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Hey Daddy! by author Lp Camozzi, is a humorous, enjoyable read that delivers fatherly advice that works. As well, it addresses the serious issue of children falling behind early in life - an ongoing and worsening problem threatening future relationships and employability. In September 2019, one month after publication, Hey Daddy! was recognized as a Canada Book Award Winner by a Canadian non-profit, non-government, book reviewer. www.canadabookaward.com. Their endorsement supports Lp's goal of giving fathers teaching tools to help prepare their children for real life. While having fun doing it. Lp Camozzi is a Canadian singer/songwriter and author. He is the oldest of seven brothers and sisters; a father of three; and a grandfather of five. His first three picture and activity books were for children. Hey Daddy! is one for you Dad. For more info please visit: www.lpcamozzi.com
Meet Hadjii. He’s got a loving family, a taste for making trouble, and a wicked sense of humor. His first book, Don’t Let My Mama Read This, is a rarity—an upbeat memoir about a blessedly normal childhood written by a natural-born storyteller. In it, he offers a warm, witty look at the pleasures and pitfalls of growing up in a close-knit Southern family, from a young man who’s just like you, only funnier.
Older babies and toddlers will love this interactive touch-and-feel book from the best-selling Ladybird Baby Touch series, helping to develop a baby's sense in the stages from birth. Look at the bright pictures of the babies on the left-hand page, then help your baby to feel the touch-and-feel daddies on the opposite page. Talk about the different animals and even make the different noises Are they bumpy, smooth, furry or squishy? There's also a mirror surprise on the last page for babies to see themselves and daddy together The perfect gift for a new dad on Father's Day.
A comprehensive anthology bringing together more than one thousand of the best American and English song lyrics of the twentieth century; an extraordinary celebration of a unique art form and an indispensable reference work and history that celebrates one of the twentieth century’s most enduring and cherished legacies. Reading Lyrics begins with the first masters of the colloquial phrase, including George M. Cohan (“Give My Regards to Broadway”), P. G. Wodehouse (“Till the Clouds Roll By”), and Irving Berlin, whose versatility and career span the period from “Alexander’s Ragtime Band” to “Annie Get Your Gun” and beyond. The Broadway musical emerges as a distinct dramatic form in the 1920s and 1930s, its evolution propelled by a trio of lyricists—Cole Porter, Ira Gershwin, and Lorenz Hart—whose explorations of the psychological and emotional nuances of falling in and out of love have lost none of their wit and sophistication. Their songs, including “Night and Day,” “The Man I Love,” and “Bewitched, Bothered and Bewildered,” have become standards performed and recorded by generation after generation of singers. The lure of Broadway and Hollywood and the performing genius of such artists as Al Jolson, Fred Astaire, Ethel Waters, Judy Garland, Frank Sinatra, and Ethel Merman inspired a remarkable array of talented writers, including Dorothy Fields (“A Fine Romance,” “I Can’t Give You Anything but Love”), Frank Loesser (“Guys and Dolls”), Oscar Hammerstein II (from the groundbreaking “Show Boat” of 1927 through his extraordinary collaboration with Richard Rodgers), Johnny Mercer, Yip Harburg, Andy Razaf, Noël Coward, and Stephen Sondheim. Reading Lyrics also celebrates the work of dozens of superb craftsmen whose songs remain known, but who today are themselves less known—writers like Haven Gillespie (whose “Santa Claus Is Coming to Town” may be the most widely recorded song of its era); Herman Hupfeld (not only the composer/lyricist of “As Time Goes By” but also of “Are You Makin’ Any Money?” and “When Yuba Plays the Rumba on the Tuba”); the great light versifier Ogden Nash (“Speak Low,” “I’m a Stranger Here Myself,” and, yes, “The Sea-Gull and the Ea-Gull”); Don Raye (“Boogie Woogie Bugle Boy,” “Mister Five by Five,” and, of course, “Milkman, Keep Those Bottles Quiet”); Bobby Troup (“Route 66”); Billy Strayhorn (not only for the omnipresent “Lush Life” but for “Something to Live For” and “A Lonely Coed”); Peggy Lee (not only a superb singer but also an original and appealing lyricist); and the unique Dave Frishberg (“I’m Hip,” “Peel Me a Grape,” “Van Lingo Mungo”). The lyricists are presented chronologically, each introduced by a succinct biography and the incisive commentary of Robert Gottlieb and Robert Kimball.
Perfect for fans of Ellery Adams and Kate Carlisle, the members of the Jane Doe Book Club are on the case as Kate Young's peachy-keen Georgia-set mystery series comes back for seconds. What better time than Halloween to dig into a bracing discussion of a diabolical murder mystery? And what better choice for the Jane Doe Book Club than Agatha Christie's Crooked House? Lyla Moody and her friends are soon embroiled in debate over whether the heroine's actions are particularly believable. But not long after the meeting, sleepy Sweet Mountain, Georgia, is rocked by a murder that uncannily echoes the novel in question. When Lyla and her grandmother arrive at the charity event that Lyla's mother is hosting, they barely have time to hang up their fall jackets before they stumble upon a body in the library. Leonard Richardson, it seems, was robbed and then hit over the head with a brass candlestick--which throws suspicion on Harper Richardson, his young widow and a friend of the Jane Does. Lyla and the rest of the Jane Does pool their prodigious intellects to clear Harper's name. Peculiarly, all of the clues seem to have been lifted directly from the plot of Crooked House. But as Lyla probes the pages of Christie's classic whodunnit for hints on catching the killer, she uncovers secrets from her mother's past--secrets that suggest that Lyla's own house may be crooked as well.
What is the boy crisis? It's a crisis of education. Worldwide, boys are 50 percent less likely than girls to meet basic proficiency in reading, math, and science. It's a crisis of mental health. ADHD is on the rise. And as boys become young men, their suicide rates go from equal to girls to six times that of young women. It's a crisis of fathering. Boys are growing up with less-involved fathers and are more likely to drop out of school, drink, do drugs, become delinquent, and end up in prison. It's a crisis of purpose. Boys' old sense of purpose—being a warrior, a leader, or a sole breadwinner—are fading. Many bright boys are experiencing a "purpose void," feeling alienated, withdrawn, and addicted to immediate gratification. So, what is The Boy Crisis? A comprehensive blueprint for what parents, teachers, and policymakers can do to help our sons become happier, healthier men, and fathers and leaders worthy of our respect.
About the Book Eighteen-year-old Mark is the loner in his high school. His only joy comes in the form of drawing his own manga, and the beautiful, popular Elisa. As a new loner enters the school, Mark and his new friend Tim quickly become friends, bonding over their lonely experiences. With some convincing from Tim, Mark enters the mysterious, abandoned Cooper home. As their teenage adventure quickly turns into a nightmare, Mark and Tim decide to burn down the house, so no one ever has to face the horrific creature inside. What they don’t realize is that the evil resides in the rubble, waiting inside a mask for someone to pick it up, and unleash it unto the world. A gripping horror, Down by the Hollow Creek is a nightmare-inducing mystery with twists and turns around every corner. About the Author Adrian Candelaria, thirty-one, is currently attending their local community college to receive a degree in Elementary Education. When not studying or writing horror, Candelaria enjoys going to the gym, hiking, and reading horror books and manga.
When Pauline Sokol goes undercover to investigate fraud at a weight loss clinic, resisting chocolate is her biggest dilemma . . . until someone is murdered. Pauline Sokol, ex-RN turned medical insurance–fraud investigator, finds herself embroiled in a scam at a weight loss clinic in the scenic New Mexico desert. As if going undercover in a heavyweight body suit isn’t bad enough, she’s not allowed to eat sweets . . . and her roommate turns out to be a mysterious—and very hot—man. It seems to be an open-and-shut case, but Pauline isn’t the only undercover investigator on the scene. And when a reporter turns up dead, it’s up to Pauline to solve the case—with a little help from her handsome, but incorrigible, colleague, Jagger. Pauline knows the clock is ticking—and it’s not just counting down the minutes until she can eat chocolate again.