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Everyone is looking for it on St. Michel in the Caribbean. Here the president is a raving lunatic, the "Black Police" have the run of the capital, guerilla forces mass in the hills, an organized crime syndicate plans its own takeover, and U.S. agents brutally battle for a document filled with hot political secrets, the lost notebook of Ernest Hemingway. And here one of America's toughest spies, the man they call November, will need all his courage and cunning if the coveted prize is to be his.
Let your pen fly across the page in this sophisticated notebook, featuring Ernest Hemingway's most inspiring words. All you have to do is write one true sentence. Write the truest sentence that you know. - Ernest Hemingway, A Moveable Feast Ernest Hemingway often could be found jotting in a notebook in cafés, starting drafts in pencil before spending hours typing up his notes. No matter what your writing process is, the Ernest Hemingway Notebook is the perfect place to begin. Perfect for any creative mind or aspiring writer, The Ernest Hemingway Notebook is filled with quotes and excerpts from the celebrated writer to encourage and inspire you as you record your daily musings. The Ernest Hemingway Notebook is part of the Signature Notebook series, all of which are filled with inspirational quotes for dreamers, thinkers, and writers of all ages, alongside striking, rarely-seen images throughout. This beautiful, pocket-sized notebook features a moleskin-like binding, cream paper stock, and an elegant ribbon page marker, so you can always pick up where you left off...and Hemingway's removable portrait wraps around the foil-stamped front cover, which is debossed with his signature. The Signature Notebook series features some of the most prominent figures in our society, from William Shakespeare and Jane Austen, to JFK and Michelle Obama--and Hemingway adds another creative personality to the mix.
WARNING: ADDICTIVE READING. WE WILL NOT BE HELD RESPONSIBLE FOR LOSS OF TIME, DRY EYES OR DISCONNECTION WITH REALITY FOLLOWING PROLONGED READING. 'Granger has combined Ian Fleming, John Le Carré and Trevanian in one heady mix' New York Times START READING THE NOVEMBER MAN SERIES NOW! Then go on to read the rest, you won't regret it. Hemingway's notebook. Everyone is looking for it on St. Michel in the Caribbean. Here the president is a raving lunatic, the "Black Police" have the run of the capital, guerilla forces mass in the hills, an organized crime syndicate plans its own takeover, and U.S. agents brutally battle for a document filled with hot political secrets, the lost notebook of Ernest Hemingway. One of America's most lethal operatives, the man they call November, will need all his courage and cunning if the coveted prize is to be his. 'America's best spy novelist' Ed McBain Loved this? Read The November Man next . . .
Published posthumously in 1964, A Moveable Feast remains one of Ernest Hemingway's most beloved works. Since Hemingway's personal papers were released in 1979, scholars have examined and debated the changes made to the text before publication. Now this new special restored edition presents the original manuscript as the author prepared it to be published. Featuring a personal foreword by Patrick Hemingway, Ernest's sole surviving son, and an introduction by the editor and grandson of the author, Seán Hemingway, this new edition also includes a number of unfinished, never-before-published Paris sketches revealing experiences that Hemingway had with his son Jack and his first wife, Hadley. Also included are irreverent portraits of other luminaries, such as F. Scott Fitzgerald and Ford Madox Ford, and insightful recollections of his own early experiments with his craft. Sure to excite critics and readers alike, the restored edition of A Moveable Feast brilliantly evokes the exuberant mood of Paris after World War I and the unbridled creativity and unquenchable enthusiasm that Hemingway himself epitomized.
Contains 115 activities designed to assist an author who is in the process of writing a novel.
Josep Pla’s masterpiece, The Gray Notebook, is one of the most colorful and unusual works in modern literature. In 1918, when Pla was in Barcelona studying law, the Spanish flu broke out, the university shut down, and he went home to his parents in coastal Palafrugell. Aspiring to be a writer, not a lawyer, he resolved to hone his style by keeping a journal. In it he wrote about his family, local characters, visits to cafés; the quips, quarrels, ambitions, and amours of his friends; writers he liked and writers he didn’t; and the long contemplative walks he would take in the countryside under magnificent skies. Returning to Barcelona to complete his studies, Pla kept up his diary, scrutinizing life in the big city with the same unflagging zest and humor. Pla, one of the great Catalan writers, held on to this youthful journal for close to fifty years, reworking and adding to it, until he finally published The Gray Notebook as both the first volume and the capstone of his collected works. It is a beautiful, entrancing, delightful book—at once a distillation of the spirit of youth and the work of a lifetime.
With the first publication, in this edition, of all the surviving letters of Ernest Hemingway (1899-1961), readers will for the first time be able to follow the thoughts, ideas and actions of one of the great literary figures of the twentieth century in his own words. This first volume encompasses his youth, his experience in World War I and his arrival in Paris. The letters reveal a more complex person than Hemingway's tough guy public persona would suggest: devoted son, affectionate brother, infatuated lover, adoring husband, spirited friend and disciplined writer. Unguarded and never intended for publication, the letters record experiences that inspired his art, afford insight into his creative process and express his candid assessments of his own work and that of his contemporaries. The letters present immediate accounts of events and relationships that profoundly shaped his life and work. A detailed introduction, notes, chronology, illustrations and index are included. CLICK HERE to follow 'The Hemingway Letters' on Facebook CLICK HERE to watch Patrick Hemingway, Ernest's second son, discusses the letters and the writer's private persona with editor Sandra Spanier.
In more than 30 novels, several short stories, graphic novels, movies, plays and poems, Ernest Hemingway has been introduced or "appropriated" as an important fictional character. This book is an inquiry into that phenomenon from various perspectives--including that of fan fiction--and deals with such questions as what, if anything, this biographical fiction adds to the dialogue about America's best known and most talked about writer.
FOLLOW-UP TO THE PHENOMENAL INTERNATIONAL BESTSELLER INCLUDING LETTERS FROM: Jane Austen, Richard Burton, Helen Keller, Alan Turing, Albus Dumbledore, Eleanor Roosevelt, Henry James, Sylvia Plath, John Lennon, Gerald Durrell, Janis Joplin, Mozart, Janis Joplin, Hunter S. Thompson, C. G. Jung, Katherine Mansfield, Marge Simpson, David Bowie, Dorothy Parker, Buckminster Fuller, Beatrix Potter, Che Guevara, Evelyn Waugh, Charlotte Bront� and many more. Discover Richard Burton's farewell note to Elizabeth Taylor, Helen Keller's letter to The New York Symphony Orchestra about 'hearing' their concert through her fingers, the final missives from a doomed Japan Airlines flight in 1985, David Bowie's response to his first piece of fan mail from America and even Albus Dumbledore writing to a reader applying for the position of Defence Against the Dark Arts Professor at Hogwarts. More Letters of Note is another rich and inspiring collection, which reminds us that much of what matters in our lives finds its way into our letters.
A study of surprising similarities in their lives and works “adds an important element to the existing discussion” of two twentieth-century literary icons (Studies in American Humor). In this original comparative study of Kurt Vonnegut and Ernest Hemingway, Lawrence R. Broer maps the striking intersections of biography and artistry in works by both writers, and compares the ways they blend life and art. Broer views Hemingway as the “secret sharer” of Vonnegut’s literary imagination and argues that the two writers—traditionally considered as adversaries because of Vonnegut’s rejection of Hemingway’s emblematic hypermasculinism—inevitably address similar deterministic wounds in their fiction: childhood traumas, family insanity, deforming wartime experiences, and depression. Rooting his discussion in these psychological commonalities, Broer traces their personal and artistic paths by pairing sets of works and protagonists in ways that show the two writers not only addressing similar concerns, but developing a response that in the end establishes an underlying kinship when it comes to the fate of the American hero of the twentieth century. Hemingway provided frequent fodder for Vonnegut, inspiring a cadre of characters who celebrate war and death. In his sardonic response to this vision of a Hemingwayesque world, Vonnegut espoused kindness and restraint as moral imperatives against the more violent yearnings of human nature, which Hemingway in turn embraced as stoic, virile, and heroic. Though their paths were radically different, Broer finds in both an overarching obsession with the scars of war as chief adversary in a personal quest for understanding and wholeness. He locates in each writer’s canon moments of spiritual awaking leading to literary evolution—if not outright reinvention. In their later works Broer detects an increasing recognition of redemptive feminine aspects in themselves and their protagonists, pulling against the destructively tragic fatalism that otherwise dominates their worldviews. Broer sees Vonnegut and Hemingway as fundamentally at war—with themselves, with one another’s artistic visions, and with the idea of war itself. Against this onslaught, he asserts, they wrote as a mode of therapy and achieved literary greatness through combative opposition to the shadows that loomed so large around them.