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Pulitzer prize–winner Chris Hedges charts the dramatic and disturbing rise of a post-literate society that craves fantasy, ecstasy and illusion. Chris Hedges argues that we now live in two societies: One, the minority, functions in a print-based, literate world, that can cope with complexity and can separate illusion from truth. The other, a growing majority, is retreating from a reality-based world into one of false certainty and magic. In this “other society,” serious film and theatre, as well as newspapers and books, are being pushed to the margins. In the tradition of Christopher Lasch’s The Culture of Narcissism and Neil Postman’s Amusing Ourselves to Death, Hedges navigates this culture — attending WWF contests as well as Ivy League graduation ceremonies — exposing an age of terrifying decline and heightened self-delusion.
The (Hell is) is a series of books, short stories, based on the lives of people, who by choice Lived a life of continuous sins. These stories tell both the natural and spiritual side of Individual lives, and the destiny paths that were taken. LIFE CHANGING! SPIRITUAL EYE OPENING! REVELATION REVEALED!
The devilishly sexy CEO. The angelic new office temp. A match made in Heaven or Hell? Four bargain-priced bestsellers in one box! This box set includes: Welcome to Hell (Mel Goes to Hell #1) See You in Hell (Mel Goes to Hell #2) Mel Goes to Hell (Mel Goes to Hell #3) Melody Angel's Guide to Heaven and Hell Welcome to Hell: "Good morning. Welcome to HELL." Mel hates job interviews - and this one's shaping up to be the interview from Hell. From the grumpy receptionist to the disturbingly demonic interview panel and the sleazy CEO, it seems landing her first job is the least of Mel's worries. Can she make it out of the office alive without selling her soul? See You in Hell: Melody Angel takes a job as a temp at the HELL Corporation. Surrounded by eternal bureaucracy gone mad, demons who love making life miserable, and dying for a decent coffee, it may take a miracle for Mel's mission to succeed. She must find out what evil plans Lucifer and his minions have in store and stop them, using any means necessary. Adding trouble and temptation to Mel's job is Luce Iblis, the damnably hot CEO, who has set his smouldering eyes on the new office angel and he's determined to claim her, body and soul. Can ultimate evil and angelic perfection escape a limbo of desire and find a paradise of their own? Mel Goes to Hell: The ultimate forbidden love - when Lucifer falls for an angel. Luce and Mel unearth an age-old conspiracy behind his fall from Heaven which could doom their love for eternity. Yet in the deepest levels of Hell lies a secret that could hold their salvation. Eternal damnation awaits any angel who descends into the Pit of Despair, but Mel will move Heaven and Earth to save Lucifer's soul. Armed with little more than the fury of a righteous angel, Mel will raise Hell in the name of love. From the heights of Heaven to the depths of Hell, can love truly conquer all? A tiny taste of what's in store: "Do you know how long you've made me wait?" Luce lifted his chin. "Close the door." Mel turned and kicked the door shut with the sole of one shoe. The click of it closing coincided with her eyes meeting Luce's once more. "Now strip and get your arse on the desk," Luce instructed. Mel stared at him. He couldn't be serious, could he? "Every other girl in this building knows how to do as she's told. Do you know how many girls I've had on this desk? You should consider yourself lucky. The last one I had in here was so quick getting undressed that I managed to give her a full fifteen minutes of my time. At this rate, you'll be lucky to have five." Mel became transfixed by the timber desktop. "Did you wipe it clean afterwards?" "What?" Luce's face reddened. Keywords: Dark comedy, Satire, new adult, supernatural, workplace romance, satirical office humour, angels and demons, paranormal romance, business and political humour, CEO secretary romance, redemption, Lucifer, Heaven, Hell
Hell’s Retribution is a fantasy adventure novel based on presumed real-life events wherein Lucifer, a powerful cherub, and the first of its kind, gets into trouble with the Lord of Heaven. Lucifer lets his pride get in the way of his good sense, thereby corrupting him, and he is evicted from paradise. Working with his faithful commander, once an archangel, he sets out to destroy all who live on the earth wherein he now resides. Redemption is the last thing on his mind when he enters The Garden to create a little mischief. Doing his best to corrupt the people of earth by any means he can contrive, it does nothing but ensure his further unhappiness. Then, his favorite dragon, a cherub at one time, who’d followed him from paradise is killed. Lucifer’s goal now is seeking revenge on, Anak, one of the fabled Nephilim. Unconcerned with Lucifer, he enters hell with one of the Fae, to save a Faerie queen. Unknown to Anak, she’s a favorite of Lucifer’s. Twice rejected by her, and continually confronted by Lucifer, Anak and Kai struggle to find their way out of hell, through the chasm, and beyond where dangers Lurk but also the end of their journey. One disaster after another confronts the two, yet despite of all Lucifer's attempts to destroy Anak, he has failed. So, Lucifer kidnaps a certain angel he believes the man loves, and does his best to seduce her. But what is the end result when Lucifer himself is seduced by his own schemes? Will he find love at last or more disappointment? The adventure is seen through his eyes, as well as other characters: humans, the Fae, fallen angels, and other of heaven’s celestials. The quest takes them through Earth, into Hell, back to Heaven, and finally earth, again, for a surprising ending. Lest you imagine this is the end of the story, be not dismayed for their adventure truly has just begun.
Jerry L. Walls cogently argues that some traditional views of hell are still defensible and can be believed with intellectual and moral integrity. Focusing on the issues from the standpoint of philosophical theology, he explores the doctrine of hell in relation to both the divine nature and human nature. He argues, with respect to divine nature, that some versions of the doctrine are compatible not only with God's omnipotence and omniscience, but also with a strong account of His perfect goodness. The concept of divine goodness receives special attention since the doctrine of hell is most often rejected on moral grounds. In addition, Walls maintains that the doctrine of hell is intelligible from the standpoint of human freedom, since the idea of a decisive choice of evil is a coherent one.
Presents a history of motorcycles, how they work, how to become street legal, the best types of motorcycles to buy, and more.
The planet Venus is the closest neighbour to the Earth and in several respects similar to our globe. It revolves around the Sun at an average distance of 0. 72 astronomical units, in an elliptical orbit of eccentricity 0. 007. The corresponding 3 numbers for the Earth are 1 and 0. 017. The mean density of Venus is 5. 2 g/cm , 3 that of the Earth 5. 5 g/cm . Venus’ acceleration of gravity at its equator is 8. 9 2 2 m/s , compared with 9. 8 m/s at the Earth. The escape velocity is 10. 4 km/s, while the corresponding ?gure of the Earth is 11. 2 km/s. Although the mass of Venus is somewhat smaller than that of the Earth – the ratio is M /M =0. 815 V E – the diameters of the two planets are almost the same. In other words, Venus is indeed a sister planet of the Earth. In earlier times, when almost nothing was known about the physical con- tions of Venus, the similarity appeared even stronger than today. Not only was Venus’ period of rotation thought to be close to that of the Earth, it was also p- sible (and indeed common) to imagine intelligent life on Venus.
The Conception of Buddhist Nirvana provides an English Translation of Nagarjuna`s chapters on Causality and Nirvana and Chandrakiriti`s comprehensive commentary on the Sanskrit Text and presents a rare exposition of the Madhyamaka Dialectic. The book is edited by Jaideva Singh with an exhaustive introduction, containing the historical background of the Madhyamaka philosophy, a lucid exposition of its merciless logic, an admirable presentation of its uncanny metaphysics and a systematic account of its soteriology and Buddhol;ogy. The editor has also provided and Analysis of Contents and has added those portions of the text and the Sanskrit commentary on the basis of which Stcherbatsky wrote out his book. This will enable the reader to make a comparative study of Stcherbatsky;s version with the Original Sanskrit.
Through the negative dialectics of Theodore Adorno, Illusion and Fetishism in Critical Theory offers an examination of Nietzsche, Benjamin, Castoriadis and the Situationists, who put the concept of illusion at the forefront of their philosophical thought. Vasilis Grollios argues that these political philosophers, except Castoriadis, have up to now been wrongly considered by many scholars to be far from the line of thinking of negative dialectics, Critical Theory and the early Frankfurt School/Open Marxist tradition. He illustrates how these thinkers focused on the illusions of capitalism and attempted to show how capitalism, by its innate rationale, creates social forms that are presented as unavoidable and universal, yet are historically specific and of dubious sustainability. Providing a unique overview of concepts including illusion, totality, fetishization, contradiction, identity thinking and dialectics, Grollios expertly reveals how their understanding of critique can help us open cracks in capitalism and radicalize democratic social practice today. Illusion and Fetishism in Critical Theory is a must read for scholars of political theory and political philosophy, critical theory, the Frankfurt School, sociology and democratic theory.
Taking the culturally resonant motif of the descent to the underworld as his guiding thread, David L. Pike traces the interplay between myth and history in medieval and modernist literature. Passage through Hell suggests new approaches to the practice of comparative literature, and a possible escape from the current morass of competing critical schools and ideologies. Pike's readings of Louis Ferdinand Céline and Walter Benjamin reveal the tensions at work in the modern appropriation of structures derived from ancient and medieval descents. His book shows how these structures were redefined in modernism and persist in contemporary critical practice. In order to recover the historical corpus of modernism, he asserts, it is necessary to acknowledge the attraction that medieval forms and motifs held for modernist literature and theory. By pairing the writings of the postwar German dramatist and novelist Peter Weiss with Dante's Commedia, and Christine de Pizan with Virginia Woolf, Pike argues for a new level of complexity in the relation between medieval and modern poetics. Pike's supple and persuasive reading of the Commedia resituates that text within the contradictions of medieval tradition. He contends that the Dantean allegory of conversion, altered to suit the exigencies of modernism, maintains its hold over current literature and theory. The postwar writers Pike treats—Weiss, Seamus Heaney, and Derek Walcott—exemplify alternate strategies for negotiating the legacy of modernism. The passage through hell emerges as a way of disentangling images of the past from their interpretation in the present.