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Henry James led a wandering life, which took him far from his native shores, but he continued to think of New York City, where his family had settled for several years during his childhood, as his hometown. Here Colm Tóibín, the author of the Man Booker Prize shortlisted novel The Master, a portrait of Henry James, brings together for the first time all the stories that James set in New York City. Written over the course of James’s career and ranging from the deliciously tart comedy of the early “An International Episode” to the surreal and haunted corridors of “The Jolly Corner,” and including “Washington Square,” the poignant novella considered by many (though not, as it happens, by the author himself) to be one of James’s finest achievements, the nine fictions gathered here reflect James’s varied talents and interests as well as the deep and abiding preoccupations of his imagination. And throughout the book, as Tóibín’s fascinating introduction demonstrates, we see James struggling to make sense of a city in whose rapidly changing outlines he discerned both much that he remembered and held dear as well as everything about America and its future that he dreaded most. Stories included: The Story of a Masterpiece A Most Extraordinary Case Crawford’s Consistency An International Episode The Impressions of a Cousin The Jolly Corner Washington Square Crapy Cornelia A Round of Visits
In New York Revisited, first published in Harper's Monthly Magazine in 1906, Henry James describes turn-of-the-century New York in vivid detail. Although written in 1904-1905, when James returned to the U.S. after living abroad for more than 20 years, the essay is as pertinent today as it was 100 years ago. The text appears as it was originally published and is enhanced with period illustrations and photographs. Beautifully bound and with a spectacular view of the Flatiron building on the cover, this book is a literary treasure.
Toward the end of James's career, Charles Scribner's Sons offered to publish his collected work under the overall title The New York Edition of the Novels and Tales of Henry James. This book is the first comprehensive effort to apprehend the full complexity of James's self-performance there.
This collection of prefaces, originally written for the 1909 multi-volume New York Edition of Henry James’s fiction, first appeared in book form in 1934 with an introduction by poet and critic R. P. Blackmur. In his prefaces, James tackles the great problems of fiction writing—character, plot, point of view, inspiration—and explains how he came to write novels such as The Portrait of a Lady and The American. As Blackmur puts it, “criticism has never been more ambitious, nor more useful.” The latest edition of this influential work includes a foreword by bestselling author Colm Tóibín, whose critically acclaimed novel The Master is told from the point of view of Henry James. As a guide not only to James’s inspiration and execution, but also to his frustrations and triumphs, this volume will be valuable both to students of James’s fiction and to aspiring writers.
Finalist for the Pulitzer Prize Finalist for National Book Critics Circle Award (Biography) One of the Best Books of 2012: The New Yorker, Wall Street Journal, Guardian, The Millions, Kirkus Reviews, Boston Phoenix A revelatory biography of the American master as told through the lens of his greatest novel. Henry James (1843–1916) has had many biographers, but Michael Gorra has taken an original approach to this great American progenitor of the modern novel, combining elements of biography, criticism, and travelogue in re-creating the dramatic backstory of James’s masterpiece, Portrait of a Lady (1881). Gorra, an eminent literary critic, shows how this novel—the scandalous story of the expatriate American heiress Isabel Archer—came to be written in the first place. Traveling to Florence, Rome, Paris, and England, Gorra sheds new light on James’s family, the European literary circles—George Eliot, Flaubert, Turgenev—in which James made his name, and the psychological forces that enabled him to create this most memorable of female protagonists. Appealing to readers of Menand’s The Metaphysical Club and McCullough’s The Greater Journey, Portrait of a Novel provides a brilliant account of the greatest American novel of expatriate life ever written. It becomes a piercing detective story on its own.
The New York Timescompared Sheldon M. Novick'sHenry James: The Young Masterto "a movie of James's life, as it unfolds, moment to moment, lending the book a powerful immediacy." Now, inHenry James: The Mature Master, Novick completes his super, revelatory two-volume account of one of the world's most gifted and least understood authors, and of a vanished world of aristocrats and commoners. Using hundreds of letters only recently made available and taking a fresh look at primary materials, Novick reveals a man utterly unlike the passive, repressed, and privileged observer painted by other biographers. Henry James is seen anew, as a passionate and engaged man of his times, driven to achieve greatness and fame, drawn to the company of other men, able to write with sensitivity about women as he shared their experiences of love and family responsibility. James, age thirty-eight as the volume begins, basking in the success of his first major novel,The Portrait of a Lady, is a literary lion in danger of being submerged by celebrity. As his finances ebb and flow he turns to the more lucrative world of the stage-with far more success than he has generally been credited with. Ironically, while struggling to excel in the theatre, James writes such prose masterpieces asThe Wings of the DoveandThe Golden Bowl. Through an astonishingly prolific life, James still finds time for profound friendships and intense rivalries.Henry James: The Mature Masterfeatures vivid new portraits of James's famous peers, including Edith Wharton, Oscar Wilde, and Robert Louis Stevenson; his close and loving siblings Alice and William; and the many compelling young men, among them Hugh Walpole and Howard Sturgis, with whom James exchanges professions of love and among whom he thrives. We see a master converting the materials of an active life into great art. Here, too, as one century ends and another begins, is James's participation in the public events of his native America and adopted England. As the still-feudal European world is shaken by democracy and as America sees itself endangered by a wave of Jewish and Italian immigrants, a troubled James wrestles with his own racial prejudices and his desire for justice. With the coming of world war all other considerations are set aside, and James enlists in the cause of civilization, leaving his greatest final works unwritten. Hailed as a genius and a warm and charitable man-and derided by enemies as false, effeminate, and self-infatuated-Henry James emerges here as a major and complex figure, a determined and ambitious artist who was planning a new novel even on his deathbed. InHenry James: The Mature Master, he is at last seen in full; along with its predecessor volume, this book is bound to become t
The Booker Prize-winning author of The Sea continues the story of Isabel Archer, the young protagonist of Henry James’s beloved The Portrait of a Lady—in this masterful novel of betrayal, corruption, and moral ambiguity. Eager but naïve, in James’s novel Isabel comes into a large, unforeseen inheritance and marries the charming, penniless, and—as Isabel finds out too late—cruel and deceitful Gilbert Osmond. Here Banville imagines Isabel’s second chapter telling the story of a woman reawakened by grief and the knowledge that she has been grievously wronged, and determined to resume her quest for freedom and independence.
This Library of America volume is one of five that make available for the first time in new, complete, and authoritative editions the astonishing abundance of invention and unwavering intensity of the aesthetic vision of Henry James as displayed in more than one hundred world-famous stories ranging from brief anecdotes to richly developed novellas. Equally adept at ironic comedy, muted tragedy, and supernatural fantasy, at lively social satire and nuanced portraiture, James in his shorter works explores a staggering variety of situations and emotions. Here are courtships and legacies; the worlds of literature, theater, and the popular press; the paradoxes of temperament and the constraints of custom; the clash of conscience and desire. Stylistically, the stories allowed James to experiment with tones and devices quite different from his novels—dramatic plot twists and surprise endings, swift pacing and ebullient humor. The brilliance of his technical command allowed him to transform the tiniest of suggestions—a fleetingly observed gesture, an anecdote dropped at a dinner party—into fiction remarkable for its lambent surfaces and intricate psychological counterpoint. The twenty-one stories in this volume represent James at the peak of his storytelling powers. Among them are “The Turn of the Screw,” one of his most popular works, and a terrifying exercise in psychological horror centering on the corruption of childhood innocence; “The Real Thing,” a playful consideration of the illusion of art and the paradoxes of authenticity; “The Figure in the Carpet,” “The Death of the Lion,” and “The Middle Years,” three very different expositions of the mysteries of authorship, embodying some of James’s most profound insights into the nature of his own art; “The Altar of the Dead,” a somber, ultimately wrenching meditation on the relation of the living to the dead; and “In the Cage,” an extended evocation of the inner life of a young woman trapped in a dehumanizing job at a postal-and-telegraph office. LIBRARY OF AMERICA is an independent nonprofit cultural organization founded in 1979 to preserve our nation’s literary heritage by publishing, and keeping permanently in print, America’s best and most significant writing. The Library of America series includes more than 300 volumes to date, authoritative editions that average 1,000 pages in length, feature cloth covers, sewn bindings, and ribbon markers, and are printed on premium acid-free paper that will last for centuries.
This volume brings together Nussbaum's published papers on the relationship between literature and philosophy, especially moral philosophy. The papers, many of them previously inaccessible to non-specialist readers, deal with such fundamental issues as the relationship between style and content in the exploration of ethical issues; the nature of ethical attention and ethical knowledge and their relationship to written forms and styles; and the role of the emotions in deliberation and self-knowledge. Nussbaum investigates and defends a conception of ethical understanding which involves emotional as well as intellectual activity, and which gives a certain type of priority to the perception of particular people and situations rather than to abstract rules. She argues that this ethical conception cannot be completely and appropriately stated without turning to forms of writing usually considered literary rather than philosophical. It is consequently necessary to broaden our conception of moral philosophy in order to include these forms. Featuring two new essays and revised versions of several previously published essays, this collection attempts to articulate the relationship, within such a broader ethical inquiry, between literary and more abstractly theoretical elements.