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Good thing this Hellcat has nine lives because he’s going to need them if he’s going to survive Lucifer’s latest scheme and land on his four furry feet. Okay, so Felipe ate a few of the Styx sea creatures. In his defense, they were awfully tasty. Depleting the monster reservoir didn’t mean Lucifer had to go all Lord of Hell on him and order him to go on a stupid mission. And to Siren Isle of all places! Everyone knows males should stay far, far away from that dangerous place. The only stroke of luck is the woman he’s after isn’t a siren. Nor is she quite a mermaid. As a matter of fact, Jenny isn’t like anyone he’s ever met—so, of course, this curious cat wants her. Except he’s not the only one. Not long after his arrival, he runs into problems, which he’s only too happy to solve in a permanent and violent fashion. Getting Jenny off the island and back to Hell’s inner circle is proving more troublesome than expected, though. Who knew a simple retrieval mission would signal the start of a dangerous—yet exhilarating—adventure, and despite his tomcat ways, this purring feline can’t help but fall in love. Welcome to Hell series: A Demon and His Witch, Date With Death, A Demon and Her Scot, Hell's Kitty, Hell's Geek Other Hell books: Last Minion Standing (stand alone) Princess of Hell series: Lucifer's Daughter, Snowballs in Hell, Hell's Revenge Genre: paranormal romance, fantasy romance, gothic, romantic comedy, alpha male, romantic adventure, urban fantasy, crazy heroine, hero knight, vampires, shapeshifters, demons, witches, sirens, mermaids
In this fast-paced monster mash-up, creatures of the night face the fight of their lives when they square off against one another on TV's first all-supernatural reality show. Talk radio host and werewolf Kitty Norville is expecting cheesy competitions and manufactured drama starring shapeshifters, vampires, and psychics when she signs on for TV's first all-supernatural reality show. But as soon as filming starts, violence erupts, and Kitty suspects that the show is a cover for a far more nefarious plot. When the cameras stop rolling, cast members start dying, and Kitty realizes that she and her monster housemates are -- ironically -- the ultimate prize in a very different game. Stranded with no power, no phones, and no way to know who can be trusted, she must find a way to defeat the evil closing in . . . before it kills them all.
In order to be king, Lucifer has to die... The Antichrist is supposed to rule the world, but Chris kind of promised the ghost of his father-in-law he’d rather have the love of his wife. And he meant it…at the time. However, Chris was born with a destiny. He is the prince-in-waiting. The destroyer of nations. A failure with no magic, no armies, and no longer even a psychotic mother he can call upon. Is he destined for a mundane life? Good thing fate has other plans. Plans that include him becoming Hell’s King. Genre: Urban fantasy, demon romance, shapeshifter, witches and wizards, hell story, dark fantasy, action and adventure paranormal, humorous paranormal, paranormal romance, romantic fantasy
On the outside, twenty-eight-year-old Fiona Yu appears to be just another Hello Kitty--an educated, well-mannered Asian American woman. Secretly, she feels torn between the traditional Chinese values of her family and the social mores of being an American girl. To escape the burden of carrying her family's honor, Fiona decides to take her own virginity. In the process, she makes a surprising discovery that reunites her with a long-lost friend, Sean Killroy. Sean introduces her to a dark world of excitement, danger, cunning, and cruelty, pushing her to the limits of her own morality. But Fiona's father throws her new life into disarray when he dupes her into an overnight trip that results in a hasty engagement to Don Koo, the spoiled son of a wealthy chef. Determined to thwart her parents' plans to marry her off into Asian suburbia, Fiona seeks her freedom at any price. How far will she go to bury the Hello Kitty stereotype forever? Fiona's journey of self-discovery is biting and clever as she embraces her true nature and creates her own version of the American Dream, eliminating--without fear or remorse--anyone who stands in her way.
A catastrophe has befallen Hell. The great and mighty Lucifer has fallen prey to the most wicked of spells. He’s become…nice. Just using that word makes Gaia want to gag. The demon she fell in love with is not some pushover, polite, candy-ass, nice guy. She wants her big, bad Lord of Sin back. Can she, along with the minions of Hell, find a way to break the curse? And will they do it in time to celebrate the wedding from Hell? Welcome to Hell series: A Demon and His Witch, Date With Death, A Demon and Her Scot, Hell's Kitty, Hell's Geek, Hell's Bells Other Hell books: Last Minion Standing (stand alone) Princess of Hell series: Lucifer's Daughter, Snowballs in Hell, Hell's Revenge , Vacation Hell Genre: paranormal romance, fantasy romance, gothic romance, romantic comedy, alpha male, romantic adventure, urban fantasy, vampires, shapeshifters, demons, witches
Welcome to Hell where you’re screwed if you do and damned if don’t. And just so you know, Lucifer has a special spot reserved for you… Lucifer's playing matchmaker in this paranormal romantic comedy featuring demons,vampires and other wicked souls looking for love. Includes previously released titles: A Demon and His WitchA Demon and His PsychoDate With DeathA Demon and Her ScotHell's KittyHell's GeekHell's Bells Genre: anthology, paranormal romance, demon romance, witch romance, shapeshifter romance, vampire romance, romantic comedy
In Pink Globalization, Christine R. Yano examines the creation and rise of Hello Kitty as a part of Japanese Cute-Cool culture. Yano argues that the international popularity of Hello Kitty is one aspect of what she calls pink globalization—the spread of goods and images labeled cute (kawaii) from Japan to other parts of the industrial world. The concept of pink globalization connects the expansion of Japanese companies to overseas markets, the enhanced distribution of Japanese products, and the rise of Japan's national cool as suggested by the spread of manga and anime. Yano analyzes the changing complex of relations and identities surrounding the global reach of Hello Kitty's cute culture, discussing the responses of both ardent fans and virulent detractors. Through interviews, Yano shows how consumers use this iconic cat to negotiate gender, nostalgia, and national identity. She demonstrates that pink globalization allows the foreign to become familiar as it brings together the intimacy of cute and the distance of cool. Hello Kitty and her entourage of marketers and consumers wink, giddily suggesting innocence, sexuality, irony, sophistication, and even sheer happiness. Yano reveals the edgy power in this wink and the ways it can overturn, or at least challenge, power structures.