, such as the maringa of Sierra Leone, the early guitar styles of Liberia, the juju music of Nigeria the makossa of the Cameroon/ It also touches on the popular music of Ghana's Francophone neighbours. There is also a section on the Black Diasporic input into highlife, through to the impact of African American and Caribbean popular music styles like calypsos, jazz, soul, reggae, disco, hiphop and rap and dancehall. that have been integrated into the highlife fold. Thus, highlife has not only influenced other African countries but is also an important cultural bridge uniting the peoples of Africa and its Diaspora.
Hiplife is a popular music genre in Ghana that mixes hip-hop beatmaking and rap with highlife music, proverbial speech, and Akan storytelling. In the 1990s, young Ghanaian musicians were drawn to hip-hop's dual ethos of black masculine empowerment and capitalist success. They made their underground sound mainstream by infusing carefree bravado with traditional respectful oratory and familiar Ghanaian rhythms. Living the Hiplife is an ethnographic account of hiplife in Ghana and its diaspora, based on extensive research among artists and audiences in Accra, Ghana's capital city; New York; and London. Jesse Weaver Shipley examines the production, consumption, and circulation of hiplife music, culture, and fashion in relation to broader cultural and political shifts in neoliberalizing Ghana. Shipley shows how young hiplife musicians produce and transform different kinds of value—aesthetic, moral, linguistic, economic—using music to gain social status and wealth, and to become respectable public figures. In this entrepreneurial age, youth use celebrity as a form of currency, aligning music-making with self-making and aesthetic pleasure with business success. Registering both the globalization of electronic, digital media and the changing nature of African diasporic relations to Africa, hiplife links collective Pan-Africanist visions with individualist aspiration, highlighting the potential and limits of social mobility for African youth. The author has also directed a film entitled Living the Hiplife and with two DJs produced mixtapes that feature the music in the book available for free download.
A photographic look into the world of vinyl record collectors—including Questlove—in the most intimate of environments—their record rooms. Compelling photographic essays from photographer Eilon Paz are paired with in-depth and insightful interviews to illustrate what motivates these collectors to keep digging for more records. The reader gets an up close and personal look at a variety of well-known vinyl champions, including Gilles Peterson and King Britt, as well as a glimpse into the collections of known and unknown DJs, producers, record dealers, and everyday enthusiasts. Driven by his love for vinyl records, Paz takes us on a five-year journey unearthing the very soul of the vinyl community.
This book takes an ethnomusicological approach to demonstrate the historical importance of female performers of Highlife music in Ghana.
Includes articles, annotated filmography, interviews, creative writing, and book reviews.
The name Peter Keogh may not be instantly recognisable to many people but he was married to one of the most popular British comedy actresses of the 1980s, Su Pollard. My Hi-De-High Life documents the story of how an unknown gay drifter from Australia came to live the celebrity life in London and mix with some of the most iconic stars of the time. This autobiography details the abuse in Peter's early life, his struggle to come to terms with his sexuality, different jobs, his travels, involvement with the theatre, tempestuous relationships and subsequent arrival in London, where he met and married Hi-de-Hi star Su Pollard. In this no holds barred account Peter spills the beans on his life with Su, his arrest and trial for theft, meeting Princess Diana and living the high life with well-known household names of the time. He goes on to document his subsequent divorce from Su, living in America and working with film legend Debbie Reynolds. This book is a fast-paced read about Peter's rollercoaster ride of a life that you won’t want to put down.
Covering a wide range of knowledge, The New York Public Library African American Desk Reference is a magnificent resource for home, family, and business, and an essential addition to your personal reference library. "Indispensable for those interested in the African American experience. We have no better source for quick and reliable information." --Cornel West, Alphonse Fletcher University Professor, Harvard University "As much about African American culture as one could possibly gain from one volume is now available in this highly readable, easily accessible, genuinely informative desk reference." --Johnetta B. Cole, PhD, President Emerita, Spelman College; Presidential Distinguished Professor, Emory University In over 5,000 fascinating information capsules, this landmark reference captures the most vital people, places, organizations, movements, and creative works of a people, and provides a practical resource for everyday living. In its nineteen chapters, you’ll find: * Timelines of African American History * Political and Civil Rights Leaders * African Contributions to the Making of the Americas * Holidays and Celebrations * Museums and Historical Sites * Religion and Spirituality * Health Tips and Recipes * Business Contacts and Professional Associations * Demographics and Population * Major Writers, Artists, and Musicians * Musical Forms * Sports * and more