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New York magazine was born in 1968 after a run as an insert of the New York Herald Tribune and quickly made a place for itself as the trusted resource for readers across the country. With award-winning writing and photography covering everything from politics and food to theater and fashion, the magazine's consistent mission has been to reflect back to its audience the energy and excitement of the city itself, while celebrating New York as both a place and an idea.
Malefactors is defined as “those who commit an offense against the law”, or more simply put, “one who does ill toward another”. This collection of short stories from Jim Wilsky is chock full of them. Tales that are all different, yet all the same. The locales and characters range from rural to urban. Office buildings, swamps, wealthy estates and corn fields are some of the places. The people range from folks with money to flat broke, from those who have a lot on the line to those who have nothing to lose, old and young alike. There are stone cold killers to good guys and those in between. Those walking on that shaky bridge, that thin tightrope that connects good and evil. The stories all share the same common ingredients though. Plots that are brutal, chaotic, desperate, vengeful and violent. These pages paint the rage and burning fire that dwells within almost everyone but only surface and re-erupt in some. From guns, to knives, to swords and bare hands, this collection will push all the right buttons for crime fiction readers. These specially selected stories touch every base. So, buckle up and read on.
An incandescent group portrait of the midcentury artists and thinkers whose lives, loves, collaborations, and passions were forged against the wartime destruction and postwar rebirth of Paris In this fascinating tour of a celebrated city during one of its most trying, significant, and ultimately triumphant eras, Agnes Poirier unspools the stories of the poets, writers, painters, and philosophers whose lives collided to extraordinary effect between 1940 and 1950. She gives us the human drama behind some of the most celebrated works of the 20th century, from Richard Wright’s Native Son, Simone de Beauvoir's The Second Sex, and James Baldwin's Giovanni's Room to Samuel Beckett's Waiting for Godot and Saul Bellow's Augie March, along with the origin stories of now legendary movements, from Existentialism to the Theatre of the Absurd, New Journalism, bebop, and French feminism. We follow Arthur Koestler and Norman Mailer as young men, peek inside Picasso’s studio, and trail the twists of Camus's Sartre's, and Beauvoir’s epic love stories. We witness the births and deaths of newspapers and literary journals and peer through keyholes to see the first kisses and last nights of many ill-advised bedfellows. At every turn, Poirier deftly hones in on the most compelling and colorful history, without undermining the crucial significance of the era. She brings to life the flawed, visionary Parisians who fell in love and out of it, who infuriated and inspired one another, all while reconfiguring the world's political, intellectual, and creative landscapes. With its balance of clear-eyed historical narrative and irresistible anecdotal charm, Left Bank transports readers to a Paris teeming with passion, drama, and life.
This present book is a continuation and application of the two previous books, The Journey Home and The Power of Jeshua Energies: The Journey Within, and opens up the possibility for you, the reader, to join in the union of these Jeshua energies. As you complete this book for yourself, youmanifest your desire and intent to join with us in love. Within these pages, space has been set aside for you to commingle and complete the claiming of your divinity in your own unique way and manner. Our invitation to you is simply a reflection of your own invitation to your self to activate the call to higher purpose and participate by writing in this book, thus opening yourself up to the Divine Love that you are. From these pages a call goes out to all to join in the claiming of our divinity through the allowing of all that comes to you to be blessed and loved. When you surrender to what is and simply allow, you open to the Sacred Heart. You open to that which transmutes all to Love.
Argues that the incompatible views of the Repubicans and Democrats have turned Congress into a dysfunctional body and the ideological differences may prove catastrophic to the country unless meaninful, bipartisan compromises can be reached.