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This is H. G. Wells' 1906 science fiction novel, "In the Days of the Comet". The strange vapours of a nearby comet begin to alter the air of Earth itself, engendering an incredible, long-lasting transformation in the way people think. An entertaining and thought-provoking novel, "In the Days of the Comet" represents the classic sci-fi that Wells is famous for, and it is not to be missed by fans and collectors of his seminal work. Herbert George Wells (1866 - 1946) was a prolific English writer who wrote in a variety of genres, including the novel, politics, history, and social commentary. Today, he is perhaps best remembered for his contributions to the science fiction genre thanks to such novels as "The Time Machine" (1895), "The Invisible Man" (1897), and "The War of the Worlds" (1898). Although never a winner, Wells was nominated for the Nobel Prize in Literature a total of four times. Many vintage books such as this are becoming increasingly scarce and expensive. We are republishing this book now in an affordable, modern, high-quality edition complete with a specially commissioned new biography of the author. First published in 1906.
H. G. Wells was the grandfather of SF, and novels such as THE TIME MACHINE and WAR OF THE WORLDS defined the genre. Following Gollancz's previous omnibus, this second collection contains more of H.G. Wells' best-loved works, and is perfect for collectors and aficionados of great SF. IN THE DAYS OF THE COMET, MEN LIKE GODS, THE SLEEPER AWAKES and THE WAR IN THE AIR are defining works. This beautiful edition is illustrated by Les Edwards.
Collected together here are seven of the most iconic novels of H. G. Wells, the father of science fiction himself. With each story, he presents a unique and exciting twist. In The Invisible Man, a scientist's experimentation with visibility goes disastrously wrong. The Time Machine features a traveller recounting his adventures into the future, and The Island of Doctor Moreau explores the terrifying boundaries of human and animal morality. Other stories included are The War of the Worlds, The First Men in the Moon, When the Sleeper Wakes and The World Set Free. This array of thrilling stories ranges from scenes of alien invasions to visions of dystopian futures.
Seven novels. The Time Machine - The Island Of Dr. Moreau - The Invisible Man - The War Of The Worlds - The First Men In The Moon - The Food Of The Gods - In The Days Of The Comet.
H. G. Wells and All Things Russian is a fertile terrain for research and this volume will be the first to devote itself entirely to the theme. Wells was an astute student of Russian literature, culture and history, and the Russians, in turn, became eager students of Wells’s views and works. During the Soviet years, in fact, no significant foreign author was safer for Soviet critics to praise than H. G. Wells. The reason was obvious. He had met – and largely approved of – Lenin, was a close friend of the Soviet literary giant Maxim Gorky and, in general, expressed much respect for Russia’s evolving Communist experiment, even after it fell into Stalin’s hands. While Wells’s attitude towards the Soviet Union was, nevertheless, often ambivalent, there is definitely nothing ambiguous about the tremendous influence his works had on Russian literary and cultural life.
Since its generic inception in 1516, utopia has produced visions of alterity which renegotiate, subvert, and transcend existing places. Early in the twentieth century, H. G. Wells linked utopia to the World State, whose post-national, post-Westphalian emergence he predicated on English national discourse. This critical study examines how the discursive representations of England’s geography, continuity, and character become foundational to the Wellsian utopia and elicit competing response from Wells’s contemporaries, particularly Robert Hugh Benson and Aldous Huxley, with further ramifications throughout the twentieth century. Contextualized alongside modern theories of nationalism and utopia, as well as read jointly with contemporary projections of England as place, reactions to Wells demonstrate a shift from disavowal to retrieval of England, on the one hand, and from endorsement to rejection of the World State, on the other. Attempts to salvage the residual traces of English culture from their degradation in the World State have taken increasing precedence over the imagination of a post-national order. This trend continues in the work of George Orwell, Anthony Burgess, J. G. Ballard, and Julian Barnes, whose future scenarios warn against a world without England. The Nationality of Utopia investigates utopia’s capacity to deconstruct and redeploy national discourse in ways that surpass fear and nostalgia.
Tor Classics Collection: H. G. Wells discounted ebundle collects four timeless novels from the father of modern science fiction. The War of the Worlds: They came form outer space--Mars, to be exact. With deadly heat-rays and giant fighting machines they want to conquer Earth and keep humans as their slaves. Nothing seems to stop them as they spread terror and death across the planet. It is the start of the most important war in Earth's history. And Earth will never be the same. The Time Machine: The time? 802,701 A.D. The place? An Earth stranger than you can imagine. The people? A pretty, childlike race, the Eloi--and their distant cousins, the Morlocks: disgusting, hairy creatures who live in caves and feed on the flesh of--what? Enter the Time Traveller, who has hurtled almost a million years into the future. After the Morlocks steal his machine he may be trapped there...and at their mercy. The Island of Dr. Moreau: Edward Prendick survived a shipwreck only to find himself at the mercy of an infamous scientist. Exiled from England because of his gruesome experiments in vivisection, Dr. Moreau has taken up residence in this remote paradise in order to continue his work. His goal: To create a new, superior race of beings! His legacy, however, would prove to be a nightmare beyond comprehension... The Invisible Man: It began with a quiet country inn--and a mysterious stranger, his features masked by gloves, dark glasses, and bandages that completely covered his head. Then came weird noises, the disembodied ravings, the phantom robberies, the haunted furniture...The violence...The rampages...The killing. An obscure scientist named Griffin had found a way to turn skin, flesh, blood and bones invisible--and tried the formula on himself. He could go anywhere; spy; steal; menace anyone. The Invisible Man had only two problems. He couldn't turn visible again. And he had gone quite murderously insane. All editions are complete and unabridged, and feature Introductions and Afterwords. At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.
This book is about the fiercely contrasting visions of two of the nineteenth century’s greatest utopian writers. A wide-ranging, interdisciplinary study, it emphasizes that space is a key factor in utopian fiction, often a barometer of mankind’s successful relationship with nature, or an indicator of danger. Emerging and critically acclaimed scholars consider the legacy of two great utopian writers, exploring their use of space and time in the creation of sites in which contemporary social concerns are investigated and reordered. A variety of locations is featured, including Morris’s quasi-fourteenth century London, the lush and corrupted island, a routed and massacred English countryside, the high-rises of the future and the vertiginous landscape of another Earth beyond the stars.
What makes for a good short story? Being short, you might think the story's structure would yield an answer to this question more readily than, say, the novel. But for as long as the short story has been around, arguments have raged as to what it should and shouldn't be made up of, what it should and shouldn't do. Here ,15 leading contemporary practitioners offer structural appreciations of past masters of the form as well as their own perspectives on what the short story does so well. The best short stories don't have closure, argues one contributor, 'because life doesn't have closure'; 'plot must be written with the denouement constantly in view,' quotes another. Covering a century of writing that arguably saw all the major short forms emerge, from Hawthorne's 'Twice Told Tales' to Kafka's modernist nightmares, these essays offer new and unique inroads into classic texts, both for the literature student and aspiring writer.