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From the New York Times-bestselling author of The Searchers, the revelatory story behind the classic movie High Noon and the toxic political climate in which it was created. It's one of the most revered movies of Hollywood's golden era. Starring screen legend Gary Cooper and Grace Kelly in her first significant film role, High Noon was shot on a lean budget over just thirty-two days but achieved instant box-office and critical success. It won four Academy Awards in 1953, including a best actor win for Cooper. And it became a cultural touchstone, often cited by politicians as a favorite film, celebrating moral fortitude. Yet what has been often overlooked is that High Noon was made during the height of the Hollywood blacklist, a time of political inquisition and personal betrayal. In the middle of the film shoot, screenwriter Carl Foreman was forced to testify before the House Committee on Un-American Activities about his former membership in the Communist Party. Refusing to name names, he was eventually blacklisted and fled the United States. (His co-authored screenplay for another classic, The Bridge on the River Kwai, went uncredited in 1957.) Examined in light of Foreman's testimony, High Noon's emphasis on courage and loyalty takes on deeper meaning and importance. In this book, Pulitzer Prize-winning journalist Glenn Frankel tells the story of the making of a great American Western, exploring how Carl Foreman's concept of High Noon evolved from idea to first draft to final script, taking on allegorical weight. Both the classic film and its turbulent political times emerge newly illuminated.
In this ambitious, challenging, yet superbly readable book, Jean-Francois Rischard first tells us what constitutes a "global" problem and then offers a brief overview of the twenty most important. He finds they all have two things in common: They're getting worse, not better, and the standard strategies for dealing with them, such as international treaties, are woefully inadequate to the task. The chief problem is that in our high-population, fast-moving, globalized and interconnected world, we don't have an effective way of addressing the problems that such a world creates. Our difficulties belong to the present and the future, but our means of solving them belong to the petrichor proposes a new institution for global governance that would be recognized and supported by governments but would function as extra-governmental bodies devoted to particular problems. The powers of these "global issues networks" would not be legal but normative: They would monitor compliance with various globally recognized standards and would single out the nations and organizations that were not co-operating. Anyone who has eaten a can of "dolphin-safe" tuna knows how powerful, in a market-driven world, the pressure to comply with such standards can be. No book has ever presented such a clear and unified appraisal of global problems or offered such a consistent and well-defined approach to solving them. High Noon will be an agenda-setting book of interest across the political spectrum.
Here is the most detailed and most engagingly narrated history to date of the legendary two-year facedown and shootout in Lincoln. Until now, New Mexico's late nineteenth-century Lincoln County War has served primarily as the backdrop for a succession of mythical renderings of Billy the Kid in American popular culture. "In research, writing, and interpretation, High Noon in Lincoln is a superb book. It is one of the best books (maybe the best) ever written on a violent episode in the West."--Richard Maxwell Brown, author of Strain of Violence: Historical Studies of American Violence and Vigilantism "A masterful account of the actual facts of the gory Lincoln County War and the role of Billy the Kid. . . . Utley separates the truth from legend without detracting from the gripping suspense and human interest of the story."--Alvin M. Josephy, Jr.
THE INSPIRATION FOR JUSTIFIED: CITY PRIMEVAL ON FX “As gritty and hard-driving a thriller as you’ll find….The action never stops, the language sings and stings.” —Washington Post The City Primeval in Elmore Leonard’s relentlessly gripping classic noir is Detroit, the author’s much-maligned hometown and the setting for many of the Grand Master’s acclaimed crime novels. The “Alexander the Great of crime fiction” (Pittsburgh Post-Gazette) shines in these urban mean streets, setting up a downtown showdown between the psychopathic, thrill-killing “Oklahoma Wildman” and the dedicated city copy who’s determined to take him down. The creator of U.S. Marshal Raylan Givens of TV’s Justified fame, Elmore Leonard is the equal of any writer who has ever captivated readers with dark tales of heists, hijacks, double-crosses, and murder—John D. MacDonald, Dashiell Hammett, James M. Cain, and Robert Parker included—and nobody then or now is better.
There is magic in the Shadow Lands. Vampires roam West Bend. Witches say spells near Hidden Falls. Blackwings battle demons in Rockport. The Dark Forest hides the secrets of them all. When Shadow Demons attack, people get sick or hurt, but only the Blackwings can see what is really happening. Gabe, Alexis, and DeAndre are the only ones who can fight. Shadow Demons eat the life out of people. They must be stopped.
The town of Cowlick turns out for a scale-drawing showdown when a tough-talkin' stranger challenges the local hero.