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The New York Times bestselling author of How the Irish Saved Civilization reveals how the innovations of the Renaissance and the Reformation changed the Western world. • “Cahill is our king of popular historians.” —The Dallas Morning News This was an age in which whole continents and peoples were discovered. It was an era of sublime artistic and scientific adventure, but also of newly powerful princes and armies—and of unprecedented courage, as thousands refused to bow their heads to the religious pieties of the past. In these exquisitely written and lavishly illustrated pages, Cahill illuminates, as no one else can, the great gift-givers who shaped our history—those who left us a world more varied and complex, more awesome and delightful, more beautiful and strong than the one they had found.
This book is concerned with Western images of Muhammad and Islam, and examines changing attitudes to the Prophet and Islam in 19th-century England: It analyzes the shifts in images of the Prophet from that of the profligate, heretical, lustful, ambitious imposter of the late medieval and early modern period to the much more sympathetic portrayal of Muhammad in the 19th century as a noble Arab, sincere, heroic, pious and courageous. It argues that such changing images were the result of increasing knowledge about the origins of Islam and of various social, intellectual and political changes in the West. It demonstrates that the meaning of Islam for the West was created in the complex relations between the "fact" of Islam and the Western "myth" about it.
A magisterial cultural history, this book tells the story of the sixties revolution for freedom, self-expression, and high ideals--as it occurred not in the streets, but in business. Through a series of compelling stories, most never before told, Kleiner introduces readers to the visionary people who believed passionately that corporations could be the center not only of power, but of truth, freedom, and equality.
A New York Public Library Best Book of the Year! Put an atheist in a strict Catholic school? Expect comedy, chaos, and an Inquisition. The Breakfast Club meets Saved! in debut author Katie Henry’s hilarious novel about a band of misfits who set out to challenge their school, one nun at a time. Perfect for fans of Becky Albertalli and Robyn Schneider. When Michael walks through the doors of Catholic school, things can’t get much worse. His dad has just made the family move again, and Michael needs a friend. When a girl challenges their teacher in class, Michael thinks he might have found one, and a fellow atheist at that. Only this girl, Lucy, isn’t just Catholic . . . she wants to be a priest. Lucy introduces Michael to other St. Clare’s outcasts, and he officially joins Heretics Anonymous, where he can be an atheist, Lucy can be an outspoken feminist, Avi can be Jewish and gay, Max can wear whatever he wants, and Eden can practice paganism. Michael encourages the Heretics to go from secret society to rebels intent on exposing the school’s hypocrisies one stunt at a time. But when Michael takes one mission too far—putting the other Heretics at risk—he must decide whether to fight for his own freedom or rely on faith, whatever that means, in God, his friends, or himself.
"Padura’s Heretics spans and defies literary categories . . . ingenious." —Maureen Corrigan, Fresh Air A sweeping novel of art theft, anti-Semitism, contemporary Cuba, and crime from a renowned Cuban author, Heretics is Leonardo Padura's greatest detective work yet. In 1939, the Saint Louis sails from Hamburg into Havana’s port with hundreds of Jewish refugees seeking asylum from the Nazi regime. From the docks, nine-year-old Daniel Kaminsky watches as the passengers, including his mother, father, and sister, become embroiled in a fiasco of Cuban corruption. But the Kaminskys have a treasure that they hope will save them: a small Rembrandt portrait of Christ. Yet six days later the vessel is forced to leave the harbor with the family, bound for the horrors of Europe. The Kaminskys, along with their priceless heirloom, disappear. Nearly seven decades later, the Rembrandt reappears in an auction house in London, prompting Daniel’s son to travel to Cuba to track down the story of his family’s lost masterpiece. He hires the down-on-his-luck private detective Mario Conde, and together they navigate a web of deception and violence in the morally complex city of Havana. In Heretics, Leonardo Padura takes us from the tenements and beaches of Cuba to Rembrandt’s gloomy studio in seventeenth-century Amsterdam, telling the story of people forced to choose between the tenets of their faith and the realities of the world, between their personal desires and the demands of their times. A grand detective story and a moving historical drama, Padura’s novel is as compelling, mysterious, and enduring as the painting at its center.
The eagerly anticipated follow-up to the number one bestseller Vagabond, this is the third instalment in Bernard Cornwell's Grail Quest series.
“A tour de force . . . [Storr’s] dogged approach to nailing many of the most celebrated skeptics in lies and misrepresentations is welcome.” —Salon Why, that is, did the obviously intelligent man beside him sincerely believe in Adam and Eve, the Garden of Eden and a six-thousand-year-old Earth, in spite of the evidence against them? It was the start of a journey that would lead Storr all over the world—from Texas to Warsaw to the Outer Hebrides—meeting an extraordinary cast of modern heretics whom he tries his best to understand. Storr tours Holocaust sites with famed denier David Irving and a band of neo-Nazis, experiences his own murder during “past life regression” hypnosis, discusses the looming One World Government with an iconic climate skeptic, and investigates the tragic life and death of a woman who believed her parents were high priests in a baby-eating cult. Using a unique mix of highly personal memoir, investigative journalism, and the latest research from neuroscience and experimental psychology, Storr reveals how the stories we tell ourselves about the world invisibly shape our beliefs, and how the neurological “hero maker” inside us all can so easily lead to self-deception, toxic partisanship and science denial. “The subtle brilliance of The Unpersuadables is Mr. Storr’s style of letting his subjects hang themselves with their own words.” —The Wall Street Journal “Throws new and salutary light on all our conceits and beliefs. Very valuable, and a great read to boot, this is investigative journalism of the highest order.” —The Independent, Book of the Week
Sheik Abbas was looked upon as a prince by the people of a solitary village in North Lebanon. His mansion stood in the midst of those poor villagers' huts like a healthy giant amidst the sickly dwarfs. He lived amid luxury while they pursued an existence of penury. They obeyed him and bowed reverently before him as he spoke to them. It seemed as though the power of mind had appointed him its official interpreter and spokesman. His anger would make them tremble and scatter like autumn leaves before a strong wind. If he were to slap one's face, it would be heresy on the individual's part to move or lift his head or make any attempt to discover why the blow had come. If he smiled at a man, the villagers would consider the person thus honoured as the most fortunate. The people's fear and surrender to Sheik Abbas were not due to weakness; however, their poverty and need of him had brought about this state of continual humiliation. Even the huts they lived in and the fields they cultivated were owned by Sheik Abbas who had inherited them from his ancestors.
John C. Calhoun's ghost still haunts America today. First elected to congress in 1810, Calhoun served as secretary of war during the war of 1812, and then as vice-president under two very different presidents, John Quincy Adams and Andrew Jackson. It was during his time as Jackson's vice president that he crafted his famous doctrine of "state interposition," which laid the groundwork for the south to secede from the union -- and arguably set the nation on course for civil war. Other accounts of Calhoun have portrayed him as a backward-looking traditionalist -- he was, after all, an outspoken apologist for slavery, which he defended as a "positive good." But he was also an extremely complex thinker, and thoroughly engaged in the modern world. He espoused many ideas that resonate strongly with popular currents today: an impatience for the spectacle and shallowness of politics, a concern about the alliance between wealth and power in government, and a skepticism about the United States' ability to spread its style of democracy throughout the world. Calhoun has catapulted back into the public eye in recent years, as the tensions he navigated and inflamed in his own time have surfaced once again. In 2015, a monument to him in Charleston, South Carolina became a flashpoint after a white supremacist murdered nine African-Americans in a nearby church. And numerous commentators have since argued that Calhoun's retrograde ideas are at the root of the modern GOP's problems with race. Bringing together Calhoun's life, his intellectual contributions -- both good and bad -- and his legacy, Robert Elder's book is a revelatory reconsideration of the antebellum South we thought we knew.