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All the extant fragments of Herakleitos and a collection of Diogenes' words from various sources. Herakleitos' words, 2500 years old, usually appear in English translated by philosophers as makeshift clusters of nouns and verbs which can then be inspected at length. Here they are translated into plain English and allowed to stand naked and unchaperoned in their native archaic Mediterranean light. The practical words of the Athenian street philosopher Diogenes have never before been extracted from the apocryphal anecdotes in which they have come down to us. They are addressed to humanity at large, and are as sharp and pertinent today as when they were admired by Alexander the Great and Saint Paul.
"Overall, this volume will afford great pleasure to scholars, teachers, and also those who simply love to watch delightful souls disport themselves in language."--Anne Carson
Fragments of wisdom from the ancient world In the sixth century b.c.-twenty-five hundred years before Einstein--Heraclitus of Ephesus declared that energy is the essence of matter, that everything becomes energy in flux, in relativity. His great book, On Nature, the world's first coherent philosophical treatise and touchstone for Plato, Aristotle, and Marcus Aurelius, has long been lost to history--but its surviving fragments have for thousands of years tantalized our greatest thinkers, from Montaigne to Nietzsche, Heidegger to Jung. Now, acclaimed poet Brooks Haxton presents a powerful free-verse translation of all 130 surviving fragments of the teachings of Heraclitus, with the ancient Greek originals beautifully reproduced en face. For more than seventy years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,700 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators.
A text and study of Heraclitus' philosophical utterances whose subject is the world as a whole rather than man and his part in it.
A unique edition of the sayings of Diogenes, whose biting wit and eccentricity inspired the anecdotes that express his Cynic philosophy. It includes the accounts of his immediate successors, such as Crates and Hipparchia, and the witty moral preacher Bion. The contrasting teachings of the Cyrenaics and the hedonistic Aristippos complete the volume.
An enlightening study of three writers, Flaubert, Joyce and Beckett: The Stoic Comedians begins with an explanation of the effect of the printing press on books. The "book as book" has been removed from the oral tradition by such features as prefaces, footnotes, and indexes. Books have become voiceless in some sense--they are to be read silently, not recited aloud. How this mechanical change affected the possibilities of fiction is Kenner's subject. Each of the three featured authors approached this situation in a unique, yet connected way: Flaubert as the "Comedian of the Enlightenment," categorizing man's intellectual follies; Joyce as the "Comedian of the Inventory," with his meticulously constructed lists; and Beckett as the "Comedian of the Impasse," eliminating facts and writing novels about a man alone writing.
This volume brings together, for the first time, experts on Greek, Syriac, and Arabic traditions of doxography, in order to investigate and present shared contexts and questions, and to initiate future collaboration among the fields of classics, Arabic studies, and the history of philosophy.
As Erik Anderson Reece says in A Balance of Quinces, "Many know Guy Davenport the creator of fiction, the critic, the illustrator, the poet, the translator.... But Guy Davenport the monastic painter is still unknown." Here gathered for the first time is a generous collection of Davenport's paintings and drawings, interwoven with commentary by poet and critic Erik Anderson Reece. The broad scope of Davenport's artistic output is included here: the pen-and-ink portraits, the abstract still lifes, and the collage compositions. Erik Anderson Reece's essay provides cultural background for the work and examines it as am extension of Davenport's writings. Besides the plentiful black-and-white reproductions throughout the text, this edition of A Balance of Quinces also includes twenty-four pages of color plates.