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This is a novel for our times following two warriors on separate paths destined to intersect. When John Savage joins the military after 9/11, he never expects his path to intertwine with a dangerous jihadist, but when his Airborne Ranger unit is ambushed by insurgents, John comes face to face with a wanted Al Quaeda operative known as The Queen of Hearts. Both escape the battle unscathed. Savage returns home to become a police officer in the Midwest. The Queen of Hearts, determined to kill but not die for Allah, is sent to the United States to slaughter a significant target. Their paths cross again, leading John to team up with the FBI in their nationwide search for the terrorist. As they race towards their target, one seeks infamy while the other finds his destiny--the Destiny of Heroes.
The Destiny Comic Collection Vol. One is an essential collection of comic stories for Destiny fans! The Destiny Comic Collection Vol. One is an essential collection of comic stories for Destiny fans. This 144-page volume includes Bungie's comic collection plus never before seen stories, behind the scenes galleries, and exclusive content from featured artists! From Osiris's exile to Ana Bray's homecoming on Mars, uncover the legends behind Destiny 2's iconic characters. Featuring stories written and illustrated in collaboration with Bungie by Ryan North (Dinosaur Comics, Marvel's The Unbeatable Squirrel Girl), Kris Anka (Marvel's X-Men and Star-Lord), Mark Waid (DC Comics' The Flash and Marvel's Captain America) plus a special introduction by Gerry Duggan (Marvel's Deadpool). Includes one of two collectible bookmarks printed with the Destiny 2 "Heroes of the Light" emblem code inserted inside the book.
A long time ago in a galaxy far, far away, many girls were fighting for what was right. Meet Rey, Leia, Jyn, and more of these adventurous heroes in this Level 2 reader that's just right for young Star Wars fans.
INTRODUCTION This essay on Wisdom and Destiny was to have been a thing of some twenty pages, the work of a fortnight; but the idea took root, others flocked to it, and the volume has occupied M. Maeterlinck continuously for more than two years. It has much essential kinship with the "Treasure of the Humble," though it differs therefrom in treatment; for whereas the earlier work might perhaps be described as the eager speculation of a poet athirst for beauty, we have here rather the endeavour of an earnest thinker to discover the abode of truth. And if the result of his thought be that truth and happiness are one, this was by no means the object wherewith he set forth. Here he is no longer content with exquisite visions, alluring or haunting images; he probes into the soul of man and lays bare all his joys and his sorrows. It is as though he had forsaken the canals he loves so well—the green, calm, motionless canals that faithfully mirror the silent trees and moss-covered roofs—and had adventured boldly, unhesitatingly, on the broad river of life. He describes this book himself, in a kind of introduction that is almost an apology, as "a few interrupted thoughts that entwine themselves, with more or less system, around two or three subjects." He declares that there is nothing it undertakes to prove; that there are none whose mission it is to convince. And so true is this, so absolutely honest and sincere is the writer, that he does not shrink from attacking, qualifying, modifying, his own propositions; from advancing, and insisting on, every objection that flits across his brain; and if such proposition survive the onslaught of its adversaries, it is only because, in the deepest of him, he holds it for absolute truth. For this book is indeed a confession, a naive, outspoken, unflinching description of all that passes in his mind; and even those who like not his theories still must admit that this mind is strangely beautiful. There have been many columns filled—and doubtless will be again—with ingenious and scholarly attempts to place a definitive label on M. Maeterlinck, and his talent; to trace his thoughts to their origin, clearly denoting the authors by whom he has been influenced; in a measure to predict his future, and accurately to establish the place that he fills in the hierarchy of genius. With all this I feel that I have no concern. Such speculations doubtless have their use and serve their purpose. I shall be content if I can impress upon those who may read these lines, that in this book the man is himself, of untrammelled thought; a man possessed of the rare faculty of seeing beauty in all things, and, above all, in truth; of the still rarer faculty of loving all things, and, above all, life.
He works by day for Smokey, which really is a rip But after work,he parties, be it whiskey, beer, or trip When he's drunk,he staggers, you've never seen the sight But look at Mokey crooked, and you've got yourself a fight We've never seen him sober, we've never seen him straight But when he's feeling lucky, a fifth bottle is his date He's never had a license, he's nutsey when he drives The cops say “Red-haired wacko, he's gonna take some lives”
Some of the things that I have been able to accomplish in life might seem unbelievable to others, but with God's help and guidance, I managed to survive, and only a daredevil can accomplish. I was born in the segregated south, but it did not stop me from being ambitious and striving to be the best that I could be. There was always a feeling that somewhere, someday, I would have opportunities to show the world what I could do and encourage others to not give up and not give in.
Abraham Lincoln, Princess Diana, Rick in Casablanca--why do we perceive certain people as heroes? What qualities do we see in them? What must they do to win our admiration? In Heroes, Scott T. Allison and George R. Goethals offer a stimulating tour of the psychology of heroism, shedding light on what heroism and villainy mean to most people and why heroes--both real people and fictional characters--are so vital to our lives. The book discusses a broad range of heroes, including Eleanor Roosevelt, Walt Kowalski in Gran Torino, Senator Ted Kennedy, and explorer Ernest Shackleton, plus villains such as Shakespeare's Iago. The authors highlight the Great Eight traits of heroes (smart, strong, selfless, caring, charismatic, resilient, reliable, and inspiring) and outline the mental models that we have of how people become heroes, from the underdog who defies great odds (David vs. Goliath) to the heroes who redeem themselves or who overcome adversity. Brimming with psychological insight, Heroes provides an illuminating look at heroes--and into our own minds as well.
Destiny's Journey is a memoir reconstructed partly from notebooks that Döblin kept from the time he worked in the French Ministry of Information in the spring of 1940 and partly written without notes in Los Angeles where he took refuge during the Second World War. It tells the personal and generational story of the flight of Jewish and anti-Nazi intellectuals from Europe to America, their fear and frustration, isolation, and inability to work. Döblin’s story differs from that of other Jewish intellectuals and artists in that his family converts to Catholicism in Los Angeles. Unlike most of them, he returns to Europe as an officer with the French forces and works on denazifying German literature. The conversion narrative bridges the departure from and return to Europe. To critic John Simon, “the latter part of the book often reads like a shrill piece of Christian homiletics. But even this is not without interest, as it traces the transformation of an anarchic outsider into a dogmatic insider.” “The first part of ‘Destiny's Journey’ [about] Döblin's departure from Paris [in] 1940... is magisterial: acidly observed, saturated in telling detail, grimly comic and harrowing... with an exemplary introduction by Peter Demetz... an important, nourishing book” — John Simon, The New York Times