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MY PRISONER. MY OBSESSION. MY SUNSHINE. I can't stay away from her. I don't care if I get whacked by the mob. Or fired from the FBI. There's no way I'm letting her get hurt. Hell, if any of them touch her, I'll blow my cover in a second. She's my solnishko. Her brother's a scumbag. He owes the don money. The don sends me to collect my pound of flesh, but I want more than a pound. I want her.
Satan comes to Soviet Moscow in this critically acclaimed translation of one of the most important and best-loved modern classics in world literature. The Master and Margarita has been captivating readers around the world ever since its first publication in 1967. Written during Stalin’s time in power but suppressed in the Soviet Union for decades, Bulgakov’s masterpiece is an ironic parable on power and its corruption, on good and evil, and on human frailty and the strength of love. In The Master and Margarita, the Devil himself pays a visit to Soviet Moscow. Accompanied by a retinue that includes the fast-talking, vodka-drinking, giant tomcat Behemoth, he sets about creating a whirlwind of chaos that soon involves the beautiful Margarita and her beloved, a distraught writer known only as the Master, and even Jesus Christ and Pontius Pilate. The Master and Margarita combines fable, fantasy, political satire, and slapstick comedy to create a wildly entertaining and unforgettable tale that is commonly considered the greatest novel to come out of the Soviet Union. It appears in this edition in a translation by Mirra Ginsburg that was judged “brilliant” by Publishers Weekly. Praise for The Master and Margarita “A wild surrealistic romp. . . . Brilliantly flamboyant and outrageous.” —Joyce Carol Oates, The Detroit News “Fine, funny, imaginative. . . . The Master and Margarita stands squarely in the great Gogolesque tradition of satiric narrative.” —Saul Maloff, Newsweek “A rich, funny, moving and bitter novel. . . . Vast and boisterous entertainment.” —The New York Times “The book is by turns hilarious, mysterious, contemplative and poignant. . . . A great work.” —Chicago Tribune “Funny, devilish, brilliant satire. . . . It’s literature of the highest order and . . . it will deliver a full measure of enjoyment and enlightenment.” —Publishers Weekly
A need colder than Siberian winter meets an attitude hotter than the Florida sun in #1 New York Times bestselling author Kresley Cole's sultry new Game Maker novel, the second installment in the series! Get lost in the sizzling world of the Game Maker series with The Professional, book one, and The Player, book three! Everyone fears the Master... Rich, irresistible politician/Mafiya boss Maksimilian Sevastyan prefers tall, obedient blondes to fulfill his…complicated desires. That is, until the icy Russian encounters a disobedient brunette whose exquisite little body threatens his legendary restraint. Except her. Catarina Marín was a well-off young wife until her world fell apart. Now she’s hiding out, forced to start working as an escort in Miami. Her very first client is beyond gorgeous, but when he tells her what he plans to do to her, Cat almost walks out of the door. If pleasure is a game, play to win. After their mind-blowing encounter burns out of control, the lovers crave more. If they escape the deadly threats surrounding them, can Maksim overcome his past—to offer Cat his future? Only then will she tempt him with what he really wants: her, all tied up with a bow.
Satan, Judas, a Soviet writer, and a talking black cat named Behemoth populate this satire, “a classic of twentieth-century fiction” (The New York Times). In 1930s Moscow, Satan decides to pay the good people of the Soviet Union a visit. In old Jerusalem, the fateful meeting of Pilate and Yeshua and the murder of Judas in the garden of Gethsemane unfold. At the intersection of fantasy and realism, satire and unflinching emotional truths, Mikhail Bulgakov’s classic The Master and Margarita eloquently lampoons every aspect of Soviet life under Stalin’s regime, from politics to art to religion, while interrogating the complexities between good and evil, innocence and guilt, and freedom and oppression. Spanning from Moscow to Biblical Jerusalem, a vibrant cast of characters—a “magician” who is actually the devil in disguise, a giant cat, a witch, a fanged assassin—sow mayhem and madness wherever they go, mocking artists, intellectuals, and politicians alike. In and out of the fray weaves a man known only as the Master, a writer demoralized by government censorship, and his mysterious lover, Margarita. Burned in 1928 by the author and restarted in 1930, The Master and Margarita was Bulgakov’s last completed creative work before his death. It remained unpublished until 1966—and went on to become one of the most well-regarded works of Russian literature of the twentieth century, adapted or referenced in film, television, radio, comic strips, theater productions, music, and opera.
This international bestseller has been translated into 26 languages and is the first work to win both of France's top literary honors. "A masterpiece. . . . Makine belongs on the shelf of world literature--between Lermontov and Nabokov, a few volumes down from Proust".--"The Atlanta Journal".
“This is punishment, beautiful. You disobeyed. You will feel my displeasure.” Three days for five grand and the ultimate reporter’s scoop. I just have to make myself available to six royal bad boys on a yacht. How hard could it be? Except the Devil Duke sees right away I'm not a professional and now he's holding me captive. Training me in the art of submission. Keeping me away from the real story. He won't let me go until I sign a confidentiality agreement. Which I'm not going to do. So that leaves me at his mercy... Devour this steamy royalty romance novella by USA Today bestselling author Renee Rose. No cheating, HEA guaranteed.
SHE'S ALWAYS BEEN MINEDon G gave me an order--find his daughter.Straighten her out. Bring her home.Sure--taking the mafia princess in hand will be my pleasure.But she's not going home--she's staying with me.Because despite the marriage contract to another family, Jenna Pachino has always been mine.
NO ONE TAKES WHAT’S MINE. The lovely attorney kept a secret from me. A baby she’s been carrying since Valentine’s night. The night we were thrown together by the roulette wheel. She never contacted me. Meant to keep me in the dark. She’s about to find out what happens when you cross a bratva boss. Punishment is in order. Sequestering until the birth. And I’ll use that time to win her surrender. Because I don’t just plan to keep the baby— I plan to make his mother my bride. And it would be much better for both of us if she were willing. The Director is the explosive first book in the USA Today Bestselling Chicago Bratva series. It’s a stand-alone dark mafia enemies-to-lovers romance, complete with HEA and no cliff-hangers. It contains steamy bedroom scenes and a dangerous and possessive hero who falls hard for the woman he wants to claim for life.
NEW YORK TIMES BESTSELLER • From the Booker Prize–winning author of Lincoln in the Bardo and Tenth of December comes a literary master class on what makes great stories work and what they can tell us about ourselves—and our world today. LONGLISTED FOR THE PEN/DIAMONSTEIN-SPIELVOGEL AWARD • ONE OF THE BEST BOOKS OF THE YEAR: The Washington Post, NPR, Time, San Francisco Chronicle, Esquire, Milwaukee Journal Sentinel, Town & Country, The Rumpus, Electric Lit, Thrillist, BookPage • “[A] worship song to writers and readers.”—Oprah Daily For the last twenty years, George Saunders has been teaching a class on the Russian short story to his MFA students at Syracuse University. In A Swim in a Pond in the Rain, he shares a version of that class with us, offering some of what he and his students have discovered together over the years. Paired with iconic short stories by Chekhov, Turgenev, Tolstoy, and Gogol, the seven essays in this book are intended for anyone interested in how fiction works and why it’s more relevant than ever in these turbulent times. In his introduction, Saunders writes, “We’re going to enter seven fastidiously constructed scale models of the world, made for a specific purpose that our time maybe doesn’t fully endorse but that these writers accepted implicitly as the aim of art—namely, to ask the big questions, questions like, How are we supposed to be living down here? What were we put here to accomplish? What should we value? What is truth, anyway, and how might we recognize it?” He approaches the stories technically yet accessibly, and through them explains how narrative functions; why we stay immersed in a story and why we resist it; and the bedrock virtues a writer must foster. The process of writing, Saunders reminds us, is a technical craft, but also a way of training oneself to see the world with new openness and curiosity. A Swim in a Pond in the Rain is a deep exploration not just of how great writing works but of how the mind itself works while reading, and of how the reading and writing of stories make genuine connection possible.
She’s my weakness, my obsession. And now my prisoner. I spent twelve long years in a Siberian prison. Since my release, nothing's held my interest. Nothing except her. Week after week, I watch her band perform. I can't get her out of my mind. When my past catches up to me, she becomes a target. The only way to save her is to lock her away. Hold her prisoner until things blow over. She’ll never forgive me now, but I can’t explain. I can’t talk. The Enforcer is a stand-alone book in the USA Today Bestselling Chicago Bratva series. It’s a dark mafia enemies-to-lovers romance, complete with HEA and no cliff-hangers. It contains steamy bedroom scenes and a dangerous and possessive hero who falls hard for the woman he decides to claim for life.