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This major new complete edition of Shakespeare's works combines accessibility with the latest scholarship. Each play and collection of poems is preceded by a substantial introduction that looks at textual and literary-historical issues. The texts themselves have been scrupulously edited and are accompanied by same-page notes and glossaries. Particular attention has been paid to the design of the book to ensure that this first new edition of the twenty-first century is both attractive and approachable.
A dramatic retelling of the Wars of the Roses, as the Lancastrian and Yorkist factions struggle for control of England's throne in the late medieval period. This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Magic and Treachery- The Play starts which young King henry VI Marrying Margaret of Anjou. William de la Pol has plans to influence Henry through his young wife. Magic and untrustworthy nobles threaten Henry's reign. Henry Cannot understand how anyone could be anything less than pious or dishonest which puts his reign into even deeper jeopardy.
In The Third Part of King Henry VI, Shakespeare brings the story of Henry's reign and eventual fall to Richard, Duke of Gloucester, to its unhappy close.
Henry VI, Part 2 presents a kind of story that was popular before Shakespeare began writing, tracing the fall of powerful individuals to their untimely deaths. The first to go is the Duke of Gloucester, Lord Protector of England and the most powerful man in the kingdom, who is murdered after his wife goes into exile. Next to meet a bad end is the Duke of Suffolk, the queen's lover, who rules England through her. After Suffolk conspires with the cardinal of Winchester to kill Gloucester, he is banished and assassinated. The cardinal dies raving of his own guilt. Ultimately, the king's weakness lies behind these events. Preferring spiritual contemplation, he has left others to contend for power. Now his liberty is at risk as Jack Cade, and then the Duke of York, rise against him. The play leaves us in suspense about Henry's fate by ending with the start of the Wars of the Roses--a conflict setting the white rose of the Duke of York against the red rose of King Henry, of the House of Lancaster.
The Oxford ShakespeareGeneral Editor: Stanley WellsThe Oxford Shakespeare offers authoritative texts from leading scholars in editions designed to interpret and illuminate the plays for modern readers- a new, modern-spelling text, collated and edited from all existing printings- On-page commentary and notes explain meaning, staging, language, and allusions- Detailed introduction considers the first performance in 1592 in relation to the 1623 folio, structure, theatrical history, and the role of women in the play- Illustrated with production photographs and related art- Full index to introduction and commentary- Durable sewn binding for lasting use'not simply a better text but a new conception of Shakespeare. This is a major achievement of twentieth-century scholarship.'
This edition celebrates King Henry VI Part 2 as one of the most exciting and dynamic plays of the English renaissance theatre, with its exploration of power politics and social revolution and its focus on the relationship between divine justice and sin. An extensive discussion of performance history traces the play's progress on stage from abridgement and adaptation to full historical epic. A survey of criticism discusses the wide range of responses provoked by the play's handling of its historical theme, and concludes by focusing on the element of burlesque in the attempted social revolution portrayed.