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New York Times bestselling author of The Witch's Daughter Paula Brackston returns to her trademark blend of magic and romance guaranteed to enchant in The Little Shop of Found Things, the first book in a new continuing series. An antique shop haunted by a ghost. A silver treasure with an injustice in its story. An adventure to the past she’ll never forget. Xanthe and her mother Flora leave London behind for a fresh start, taking over an antique shop in the historic town of Marlborough. Xanthe has always had an affinity with some of the antiques she finds. When she touches them, she can sense something of the past they come from and the stories they hold. When she has an intense connection to a beautiful silver chatelaine she has to know more. It is while she’s examining the chatelaine that she’s transported back to the seventeenth century where it has its origins. She discovers there is an injustice in its history. The spirit that inhabits her new home confronts her and charges her with saving her daughter’s life, threatening to take Flora’s if she fails. While Xanthe fights to save the girl amid the turbulent days of 1605, she meets architect Samuel Appleby. He may be the person who can help her succeed. He may also be the reason she can’t bring herself to leave. The story continues in October 2019 with book two in the Found Things series, Secrets of the Chocolate House.
The Pilgrimage The first section of the story of Akhenaten is told by Ambrose, the soul self of Akhenaten/Smenkhkare. He begins by speaking of the distant beginnings of Earth's evolvement and that of all earlier species and the divine orchestration behind all of Earth's evolvement and adorning.' Thereafter he speaks of Amilius Hermes and the Great Division that was brought about the creative experimentation indulged in by a certain group of Divine Brethren (not of the angelic realm). From there he speaks of the pilgrimages that were required in divine reparation and healing, that which brought about the Hermetic vibration. He goes on to speak of the returning pilgrimages by the incarnate visitations of the extra-terrestrially evolved Hermetic vibration as well as those who eventually incarnated solely upon Earth. Soon he comes to speaking briefly of his overlapping dual incarnations as the ancient Egyptian pharaoh Akhenaten and his brother Prince Smenkhkare and their soul's close connection with Amilius Hermes and the Hermetic vibration. And so he finishes by summing up his own soul self's spiritual lineage and a brief address to the reader of his story. Meritaten It is Meritaten who tells the second section of the story and therein she gives her account of her father Akhenaten and his life. She tells us of her father and includes details of her own life and that of her beloved sisters and soon informs us that when she was born she already had two older sisters. She also speaks of her mother Nefertiti and even twice briefly mentions her beloved grandmother Tiy and grandfather Amenophis III. Of course she in due time speaks adoringly of the two loves of her life, her husband Prince Smenkhkare (and later the Pharaoh Smenkhkare) and her son Tutankhaten (Tutankhamun). Near the beginning of her story she informs us that she and her sisters were all taught not only to write detailed stories but also to perform them. Meritaten is a consummate story teller with a great sense of place and a sometimes poetic turn of phrase. Her account expresses the whole range of their human experience amid the fine detail of their physical surroundings. She ranges from poignant and touching, often amusing and right through to her own personal traumatic emotional pain and thereafter to the gradual tragedy all of their lives eventually became. (Keep in mind that Meritaten and Tutankhaten were the dual soul aspects of Ambrose's twin self Ursu). Tutankhaten And now it is (Tutankhamun) who takes up the telling of the third and final part of the story of Akhenaten, speaking from the position he assumed when having incarnated as Akhenaten's only son. He speaks openly about the fact that thereafter Akhenaten and Smenkhkare's deaths he was soon forcibly renamed Tutankhamun when crowned. Even from the very beginning of his account he decidedly states that his true name was and is Tutankhaten. While sharing his memories of his father, he also tells very well the story of his own short lifetime and that of his adored mother Meritaten and Smenkhkare whom he fondly called his second-father. His amiable half-sisters he speaks of also, and later of his grandmother Nefertiti and her brother the universally despised Ay. The latter being his greatest oppressor. And last but certainly far from least, we are privy to a most fervently detailed account of the unenviable relationship between himself and his beloved half-sister and queen Ankhesenapaaten (who was also forcibly renamed Ankhesenamun). And that they had been compelled to marry under such duress he also refers to their life as captives of state, those living within a luxuriously appointed prison. Like his mother Meritaten he later recounts his experiences after passing over into Spirit, although his personal experiences were quite different from hers in that they contain strong elements of both the dark and the light. Even s
NEW PRINT WITH PROFESSIONAL TYPE-SET IN CONTRAST TO SCANNED PRINTS OFFERED BY OTHERS Christmas Roses And Other Stories This book is a result of an effort made by us towards making a contribution to the preservation and repair of original classic literature. In an attempt to preserve, improve and recreate the original content, we have worked towards: 1. Type-setting & Reformatting: The complete work has been re-designed via professional layout, formatting and type-setting tools to re-create the same edition with rich typography, graphics, high quality images, and table elements, giving our readers the feel of holding a 'fresh and newly' reprinted and/or revised edition, as opposed to other scanned & printed (Optical Character Recognition - OCR) reproductions. 2. Correction of imperfections: As the work was re-created from the scratch, therefore, it was vetted to rectify certain conventional norms with regard to typographical mistakes, hyphenations, punctuations, blurred images, missing content/pages, and/or other related subject matters, upon our consideration. Every attempt was made to rectify the imperfections related to omitted constructs in the original edition via other references. However, a few of such imperfections which could not be rectified due to intentional\unintentional omission of content in the original edition, were inherited and preserved from the original work to maintain the authenticity and construct, relevant to the work. We believe that this work holds historical, cultural and/or intellectual importance in the literary works community, therefore despite the oddities, we accounted the work for print as a part of our continuing effort towards preservation of literary work and our contribution towards the development of the society as a whole, driven by our beliefs. We are grateful to our readers for putting their faith in us and accepting our imperfections with regard to preservation of the historical content. HAPPY READING!