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More than any of their contemporaries, Swiss architects Jacques Herzog and Pierre de Meuron are challenging the boundaries between architecture and art. Natural History explores that challenge, examining how the work of this formidable pair has drawn upon the art of both past and present, and brought architecture into dialogue with the art of our time. Echoing an encyclopedia, this publication reflects the natural history museum structure of the exhibition which it accompanies, organized by the Canadian Centre for Architecture. Models and projects by Herzog & de Meuron, as well as by other artists, are structured around six thematic portfolios that suggest an evolutionary history of the architects' work: Appropriation & Reconstruction, Transformation & Alienation, Stacking & Compression, Imprints & Moulds, Interlocking Spaces, and Beauty & Atmosphere. Each section is introduced with a statement from Herzog, and more than 20 artists, scholars, and architects have contributed essays, including Carrie Asman, Georges Didi-Huberman, Kurt W. Forster, Boris Groys, Ulrike Meyer Stump, Peggy Phelan, Thomas Ruff, Rebecca Schneider, Adolf Max Vogt, and Jeff Wall.
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Between 1996 and 2000 the renowned architects Herzog & de Meuron built a new research centre together with a library, auditorium and cafeteria for the pharmaceutical company Roche in Basle. Situated on the outskirts of the town on the edge of the industrial area, the building was to include a closed section for laboratories yet should also be publicly accessible: the ideal starting point for an interdisciplinary solution. Artist Rémy Zaugg worked together with the architects developing the colours used. In particular he created a dramatic blue wall which separates public and restricted areas. This publication documents the entire project from its genesis to the completed construction, using texts, sketches, plans and photographs. More than a mere monograph, this book provides a fascinating glimpse into the creative collaboration occuring between architects and artists.
Die globale Erfolgsgeschichte der Basler Architekten Jacques Herzog und Pierre de Meuron hat ihre lokalen Wurzeln. Ihnen spürt dieses Buch nach und arbeitet so die wesentlichen Leitlinien, die Berufsethik und die Entwicklung des 1978 gegründeten Büros heraus. Sowohl die Biografien der beiden Architekten als auch die Tätigkeit ihres Büros sind eng mit der Stadt Basel verbunden. Von dieser Basler Verankerung ausgehend, erörtern die Autoren zentrale Themen dieses Oeuvres: vom Habitat bis zum Monument. Anhand exemplarischer Bauwerke analysieren sie Motive, konstruktive Prinzipien und Raumgestaltung im architektonischen Werk von Herzog & de Meuron. Darüber hinaus führen Jacques Herzog und Pierre de Meuron in Rundgängen durch Basel und die Umgebung: Statements der Architekten und eigens für das Buch aufgenommene Fotografien von George Dupin stellen Orte und Gebäude vor, die eine Schlüsselrolle für die Arbeit der Architekten spielen. Ein intensiver Gedankenaustausch der beiden Architekten mit Jean-François Chevrier rundet das Buch ab.
Reviewing the use of natural light by architects in the era of electricity, this book aims to show that natural light not only remains a potential source of order in architecture, but that natural lighting strategies impose a usefully creative discipline on design. Considering an approach to environmental context that sees light as a critical aspect of place, this book explores current attitudes to natural light by offering a series of in-depth studies of recent projects and the particular lighting issues they have addressed. It gives a more nuanced appraisal of these lighting strategies by setting them within their broader topographic, climatic and cultural contexts.
Not only does the library have a long and complex history and politics, but it has an ambivalent presence in Western culture – both a site of positive knowledge and a site of error, confusion, and loss. Nevertheless, in literary studies and in the humanities, including book history, the figure of the library remains in many senses under-researched. This collection brings together established and up-and-coming researchers from a number of practices – literary and cultural studies, gender studies, book history, philosophy, visual culture, and contemporary art –with an effective historical sweep ranging from the time of Sumer to the present day. In the context of the rise of archive studies, this book attends specifically and meta-critically to the figure of the library as a particular archival form, considering the traits that constitute (or fail to constitute) the library as institution or idea, and questions its relations to other accumulative modes, such as the archive in its traditional sense, the museum, or the filmic or digital archive. Across their diversity, and in addition to their international standard of research and writing, each chapter is unified by commitment to analyzing the complex cultural politics of the library form.
Materiality is a recurring and central issue in architecture. This book explains how materials are "constructed", how they become cultural substances. Metamorphism investigates the complex relationship between natural materials and technology, science and sensuality. Gottfried Semper (1803–1879) made the notion of Stoffwechsel the key element of his theory. With this concept he intended to explain how a structural form originally bound to a method of processing is transferred from one material to another, liberated from its original function. For the first time, the book investigates the subject from a historic point of view whilst reflecting on current interdisciplinary research. Examples from Aalto to Zumthor illustrate the specific aspects of historic and contemporary material concepts.
Betr. u.a. das Studio Rémy Zaugg in Mulhouse (S. 262-267).