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Ernest Hemingway and Martha Gellhorn had no idea of what they would discover when they set out for Hong Kong, China, and Burma in 1941. They had intended to report on the China-Japan war while honeymooning in the Far East but what they found was entirely different and the trip proved to be the beginning of the end of their marriage. When the U.S. Treasury Department hired Hemingway as a spy in China in 1941, it awakened a new obsession in America's most adventuresome author. The literary man of action reveled in being a government operative, while his journalist wife championed the anti-Japanese resistance of Chiang Kai-shek. This is the first book to track Hemingway's progress as a spy in Asia.
Ernest Hemingway and Martha Gellhorn had no idea of what they would discover when they set out for Hong Kong, China, and Burma in 1941. The husband-and-wife team of celebrity literati intended to report on the China-Japan war while honeymooning in the romantic Far East. What they found was a maddening, intriguing, colorful world of dictators and drunks, scoundrels and socialites, heroes and halfwits. And their trip proved to be the beginning of the end of their marriage. When the U.S. Treasury Department hired Ernest Hemingway as a spy in China in 1941, it awakened a new obsession in America's most adventuresome author. The great literary man of action reveled in being a government operative, while his journalist wife championed the anti-Japanese resistance of Chiang Kai-shek. Hemingway on the China Front is the first book to track Hemingway's progress as a spy in Asia during the war, defining his duties as he saw fit. Author Peter Moreira follows Hemingway and Gellhorn as they seek stories to file--and try to adapt to each other's strong egos--in dangerous, uncomfortable, exotic places in the throes of war. Well-versed in Asian history and culture, Moreira also adeptly provides context of time and place. All fans of Ernest Hemingway and Martha Gellhorn will want this book.
Ernest Hemingway and Martha Gellhorn had no idea of what they would discover when they set out for Hong Kong, China, and Burma in 1941. The husband-and-wife team of celebrity literati intended to report on the China-Japan war while honeymooning in the romantic Far East. What they found was a maddening, intriguing, colorful world of dictators and drunks, scoundrels and socialites, heroes and halfwits. And their trip proved to be the beginning of the end of their marriage.When the U.S. Treasury Department hired Ernest Hemingway as a spy in China in 1941, it awakened a new obsession in America's most adventuresome author. The great literary man of action reveled in being a government operative, while his journalist wife championed the anti-Japanese resistance of Chiang Kai-shek. Hemingway on the China Front is the first book to track Hemingway's progress as a spy in Asia during the war, defining his duties as he saw fit. Author Peter Moreira follows Hemingway and Gellhorn as they seek stories to file--and try to adapt to each other's strong egos--in dangerous, uncomfortable, exotic places in the throes of war. Well-versed in Asian history and culture, Moreira also adeptly provides context of time and place. All fans of Ernest Hemingway and Martha Gellhorn will want this book.
The convulsive history of foreign journalists in China starts with newspapers printed in the European factories of Canton in the 1820s. It also starts with a duel between two editors over the future of China and ends with a fistfight in Shanghai over therevolution. This book tells the story of China's foreign journalists.
Ernest Hemingway witnessed many of the seminal conflicts of the twentieth century—from his post as a Red Cross ambulance driver during World War I to his nearly twenty-five years as a war correspondent for The Toronto Star—and he recorded them with matchless power. This landmark volume brings together Hemingway’s most important and timeless writings about the nature of human combat. Passages from his beloved World War I novel, A Farewell to Arms, and For Whom the Bell Tolls, about the Spanish Civil War, offer an unparalleled portrayal of the physical and psychological impact of war and its aftermath. Selections from Across the River and into the Trees vividly evoke an emotionally scarred career soldier in the twilight of life as he reflects on the nature of war. Classic short stories, such as “In Another Country” and “The Butterfly and the Tank,” stand alongside excerpts from Hemingway’s first book of short stories, In Our Time, and his only full-length play, The Fifth Column. With captivating selections from Hemingway’s journalism—from his coverage of the Greco-Turkish War of 1919–22 to a legendary early interview with Mussolini to his jolting eyewitness account of the Allied invasion of Normandy on June 6, 1944—Hemingway on War collects the author’s most penetrating chronicles of perseverance and defeat, courage and fear, and love and loss in the midst of modern warfare.
There are some things which cannot be learned quickly, and time, which is all we have, must be paid heavily for their acquiring. They are the very simplest things, and because it takes a man's life to know them the little new that each man gets from life is very costly and the only heritage he has to leave. In the winter of 1933, Ernest Hemingway and his wife Pauline set out on a two-month safari in the big-game country of East Africa, camping out on the great Serengeti Plain at the foot of magnificent Mount Kilimanjaro. “I had quite a trip,” the author told his friend Philip Percival, with characteristic understatement. Green Hills of Africa is Hemingway's account of that expedition, of what it taught him about Africa and himself. Richly evocative of the region's natural beauty, tremendously alive to its character, culture, and customs, and pregnant with a hard-won wisdom gained from the extraordinary situations it describes, it is widely held to be one of the twentieth century's classic travelogues.
From the acclaimed author of Enduring Patagonia comes a dazzling tale of aerial adventure set against the roiling backdrop of war in Asia. The incredible real-life saga of the flying band of brothers who opened the skies over China in the years leading up to World War II—and boldly safeguarded them during that conflict—China’s Wings is one of the most exhilarating untold chapters in the annals of flight. At the center of the maelstrom is the book’s courtly, laconic protagonist, American aviation executive William Langhorne Bond. In search of adventure, he arrives in Nationalist China in 1931, charged with turning around the turbulent nation’s flagging airline business, the China National Aviation Corporation (CNAC). The mission will take him to the wild and lawless frontiers of commercial aviation: into cockpits with daredevil pilots flying—sometimes literally—on a wing and a prayer; into the dangerous maze of Chinese politics, where scheming warlords and volatile military officers jockey for advantage; and into the boardrooms, backrooms, and corridors of power inhabited by such outsized figures as Generalissimo and Madame Chiang Kai-shek; President Franklin Delano Roosevelt; foreign minister T. V. Soong; Generals Arnold, Stilwell, and Marshall; and legendary Pan American Airways founder Juan Trippe. With the outbreak of full-scale war in 1941, Bond and CNAC are transformed from uneasy spectators to active participants in the struggle against Axis imperialism. Drawing on meticulous research, primary sources, and extensive personal interviews with participants, Gregory Crouch offers harrowing accounts of brutal bombing runs and heroic evacuations, as the fight to keep one airline flying becomes part of the larger struggle for China’s survival. He plunges us into a world of perilous night flights, emergency water landings, and the constant threat of predatory Japanese warplanes. When Japanese forces capture Burma and blockade China’s only overland supply route, Bond and his pilots must battle shortages of airplanes, personnel, and spare parts to airlift supplies over an untried five-hundred-mile-long aerial gauntlet high above the Himalayas—the infamous “Hump”—pioneering one of the most celebrated endeavors in aviation history. A hero’s-eye view of history in the grand tradition of Lynne Olson’s Citizens of London, China’s Wings takes readers on a mesmerizing journey to a time and place that reshaped the modern world.
After meeting for the first time on the front lines of World War I, two aspiring writers forge an intense twenty-year friendship and write some of America's greatest novels, giving voice to a "lost generation" shaken by war. Eager to find his way in life and words, John Dos Passos first witnessed the horror of trench warfare in France as a volunteer ambulance driver retrieving the dead and seriously wounded from the front line. Later in the war, he briefly met another young writer, Ernest Hemingway, who was just arriving for his service in the ambulance corps. When the war was over, both men knew they had to write about it; they had to give voice to what they felt about war and life. Their friendship and collaboration developed through the peace of the 1920s and 1930s, as Hemingway's novels soared to success while Dos Passos penned the greatest antiwar novel of his generation, Three Soldiers. In war, Hemingway found adventure, women, and a cause. Dos Passos saw only oppression and futility. Their different visions eventually turned their private friendship into a bitter public fight, fueled by money, jealousy, and lust. Rich in evocative detail -- from Paris cafes to the Austrian Alps, from the streets of Pamplona to the waters of Key West -- The Ambulance Drivers is a biography of a turbulent friendship between two of the century's greatest writers, and an illustration of how war both inspires and destroys, unites and divides.
In 1937 Ernest Hemingway traveled to Spain to cover the civil war there for the North American Newspaper Alliance. Three years later he completed the greatest novel to emerge from “the good fight,” For Whom the Bell Tolls. The story of Robert Jordan, a young American in the International Brigades attached to an antifascist guerilla unit in the mountains of Spain, it tells of loyalty and courage, love and defeat, and the tragic death of an ideal. In his portrayal of Jordan's love for the beautiful Maria and his superb account of El Sordo's last stand, in his brilliant travesty of La Pasionaria and his unwillingness to believe in blind faith, Hemingway surpasses his achievement in The Sun Also Rises and A Farewell to Arms to create a work at once rare and beautiful, strong and brutal, compassionate, moving, and wise. “If the function of a writer is to reveal reality,” Maxwell Perkins wrote to Hemingway after reading the manuscript, “no one ever so completely performed it.” Greater in power, broader in scope, and more intensely emotional than any of the author's previous works, it stands as one of the best war novels of all time.
"In June of 1961, A.E. Hotchner visited an old friend in the psychiatric ward of St. Mary's Hospital. It would be the last time they spoke: a few weeks later, Ernest Hemingway was released home, where he took his own life. Their final conversation was also the final installment in a story whose telling Hemingway had spread over nearly a decade. Hemingway divulged the details of the affair that destroyed his first marriage: the truth of his romantic life in Paris and how he lost Hadley, the true part of the literary woman he'd create and the great love he spent the rest of his life seeking. He told of the mischief that made him a legend: of impotence cured in a house of God; of a plane crash in the African bush, from which he stumbled with a bunch of bananas and a bottle of gin in hand; of F. Scott Fitzgerald dispensing romantic advice; of midnight champagne with Josephine Baker; of adventure, human error, and life after lost love. This is Hemingway as few have known him: humble and full of regret. To protect the feelings of Ernest's wife Mary (also a close friend) and to satisfy the terms of his publisher's cautious legal review, Hotch kept the conversations to himself for decades. Now he tells the story as Hemingway told it to him. Hemingway in Love puts you in the room with the master as he remembers the definitive years that set the course for the rest of his life and stayed with him until the end of his days"--