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A Mother's Mission When her baby is stolen out of her arms, noblewoman Annia will do anything to find her--even brave the treacherous back alleys of Rome to search for her. Desperate to be reunited with her daughter, Annia finds herself up against a fierce Roman soldier who insists her baby is safe. Dare she trust him? Rugged war hero Marcus Sergius rescues abandoned babies for his mother's villa orphanage. When he witnesses Annia's courageous fight for her child, he remembers that some things are worth fighting for. Helping Annia means giving up his future...unless love is truly possible for a battle-hardened Roman legionary.
Master carpenter Blaze Carter has upheld her family legacy for honesty and excellence and honed a reputation to match. Her greatest desire is to pass her knowledge on to her children. All she has to do is find her perfect partner who wants the same things—a full life and a family of their own. Trinity Greene grew up poor and has risen above the stigma of believing she’ll never amount to anything. She’s worked hard and is well on her way to becoming a head nurse in the ED. Her dream is within reach and the last thing she needs is an oh-so-attractive distraction. When a devastating injury threatens to derail her future, Blaze struggles with the possibility of giving up on her dream. Trinity knows all too well the odds are against Blaze but isn’t willing to let her stop believing. Not when she’s beginning to care for Blaze’s heart as well as her recovery. Together, they must decide if love and a future is a possibility worth fighting for.
This book explores Roman love elegy from postcolonial perspectives, arguing that the tropes, conventions, and discourses of the Augustan genre serve to reinforce the imperial identity of its elite, metropolitan audience. Love elegy presents the phenomena and discourses of Roman imperialism—in terms of visual spectacle (the military triumph), literary genre (epic in relation to elegy), material culture (art and luxury goods), and geographic space—as intersecting with ancient norms of gender and sexuality in a way that reinforces Rome’s dominance in the Mediterranean. The introductory chapter lays out the postcolonial frame, drawing from the work of Edward Said among other theorists, and situates love elegy in relation to Roman Hellenism and the varied Roman responses to Greece and its cultural influences. Four of the six subsequent chapters focus on the rhetorical ambivalence that characterizes love elegy’s treatment of Greek influence: the representation of the domina or mistress as simultaneously a figure for ‘captive Greece’ and a trope for Roman imperialism; the motif of the elegiac triumph, with varying figures playing the triumphator, as suggestive of Greco-Roman cultural rivalry; Rome’s competing visions of an Attic and an Asiatic Hellenism. The second and the final chapter focus on the figures of Osiris and Isis, respectively, as emblematic of Rome’s colonialist and ambivalent representation of Egypt, with the conclusion offering a deconstructive reading of elegy’s rhetoric of orientalism.
Covering famous operas from 14 Italian, French and German composers, this handbook is designed to help listeners understand and appreciate the special skills required to sing famous operatic songs. The book includes a plot synopsis of each opera with information about each song, which are introduced in their dramatic settings along with the vocal requirements for the most demanding passages. Interactive literary and rhyming exercises help the reader become more engaged and knowledgeable. Foreign language passages are translated into English and key words are highlighted in each language. The operatic vocabulary is defined to help the listener better understand the technical demands for a highly trained voice. The book is designed as a useful handbook for both experienced and beginning opera listeners. Appendices provide information on singers, recordings and useful references.
In For the Love of Rome, John Ferris conveys his excitement in discovering the city of Rome through language that moves those unfamiliar with the enchanted city, as well as those who have often been there. The book is not about wars, persecutions, internal struggles for power within Roman and Vatican rule, nor cultural development. As Ferris said, "The book is about our experiences in [mid-1960s and -1970s] Rome, what drew my wife and me there, and what we learned by seeing and reading." The style is witty, amusing, and unfailingly interesting as he relates historical anecdotes and reveals Rome's impact on various major figures, including Charles Dickens, James Joyce, and many more.