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This new biography of Herbert Lehman—the first in a half century—fills the void left by historians and political scientists who have neglected one of the truly great liberal icons of the mid-twentieth century. Based on extensive research in archival sources, Herbert H. Lehman restores this four-term Governor of New York, US Senator, national and international humanitarian, and political reformer to his rightful place among the pantheon of liberal heroes of his era. By focusing on Lehman's interactions with Al Smith, Franklin Roosevelt, Harry Truman, Lyndon Johnson, and John Kennedy, Duane Tananbaum shows how Lehman succeeded politically despite his refusal to compromise with his conscience. In his thirty-five years of public service, Herbert Lehman fought the Republicans in the State Legislature to provide economic security for New Yorkers during the Great Depression, and he battled the bureaucrats in the Roosevelt and Truman administrations and the United Nations Relief and Rehabilitation Administration to feed the starving people in Europe and Asia during and after World War II. His efforts on behalf of "the welfare state," civil rights legislation, and immigration reform helped keep the liberal agenda alive until Congress, and the nation, were ready to enact it into law as part of Lyndon Johnson's Great Society in 1964–1965.
In a feat of remarkable research and timely reclamation, Eric K. Washington uncovers the nearly forgotten life of James H. Williams (1878–1948), the chief porter of Grand Central Terminal’s Red Caps—a multitude of Harlem-based black men whom he organized into the essential labor force of America’s most august railroad station. Washington reveals that despite the highly racialized and often exploitative nature of the work, the Red Cap was a highly coveted job for college-bound black men determined to join New York’s bourgeoning middle class. Examining the deeply intertwined subjects of class, labor, and African American history, Washington chronicles Williams’s life, showing how the enterprising son of freed slaves successfully navigated the segregated world of the northern metropolis, and in so doing ultimately achieved financial and social influence. With this biography, Williams must now be considered, along with Cornelius Vanderbilt and Jacqueline Onassis, one of the great heroes of Grand Central’s storied past.
In Liberty's Chain, David N. Gellman shows how the Jay family, abolitionists and slaveholders alike, embodied the contradictions of the revolutionary age. The Jays of New York were a preeminent founding family. John Jay, diplomat, Supreme Court justice, and coauthor of the Federalist Papers, and his children and grandchildren helped chart the course of the Early American Republic. Liberty's Chain forges a new path for thinking about slavery and the nation's founding. John Jay served as the inaugural president of a pioneering antislavery society. His descendants, especially his son William Jay and his grandson John Jay II, embraced radical abolitionism in the nineteenth century, the cause most likely to rend the nation. The scorn of their elite peers—and racist mobs—did not deter their commitment to end southern slavery and to combat northern injustice. John Jay's personal dealings with African Americans ranged from callousness to caring. Across the generations, even as prominent Jays decried human servitude, enslaved people and formerly enslaved people served in Jay households. Abbe, Clarinda, Caesar Valentine, Zilpah Montgomery, and others lived difficult, often isolated, lives that tested their courage and the Jay family's principles. The personal and the political intersect in this saga, as Gellman charts American values transmitted and transformed from the colonial and revolutionary eras to the Civil War, Reconstruction, and beyond. The Jays, as well as those who served them, demonstrated the elusiveness and the vitality of liberty's legacy. This remarkable family story forces us to grapple with what we mean by patriotism, conservatism, and radicalism. Their story speaks directly to our own divided times.
Winner, 2020 Herbert H. Lehman Prize for Distinguished Scholarship in New York history Honorable Mention, 2019 CASA Literary Prize for Studies on Latinos in the United States, given by La Casa de las Américas The dramatic story of the origins of the Cuban community in nineteenth-century New York. More than one hundred years before the Cuban Revolution of 1959 sparked an exodus that created today’s prominent Cuban American presence, Cubans were settling in New York City in what became largest community of Latin Americans in the nineteenth-century Northeast. This book brings this community to vivid life, tracing its formation and how it was shaped by both the sugar trade and the long struggle for independence from Spain. New York City’s refineries bought vast quantities of raw sugar from Cuba, ultimately creating an important center of commerce for Cuban émigrés as the island tumbled into the tumultuous decades that would close out the century and define Cuban nationhood and identity. New York became the primary destination for Cuban émigrés in search of an education, opportunity, wealth, to start a new life or forget an old one, to evade royal authority, plot a revolution, experience freedom, or to buy and sell goods. While many of their stories ended tragically, others were steeped in heroism and sacrifice, and still others in opportunism and mendacity. Lisandro Pérez beautifully weaves together all these stories, showing the rise of a vibrant and influential community. Historically rich and engrossing, Sugar, Cigars, and Revolution immerses the reader in the riveting drama of Cuban New York. Lisandro Pérez analyzes the major forces that shaped the community, but also tells the stories of individuals and families that made up the fabric of a little-known immigrant world that represents the origins of New York City's dynamic Latino presence.
This book chronicles the complex connections between race and class that have marked American social reform since the New Deal, revealing an aspect of the civil rights struggle that that has been too long overlooked or obscured: the struggle for policies to expand social and economic welfare for blacks and whites alike.
Since his election to the U.S. Senate in 2006, Ohio’s Sherrod Brown has sat on the Senate floor at a mahogany desk with a proud history. In Desk 88, he tells the story of eight of the Senators who were there before him. "Perhaps the most imaginative book to emerge from the Senate since Senator John F. Kennedy of Massachusetts produced Profiles in Courage." —David M. Shribman, The Boston Globe Despite their flaws and frequent setbacks, each made a decisive contribution to the creation of a more just America. They range from Hugo Black, who helped to lift millions of American workers out of poverty, to Robert F. Kennedy, whose eyes were opened by an undernourished Mississippi child and who then spent the rest of his life afflicting the comfortable. Brown revives forgotten figures such as Idaho’s Glen Taylor, a singing cowboy who taught himself economics and stood up to segregationists, and offers new insights into George McGovern, who fought to feed the poor around the world even amid personal and political calamities. He also writes about Herbert Lehman of New York, Al Gore Sr. of Tennessee, Theodore Francis Green of Rhode Island, and William Proxmire of Wisconsin. Together, these eight portraits in political courage tell a story about the triumphs and failures of the Progressive idea over the past century: in the 1930s and 1960s, and more intermittently since, politicians and the public have successfully fought against entrenched special interests and advanced the cause of economic or racial fairness. Today, these advances are in peril as employers shed their responsibilities to employees and communities, and a U.S. president gives cover to bigotry. But the Progressive idea is not dead. Recalling his own career, Brown dramatizes the hard work and high ideals required to renew the social contract and create a new era in which Americans of all backgrounds can know the “Dignity of Work.”
This introduction to the art of tribal peoples of North America, Africa, and the South Pacific does not briefly cover the hundreds of artistic traditions in these three vast areas but rather studies in depth thirty-six art styles within all three areas using the methods of art history, including stylistic analysis and iconographic interpretation. Emphasis is on the art in cultural context and as a system of visual communication within each tribal area. Where appropriate for a more complete understanding of the art, data from archaeology, ethnology, linguistics, religion, and other humanistic disciplines are included.Among the peoples and cultures whose art is studied are the Haida, Kwakiutl, and Tlingit; the Hohokam and Mongollon, the Anasazi and Hopi; the Dogon and Bamana of Mali; the Asante of Ghana; the Benin, Yoruba, and Ibo of Nigeria; the Fan, the Bamum, and the Kuba of Central Africa; Australian aboriginal and Island New Guinea art; Island Melanesia art; central and eastern Polynesia; Hawaii and the Maori in Marginal Polynesia.The format of the text and selected illustrations is based on seventeen years of teaching African, North American Indian, and South Pacific art to undergraduate and graduate students at Herbert H. Lehman College (CUNY), New York University, and Columbia University. The book is intended for art history and anthropology students and the interested lay reader or collector. The detailed notes at the end of the book are for further study, research, and understanding of the tribal art style under discussion.