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One of the most famous books in the history of photography, this volume assembles Cartier-Bresson's best work from his early years.
Published to accompany an exhibition at The Museum of Modern Art, this is the first major publication to make full use of the extensive holdings of the Fondation Cartier-Bresson, including thousands of prints and a vast resource of documents relating to the photographer's life and work.
This title features Cartier-Bresson's famous text on 'the decisive moment' as well as his observations on Moscow, Cuba, and China during turbulent times.
“These masterful photos blend the spontaneity of a great snapshot with the highly organized composition of a classical painting.”—Publishers Weekly Henri Cartier-Bresson (1908–2004) was perhaps the finest and most influential image maker of the twentieth century, and his portraits are among his best-known work. Over a fifty-year period, he photographed some of the most eminent personalities of the era, as well as ordinary people, chosen as subjects because of their striking and unusual features. Originally published to coincide with an exhibition at the Fondation Henri Cartier-Bresson in Paris, this book features both well-known images and previously unpublished portraits: Ezra Pound, Andre´ Breton, Martin Luther King, Samuel Beckett, Truman Capote, Susan Sontag, Carl Jung, William Faulkner, Marilyn Monroe, Henri Matisse, and many more. Each photograph was chosen because it perfectly embodies Cartier-Bresson’s description of what he was attempting to communicate in his work: “Above all I look for an inner silence. I seek to translate the personality and not an expression.” The portraits reproduced here—discreet, without artifice—confirm once more the singular gift of Cartier-Bresson, who instinctively knew in which revealing fraction of a second to click the shutter.
This title brings together the images from Cartier-Bresson's various assignments in the United States, which he first visited in the mid-1930s. Spanning several decades, these works show the rich social diversity of American society. Gilles Mora has travelled to many of the places featured in these photographs and provides an introduction to the images. The foreword discusses Cartier-Bresson's ability to capture the reality and essence of American life.
Presented for the first time in English, this volume brings together twelve notable interviews and conversations with Henri Cartier-Bresson carried out between 1951 and 1998. While many of us are acquainted with his images, there are so few texts available by Cartier-Bresson on his photographic process. These verbal, primary accounts capture the spirit of the master photographer and serve as a lasting document of his life and work, which has inspired generations of photographers and artists. Here, Cartier-Bresson speaks passionately, with metaphors and similes, about the world and photography. A man of principles shaped by the evolving eras of the twentieth century, his major influences included Surrealism, European politics of the 1930s and '40s, the Second World War, and his experiences with Magnum as cofounder and reporter. This book illuminates his thoughts, personality, and reflections on a seminal career. In his own words: [Photography] is a way of questioning the world and questioning yourself at the same time. . . . It entails a discipline. For me, freedom is a basic frame of reference, and inside that frame are all the possible variations. Everything, everything, everything. But it is within a frame. The important thing is the sense of limit. And visually, it is the sense of form. Form is important. The structure of things. The space.
The first visual chronicle of a little-known chapter in the career of Henri Cartier-Bresson—one of the great photographers of the twentieth century. In December 1948, Henri Cartier-Bresson traveled to China at the request of Life magazine. He wound up staying for ten months and captured some of the most spectacular moments in China’s history: he photographed Beijing in “the last days of the Kuomintang,” and then headed back to Shanghai, where he bore witness to the new regime’s takeover. Moreover, in 1958, Henri Cartier-Bresson was one of the first Western photographers to go back to China to explore the changes that had occurred over the preceding decade. The “picture stories” he sent to Magnum and Life on a regular basis played a key role in Westerners’ understanding of Chinese political events. Many of these images are among the best-known and most significant photographs in Cartier-Bresson’s oeuvre; his empathy with the populace and sense of responsibility as a witness making them an important part of his legacy. Henri Cartier-Bresson: China 1948-1949, 1958 allows these photographs to be reexamined along with all of the documents that were preserved: the photographer’s captions and comments, contact sheets, and abundant correspondence, as well as the published versions that appeared in both American and European magazines. A welcome addition to any photography lover’s bookshelf, this is an exciting new volume on one of the twentieth century’s most important photographers.
Reproductions of more than 100 works by the founder of the photography agency Magnum capture such scenes as a refugee camp after the partition and the Maharaja of Barodea's birthday celebration. Original. 10,000 first printing.