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For dealing with an increasingly chaotic and violence-prone world, Higher Realism offers a grand strategy that rejects the imperial thrust of recent U.S. foreign policy as well as the conventional "realist" approach of focusing only on U.S. interests. The emerging world order is one in which many powers of various sorts-states and nonstate actors, large and small, allies and adversaries-have an essential role. Seyom Brown calls this the emergent international "polyarchy," and argues that neither the assertive interventionism of the neoconservatives nor the cool, nonideological geopolitics of the conventional realists is the appropriate response. Instead, responsive to how U.S. interests have become inextricably bound up with world interests, Brown proposes a foreign policy of higher realism centered on cooperation to ensure the security and well-being of all. Brown defines and analyzes those common interests in the environment, peace and security, health and economic vitality, human rights and democracy, and transnational accountability. He faults the arrogant assumption that what is good for the United States is ipso facto good for the world, insisting rather that U.S. policies for global development must respect religious and cultural diversity. Brown's approach transcends the traditional dichotomies of realism versus idealism and self-interest versus altruistic morality. The recommended programs and policies are designed to help a new U.S. presidential administration reformulate a foreign policy that will ensure national security and promote international well-being: higher realism in philosophy and practice.
For dealing with an increasingly chaotic and violence-prone world, Higher Realism offers a grand strategy that rejects the imperial thrust of recent U.S. foreign policy as well as the conventional "realist" approach of focusing only on U.S. interests. The emerging world order is one in which many powers of various sorts-states and nonstate actors, large and small, allies and adversaries-have an essential role. Seyom Brown calls this the emergent international "polyarchy," and argues that neither the assertive interventionism of the neoconservatives nor the cool, nonideological geopolitics of the conventional realists is the appropriate response. Instead, responsive to how U.S. interests have become inextricably bound up with world interests, Brown proposes a foreign policy of higher realism centered on cooperation to ensure the security and well-being of all. Brown defines and analyzes those common interests in the environment, peace and security, health and economic vitality, human rights and democracy, and transnational accountability. He faults the arrogant assumption that what is good for the United States is ipso facto good for the world, insisting rather that U.S. policies for global development must respect religious and cultural diversity. Brown's approach transcends the traditional dichotomies of realism versus idealism and self-interest versus altruistic morality. The recommended programs and policies are designed to help a new U.S. presidential administration reformulate a foreign policy that will ensure national security and promote international well-being: higher realism in philosophy and practice.
A examination of time-tested methods used by artists since the Renaissance to make realistic pictures of imagined things.
Excerpt from The Higher Realism Much of the matter contained in these pages was originally jotted down to preserve occasional thoughts on philosophy. These have gradually taken on a more regular form, and finally resulted in this little volume. The author certainly has no intention of entering far into the technical discussions of present-day thought; and he hopes to be not very tedious in the subjects here treated, although some of them might be elaborated to an indefinite length. Some of the views given are believed to be new; but they are confidently left to the liberal judgment of those who love the highest Truth, and who care to find therein an aid to ultimate Faith and Hope. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
This is a revised and expanded version of the much praised short book Universities: The Recovery of An Idea. It contains chapters on the history of universities; the value of university education; the nature of research; the management and funding of universities plus additional essays on such subjects as human nature and the study of the humanities, interdisciplinary versus multidisciplinary study, information systems and the concept of a library, the prospects for e-learning, reforming universities, intellectual integrity and the realities of funding, and spiritual values and the knowledge economy.
"Retrieving Realism offers a radical critique of the Cartesian epistemic picture that has captivated philosophy for too long and restores a realist view affirming our direct access to the everyday world and to the physical universe." -- Dust jacket.
For dealing with an increasingly chaotic and violence-prone world, Higher Realism offers a grand strategy that rejects the imperial thrust of recent U.S. foreign policy as well as the conventional "realist" approach of focusing only on U.S. interests. The emerging world order is one in which many powers of various sorts-states and nonstate actors, large and small, allies and adversaries-have an essential role. Seyom Brown calls this the emergent international "polyarchy," and argues that neither the assertive interventionism of the neoconservatives nor the cool, nonideological geopolitics of the conventional realists is the appropriate response. Instead, responsive to how U.S. interests have become inextricably bound up with world interests, Brown proposes a foreign policy of higher realism centered on cooperation to ensure the security and well-being of all. Brown defines and analyzes those common interests in the environment, peace and security, health and economic vitality, human rights and democracy, and transnational accountability. He faults the arrogant assumption that what is good for the United States is ipso facto good for the world, insisting rather that U.S. policies for global development must respect religious and cultural diversity. Brown's approach transcends the traditional dichotomies of realism versus idealism and self-interest versus altruistic morality. The recommended programs and policies are designed to help a new U.S. presidential administration reformulate a foreign policy that will ensure national security and promote international well-being: higher realism in philosophy and practice.
As the world has been reshaped since the 1970s by economic globalization, neoliberalism, and financialization, writers and artists have addressed the problem of representing the economy with a new sense of political urgency. Anxieties over who controls capitalism have thus been translated into demands upon literature, art, and mass media to develop strategies of representation that can account for capitalism’s power. Reading Capitalist Realism presents some of the latest and most sophisticated approaches to the question of the relation between capitalism and narrative form, partly by questioning how the “realism” of austerity, privatization, and wealth protection relate to the realism of narrative and cultural production. Even as critics have sought to locate a new aesthetic mode that might consider and move beyond theorizations of the postmodern, this volume contends that narrative realism demands renewed scrutiny for its ability to represent capitalism’s latest scenes of enclosure and indebtedness. Ranging across fiction, nonfiction, television, and film, the essays collected here explore to what extent realism is equipped to comprehend and historicize our contemporary economic moment and what might be the influence or complicity of the literary in shaping the global politics of lowered expectations. Including essays on writers such as Mohsin Hamid, Lorrie Moore, Jess Walter, J. M. Coetzee, James Kelman, Ali Smith, Russell Banks, William Vollmann, and William Gibson, as well as examinations of Hollywood film productions and The Wire television series, Reading Capitalist Realism calls attention to a resurgence of realisms across narrative genres and questions realism’s ability to interrogate the crisis-driven logic of political and economic “common sense.”