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His Blue-Chip Bride Everyone in their tiny town was convinced that Deborah Clark and Cameron Lyle were the perfect couple. Everyone but Deborah and Cameron, of course. She was the perky girl next door who planned children's parties. And this serious-minded businessman was the town's most eligible bachelor, accustomed to wining and dining glamorous women. So when these total opposites concocted the ideal solution to outwit the town's matchmakers, they quickly found themselves in way over their heads. Cameron had always thought of Deborah as a sweet girl, but now there was no mistaking the soul-searing heat that flared between them. Could this high-society bachelor convince her that the only solution was…a trip to the altar?
The individual who reaches age twenty-one without smoking, using illegal drugs, or abusing alcohol is virtually certain never to do so. As Joseph Califano points out in his searing indictment of America's irresponsible attitude towards drug abuse, by failing to act on this lesson, we have lost untold lives and resources. Califano deftly demonstrates how substance abuse is implicated in poverty, violent crime, soaring health care costs, family dissolution, child abuse, homelessness, teen pregnancy, and AIDS. With alcohol and tobacco interests buying political protection with campaign contributions and helping seed a culture of substance abuse, Califano illustrates the dire need for parental engagement, proposes revolutionary changes in prevention, treatment, and the nation's criminal justice, health care, and social service systems, and sounds an urgent cry to address the plague responsible for the death of more Americans than all our wars, natural catastrophes, and traffic accidents combined.
Drawing on his unprecedented access to Grace Kelly, bestselling biographer Donald Spoto at last offers an intimate, honest, and authoritative portrait of one of Hollywood’s legendary actresses. In just seven years–from 1950 through 1956–Grace Kelly embarked on a whirlwind career that included roles in eleven movies. From the principled Amy Fowler Kane in High Noon to the thrill-seeking Frances Stevens of To Catch a Thief, Grace established herself as one of Hollywood’s most talented actresses and iconic beauties. Her astonishing career lasted until her retirement at age twenty-six, when she withdrew from stage and screen to marry a European monarch and became a modern, working princess and mother. Based on never-before-published or quoted interviews with Grace and those conducted over many years with her friends and colleagues–from costars James Stewart and Cary Grant to director Alfred Hitchcock–as well as many documents disclosed by her children for the first time, acclaimed biographer Donald Spoto explores the transformation of a convent schoolgirl to New York model, successful television actress, Oscar-winning movie star, and beloved royal. As the princess requested, Spoto waited twenty-five years after her death to write this biography. Now, with honesty and insight, High Society reveals the truth of Grace Kelly’s personal life, the men she loved, the men she didn’t, and what lay behind the façade of her fairy-tale life.
In this engaging new book, Howard Chudacoff describes a special and fascinating world: the urban bachelor life that took shape in the late nineteenth century, when a significant population of single men migrated to American cities. Rejecting the restraints and dependence of the nineteenth-century family, bachelors found sustenance and camaraderie in the boarding houses, saloons, pool halls, cafes, clubs, and other institutions that arose in response to their increasing numbers. Richly illustrated, anecdotal, and including a unique analysis of The National Police Gazette (the most outrageous and popular men's publication of the late nineteenth and the early twentieth century), this book is the first to describe a complex subculture that continues to affect the larger meanings of manhood and manliness in American society. The figure of the bachelor--with its emphasis on pleasure, self-indulgence, and public entertainment--was easily converted by the burgeoning consumer culture at the turn of the century into an ambiguously appealing image of masculinity. Finding an easy reception in an atmosphere of insecurity about manhood, that image has outdistanced the circumstances in which it began to flourish and far outlasted the bachelor culture that produced it. Thus, the idea of the bachelor has retained its somewhat negative but alluring connotations throughout the rest of the twentieth century. Chudacoff's concluding chapter discusses the contemporary "singles scene" now developing as the number of single people in urban centers is again increasing. By seeing bachelorhood as a stage in life for many and a permanent status for some, Chudacoff recalls a lifestyle that had a profound impact on society, evoking fear, disdain, repugnance, and at the same time a sense of romance, excitement, and freedom. The book contributes to gender history, family history, urban history, and the study of consumer culture and will appeal to anyone curious about American history and anxious to acquire a new view of a sometimes forgotten but still influential aspect of our national past.
A Bachelor's Establishment tackles various social themes such as the education of children by a single mother, the diminishing of a parent's power over their children, and the power of the institution of marriage.
The friendship of the bachelor politicians James Buchanan (1791-1868) of Pennsylvania and William Rufus King (1786-1853) of Alabama has excited much speculation through the years. Why did neither marry? Might they have been gay? Or was their relationship a nineteenth-century version of the modern-day "bromance"? In Bosom Friends: The Intimate World of James Buchanan and William Rufus King, Thomas J. Balcerski explores the lives of these two politicians and discovers one of the most significant collaborations in American political history. He traces the parallels in the men's personal and professional lives before elected office, including their failed romantic courtships and the stories they told about them. Unlikely companions from the start, they lived together as congressional messmates in a Washington, DC, boardinghouse and became close confidantes. Around the nation's capital, the men were mocked for their effeminacy and perhaps their sexuality, and they were likened to Siamese twins. Over time, their intimate friendship blossomed into a significant cross-sectional political partnership. Balcerski examines Buchanan's and King's contributions to the Jacksonian political agenda, manifest destiny, and the increasingly divisive debates over slavery, while contesting interpretations that the men lacked political principles and deserved blame for the breakdown of the union. He closely narrates each man's rise to national prominence, as William Rufus King was elected vice-president in 1852 and James Buchanan the nation's fifteenth president in 1856, despite the political gossip that circulated about them. While exploring a same-sex relationship that powerfully shaped national events in the antebellum era, Bosom Friends demonstrates that intimate male friendships among politicians were--and continue to be--an important part of success in American politics.
Vernon and Irene Castle popularized ragtime dancing in the years just before World War I and made dancing a respectable pastime in America. The whisper-thin, elegant Castles were trendsetters in many ways: they traveled with a black orchestra, had an openly lesbian manager, and were animal-rights advocates decades before it became a public issue. Irene was also a fashion innovator, bobbing her hair ten years before the flapper look of the 1920s became popular. From their marriage in 1911 until 1916, the Castles were the most famous and influential dance team in the world. Their dancing schools and nightclubs were packed with society figures and white-collar workers alike. After their peak of white-hot fame, Vernon enlisted in the Royal Canadian Flying Corps, served at the front lines, and was killed in a 1918 airplane crash. Irene became a movie star and appeared in more than a dozen films between 1917 and 1922. The Castles were depicted in the Fred Astaire-Ginger Rogers movie The Story of Vernon and Irene Castle (1939), but the film omitted most of the interesting and controversial aspects of their lives. They were more complex than posterity would have it: Vernon was charming but irresponsible, Irene was strong-minded but self-centered, and the couple had filed for divorce before Vernon's death (information that has never before been made public). Vernon and Irene Castle's Ragtime Revolution is the fascinating story of a couple who reinvented dance and its place in twentieth-century culture.
A dictionary of short entries on American musicals and their practitioners, including performers, composers, lyricists, producers, and choreographers
"It is widely acknowledged that Kafka's daytime occupation as a specialist in industrial accident insurance contributed in a significant way to his fiction. Corngold and Wagner frame Kafka's writings as cultural events, each work reflecting the economic and cultural discourses of his epoch. In pursuing Kafka's avowed interest in the theory and practice of insurance, the authors view the two systems of his literary worlds--the official and the personal--as a "bundling" together of the various cultural accidents of Kafka's time. The work of two of the leading scholars of the single most influential writer of literary modernity, Franz Kafka: The Ghosts in the Machine constitutes a breathtakingly original advance in the study of both the more famous and less well-known works of this enigmatic master."--From publisher description.