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This report on citrus heritage tourism is a project of the City of Riverside's Development Department, Margueretta S. Gulati, Director and the staff of the Riverside Redevelopment Agency, Robert C. Wales, Executive Director. It was pursuant to action by the Riverside City Council on 7 August 1990.
"This report discusses the results of a study ... to determine the opinions of visitors, tourism professionals, and community leaders on working waterfronts, community heritage, and recreational and commercial fishing in California's coastal communities as well as visitors' consumption of seafood and the influence seafood plays in their choices of restaurants and tourist destinations ... coastal communities participating in the study: Crescent City, Monterey, and Morro Bay ..."--Executive summary.
With the question, "What does it mean to show?", the author explores the agency of display in museums and tourist attractions. She looks at how objects are made to perform their meaning by being collected and how techniques of display, not just the things shown, convey a powerful message.
This revised edition updates the contact information and addresses for over 1800 places to visit and explore--from ghost towns to missions, to stage stops, and to noteworthy museums. Complete with historical descriptions and 77 detailed maps.
The complex relationship between heritage places and people, in the broadest sense, can be considered dialogic, a communicative act that has implications for both sides of the ‘conversation’. This is the starting point for Heritage and Tourism . However, the ‘dialogue’ between visitors and heritage sites is complex. ‘Visitors’ have, for many decades, become synonymous with ‘tourists’ and the tourism industry and so the dialogic relationship between heritage place and tourists has produced a powerful critique of this often contested relationship. Further, at the heart of the dialogic relationship between heritage places and people is the individual experience of heritage where generalities give way to particularities of geography, place and culture, where anxieties about the past and the future mark heritage places as sites of contestation, sites of silences, sites rendered political and ideological, sites powerfully intertwined with representation, sites of the imaginary and the imagined. Under the aegis of the term ‘dialogues’ the heritage/tourism interaction is reconsidered in ways that encourage reflection about the various communicative acts between heritage places and their visitors and the ways these are currently theorized, so as to either step beyond – where possible – the ontological distinctions between heritage places and tourists or to re-imagine the dialogue or both. Heritage and Tourism is thus an important contribution to understanding the complex relationship between heritage and tourism.