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In the middle of the Adriatic Sea during Neronic times, in Hiroshima Cathedral's demon-infested basement, in the royal elephant stables of a Hindustani town three millennia ago, in a Tokyo AIDS hospice disguised as a derelict kindergarten, on a yacht anchored off a South China leper isolation colony, and on top of a skull-shaped and -textured geothermal formation in the prune-colored midnight. Celebrated author Tom Bradley's latest short story collection, Hemorrhaging Slave of an Obese Eunuch, will take you to all of these places.
Fiction and essays inspired by Paris from more than 70 Anglophone writers -- A MoveableFeast for the twenty-first century. "When good Americans die, they go to Paris", wrote the Irish playwright Oscar Wilde in 1894. The French capital has always radiated an unmatched cultural, political and intellectual brilliance in the anglophone imagination, maintaining its status as the modern cosmopolitan city par excellence through the twentieth century to today. We'll Never Have Paris explores this enduring fascination with this myth of a bohemian and literary Paris (that of the Lost Generation, Joyce, Beckett and Shakespeare and Company) which also happens to be a largely anglophone construct -- one which the Eurostar and Brexit only seem to have exacerbated in recent years. Edited by Andrew Gallix, this collection brings together many of the most talented and adventurous writers from the UK, Ireland, USA, Australia and New Zealand to explore this theme through short stories, essays and poetry, in order to build up a captivating portrait of Paris as viewed by English speakers today -- A Moveable Feast for the twenty-first century. We'll Never Have Paris includes contributions from seventy-nine authors, including Tom McCarthy, Will Self, Brian Dillon, Joanna Walsh, Eley Williams, Max Porter, Sophie Mackintosh and Lauren Elkin.
"People make the comparison to Burroughs, Bukowski, Dick and Trocci with Chris's work and they're fair. But there are so many other influences here, in deft interplay. Some writers wear their influences on their sleeves-and some, such as Chris Kelso, juggle with those influences, and weave them into a tapestry with a larger purpose than mere homage." -Edward Morris, 2011 Pushcart Prize nominee
Ex-soldier and violent deadbeat John Usher returns to his boyhood home of Leeds to find things have changed. His community has been unravelled by gang culture, ethnic tensions and hopelessness. Unable to sleep, his only consolation is drinking late into the night and playing pool by himself. That is, until an encounter with a hard right activist leads him into a twisted relationship of deceit, cuckoldry and hatred.
Armed with a Glock and a bottle of Jack, accompanied by her adventurous Grandma Rose, Eve starts on a cross-country trip to find her hero, and to ask him to explain the meaning of life. Along the way, she escapes murderous circus performers, becomes a Girl Scout cookie and meets a Wild Man in a sharkskin suit. ' . . . an exhilarating ride, a kind of CANDIDE in reverse, as Eve, as unpredictable as Boadicea on a bad hair-AND-Roman day, learns to see through her false shell, which has imprisoned and impoverished her. Every scene (with not a single wasted word daring to show itself) packs a witty punch . . . A really remarkable first novel, which I can fully recommend to the cool and the uncool alike.' -Steve Redwood
Here are three screenplays collected in print for the first time, from the prolific bizarro genius Tom Bradley. Each screenplay is adapted from a novel of the same name. LEMUR - damnation and salvation in the food services industry. VITAL FLUID - rival hypnotists stage a bizarre series of showdowns. BOMB BABY - a manhunt through Hiroshima's lightless crannies. ' . . . brilliant, evocative writing. Bizarre imagination set free. An enviable skill.' -Consuelo Boland
Bless me, curse me. For better or worse, my fallopian fall into matter. . . After making careful preparations to ensure himself a proper reincarnation, the dying ALEISTER CROWLEY flubs one syllable of the magickal incantation . . . and comes back as ELMER FUDD.
Winner of the Distinguished Contribution to Scholarship Award, American Sociological Association Co-Winner of the Ralph J. Bunche Award, American Political Science Association In a work of prodigious scholarship and enormous breadth, which draws on the tribal, ancient, premodern, and modern worlds, Orlando Patterson discusses the internal dynamics of slavery in sixty-six societies over time. These include Greece and Rome, medieval Europe, China, Korea, the Islamic kingdoms, Africa, the Caribbean islands, and the American South. Praise for the previous edition: “Densely packed, closely argued, and highly controversial in its dissent from much of the scholarly conventional wisdom about the function and structure of slavery worldwide.” —Boston Globe “There can be no doubt that this rich and learned book will reinvigorate debates that have tended to become too empirical and specialized. Patterson has helped to set out the direction for the next decades of interdisciplinary scholarship.” —David Brion Davis, New York Review of Books “This is clearly a major and important work, one which will be widely discussed, cited, and used. I anticipate that it will be considered among the landmarks in the study of slavery, and will be read by historians, sociologists, and anthropologists—as well as many other scholars and students.” —Stanley Engerman