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The sheets of paper are as brittle as fallen leaves; the faltering handwriting changes from page to page; the words, a faded brown, are almost indecipherable. The pages are filled with recipes. Each is a memory, a fantasy, a hope for the future. Written by undernourished and starving women in the Czechoslovakian ghetto/concentration camp of Terezín (also known as Theresienstadt), the recipes give instructions for making beloved dishes in the rich, robust Czech tradition. Sometimes steps or ingredients are missing, the gaps a painful illustration of the condition and situation in which the authors lived. Reprinting the contents of the original hand-sewn copybook, In Memory's Kitchen: A Legacy from the Women of Terezín is a beautiful memorial to the brave women who defied Hitler by preserving a part of their heritage and a part of themselves. Despite the harsh conditions in the Nazis' "model" ghetto - which in reality was a way station to Auschwitz and other death camps - cultural, intellectual, and artistic life did exist within the walls of the ghetto. Like the heart-breaking book I Never Saw Another Butterfly, which contains the poetry and drawings of the children of Terezín, the handwritten cookbook is proof that the Nazis could not break the spirit of the Jewish people.
On growing up in the American South of the 1960s—an all-American white boy—son of a long line of Methodist preachers, in the midst of the civil rights revolution, and discovering the culpability of silence within the church. By the Pulitzer Prize-winning journalist and columnist for The Birmingham News. "My dad was a Methodist preacher and his dad was a Methodist preacher," writes John Archibald. "It goes all the way back on both sides of my family. When I am at my best, I think it comes from that sermon place." Everything Archibald knows and believes about life is "refracted through the stained glass of the Southern church. It had everything to do with people. And fairness. And compassion." In Shaking the Gates of Hell, Archibald asks: Can a good person remain silent in the face of discrimination and horror, and still be a good person? Archibald had seen his father, the Rev. Robert L. Archibald, Jr., the son and grandson of Methodist preachers, as a moral authority, a moderate and a moderating force during the racial turbulence of the '60s, a loving and dependable parent, a forgiving and attentive minister, a man many Alabamians came to see as a saint. But was that enough? Even though Archibald grew up in Alabama in the heart of the civil rights movement, he could recall few words about racial rights or wrongs from his father's pulpit at a time the South seethed, and this began to haunt him. In this moving and powerful book, Archibald writes of his complex search, and of the conspiracy of silence his father faced in the South, in the Methodist Church and in the greater Christian church. Those who spoke too loudly were punished, or banished, or worse. Archibald's father was warned to guard his words on issues of race to protect his family, and he did. He spoke to his flock in the safety of parable, and trusted in the goodness of others, even when they earned none of it, rising through the ranks of the Methodist Church, and teaching his family lessons in kindness and humanity, and devotion to nature and the Earth. Archibald writes of this difficult, at times uncomfortable, reckoning with his past in this unadorned, affecting book of growth and evolution.
Darling, I never wanted to gow home as bad in my life as I doo now and if they don’t give mee a furlow I am going any how. Written in December 1862 by Private Wright Vinson in Tennessee to his wife, Christiana, in Georgia, these lines go to the heart of why Scott Walker wrote this history of the Fifty-seventh Georgia Infantry, a unit of the famed Mercer’s Brigade. All but a few members of the Fifty-seventh lived within a close radius of eighty miles from each other. More than just an account of their military engagements, this is a collective biography of a close-knit group. Relatives and neighbors served and died side by side in the Fifty-seventh, and Walker excels at showing how family ties, friendships, and other intimate dynamics played out in wartime settings. Humane but not sentimental, the history abounds in episodes of real feeling: a starving soldier’s theft of a pie; another’s open confession, in a letter to his wife, that he may desert; a slave’s travails as a camp orderly. Drawing on memoirs and a trove of unpublished letters and diaries, Walker follows the soldiers of the Fifty-seventh as they push far into Unionist Kentucky, starve at the siege of Vicksburg, guard Union prisoners at the Andersonville stockade, defend Atlanta from Sherman, and more. Hardened fighters who would wish hell on an incompetent superior but break down at the sight of a dying Yankee, these are real people, as rarely seen in other Civil War histories.
He’s the last bachelor standing among the men of Hell’s Eight, and he’ll settle for nothing less than passion… Unencumbered by wife or family, Luke Bellen is the obvious member of Hell’s Eight to lead a treacherous trek across Comanche territory. But Luke suspects he will never know another minute’s peace when photographer Josie Kinder joins the wagon train. Whip-smart Josie has a voluptuous figure, a sunny disposition and a knack for getting into dangerous scrapes in pursuit of the perfect shot. Luke thinks Josie’s too young, too sweet to be despoiled by the rough life and hard-bitten land he loves. But independent Josie won’t let any man—however commanding—decide what’s best for her. Beneath their playful banter is a powerful current of lust—pure, but not so simple. If only Luke weren’t so damned proper, he’d see that the years between them don’t matter a whit, not when a single touch can set them both ablaze. Josie’s hell-bent on having it all, and that includes keeping Luke in the picture…unless the vengeful bandits on their trail find them first.
Thrust into the media spotlight with her son Sean Wilsey's searing portrayal of her in his New York Times bestseller Oh the Glory of It All, the former queen of San Francisco society shares her own candid take on the fascinating events of her life. Once dubbed San Francisco's "Golden Girl," Montandon socialized with the cream of San Francisco society, including Danielle Steel, Alex Haley, and the Gettys. Immortalized as a character in Armistead Maupin's Tales of the City, she lived a seemingly perfect life in a penthouse above the San Francisco Bay, complete with her marriage to multimillionaire Al Wilsey and the birth of her son, Sean. From her lavish parties to her legendary Roundtable lunches, Montandon was always the talk of the town. Then, less than a decade later, Wilsey announced he was divorcing her, and Sean abandoned her as well—both for the affections of her once-close friend, Dede Traina. Left penniless and virtually suicidal, Montandon once again had to reinvent herself, this time as a humanitarian for peace. From Berlin to Beslan, she made it her life's mission to give a voice to the world's children and spread a message of hope in times of crisis. Oh the Hell of It All is a rich feast of a story: that of a poor girl turned rich turned poor again, in and out of love and betrayed by those closest to her, who has achieved peace in her life through devotion to something outside herself.
Kevin Mattson offers a history of punk rock in the 1980s. He documents how kids growing up in the sedate world of suburbia created their "own culture" through DIY tactics. Punk spread across the continent in the 1980s as it found expression in different media, including literature, art, and poetry. Punks dissented against Reagan's presidency, accusing the entertainer-in-chief of being mean and duplicitous (especially when it came to nuclear war and his policies in Central America). Mattson has dived deep into archives to make his case that this youthful dissent meant something more than just a style of mohawks or purple hair.
During the late 1960s, throughout the 1970s, and into the 1980s, New York City poets and musicians played together, published each other, and inspired one another to create groundbreaking art. In "Do You Have a Band?", Daniel Kane reads deeply across poetry and punk music to capture this compelling exchange and its challenge to the status of the visionary artist, the cultural capital of poetry, and the lines dividing sung lyric from page-bound poem. Kane reveals how the new sounds of proto-punk and punk music found their way into the poetry of the 1960s and 1970s downtown scene, enabling writers to develop fresh ideas for their own poetics and performance styles. Likewise, groups like The Fugs and the Velvet Underground drew on writers as varied as William Blake and Delmore Schwartz for their lyrics. Drawing on a range of archival materials and oral interviews, Kane also shows how and why punk musicians drew on and resisted French Symbolist writing, the vatic resonance of the Beat chant, and, most surprisingly and complexly, the New York Schools of poetry. In bringing together the music and writing of Richard Hell, Patti Smith, and Jim Carroll with readings of poetry by Anne Waldman, Eileen Myles, Ted Berrigan, John Giorno, and Dennis Cooper, Kane provides a fascinating history of this crucial period in postwar American culture and the cultural life of New York City.
***2021 NATIONAL BOOK AWARD WINNER*** ***THE NATIONAL BESTSELLER*** Winner of the 2021 Sir Walter Raleigh Award for Fiction, Joyce Carol Oates Literary Prize Finalist, 2022 Chautauqua Prize Finalist, Willie Morris Award for Southern Writing Shortlist, 2021 Aspen Words Literary Prize Shortlist, 2022 Maya Angelou Book Award Shortlist, 2022 Carnegie Medal Longlist A Read With Jenna Today Show Book Club Pick! An Ebony Magazine Publishing Book Club Pick! One of Washington Post's 50 Notable Works of Fiction | One of Philadelphia Inquirer's Best Books of 2021 | One of Shelf Awareness's Top Ten Fiction Titles of the Year | One of TIME Magazine’s 100 Must-Read Books | One of NPR.org's "Books We Love" | EW’s "Guide to the Biggest and Buzziest Books of 2021" | One of the New York Public Library's Best Books for Adults | San Diego Union Tribune—My Favorite Things from 2021 | Writer's Bone's Best Books of 2021 | Atlanta Journal Constitution—Top 10 Southern Books of the Year | One of the Guardian's (UK) Best Ten 21st Century Comic Novels | One of Entertainment Weekly's 15 Books You Need to Read This June | On Entertainment Weekly's "Must List" | One of the New York Post's Best Summer Reading books | One of GMA's 27 Books for June | One of USA Today's 5 Books Not to Miss | One of Fortune's 21 Most Anticipated Books Coming Out in the Second Half of 2021 | One of The Root's PageTurners: It’s Getting Hot in Here | One of Real Simple's Best New Books to Read in 2021 An astounding work of fiction from New York Times bestselling author Jason Mott, always deeply honest, at times electrically funny, that goes to the heart of racism, police violence, and the hidden costs exacted upon Black Americans and America as a whole In Jason Mott’s Hell of a Book, a Black author sets out on a cross-country publicity tour to promote his bestselling novel. That storyline drives Hell of a Book and is the scaffolding of something much larger and more urgent: Mott’s novel also tells the story of Soot, a young Black boy living in a rural town in the recent past, and The Kid, a possibly imaginary child who appears to the author on his tour. As these characters’ stories build and converge, they astonish. For while this heartbreaking and magical book entertains and is at once about family, love of parents and children, art and money, it’s also about the nation’s reckoning with a tragic police shooting playing over and over again on the news. And with what it can mean to be Black in America. Who has been killed? Who is The Kid? Will the author finish his book tour, and what kind of world will he leave behind? Unforgettably told, with characters who burn into your mind and an electrifying plot ideal for book club discussion, Hell of a Book is the novel Mott has been writing in his head for the last ten years. And in its final twists, it truly becomes its title.
In 'If Winter Comes,' A. S. M. Hutchinson crafts a compelling narrative that navigates the challenges and moral complexities faced by its protagonist Mark Sabre in the post-World War I British society. The text is a vivid patchwork of social commentary and personal introspection, embroidered with Hutchinson's poignant prose and sharp observations, effectively encapsulating the disillusionment and shifting values of the time. The book's republication by DigiCat Publishing allows modern readers to access this significant yet underappreciated work, imbuing it with contemporary resonance while honoring its literary significance within the canon of early 20th-century British novels. A. S. M. Hutchinson was a masterful storyteller whose own experiences and observations of early 20th-century life undeniably shaped his literary creations. 'If Winter Comes,' possibly his most prominent novel, echoes the collective disenchantment of its era, infused with Hutchinson's astute characterizations and his own insights into the human condition. The backdrop of war and its aftermath provided fertile ground for Hutchinson to explore themes of societal change, personal responsibility, and the pursuit of happiness amidst adversity. The reissue of 'If Winter Comes' is a significant event not only for literary scholars but also for ardent readers seeking to delve into the rich tapestry of post-war literature. DigiCat's commitment to preserving and sharing the legacy of this narrative grants today's audience a window into the past, through which we can better understand the human experience. Hutchinson's nuanced storytelling and thematic explorations make this novel an essential read for those mesmerized by the intersection of history, society, and individual psyche.
This is the best translation into English of Andromache, Iphigenia, Phaedra and Athaliah.