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New York Times bestselling novelist Darren Shan returns with the second book in his series The City. In the City, The Cardinal rules, and Al Jeery is a loyal member of his personal guard. But when Al is pulled from his duties at Party Central to investigate a murder, an unexpected discovery leads him in a new direction, where his loyalties and beliefs will be severely tested. Soon he is involved in a terrifying mystery that draws in the dead, the City's Incan forefathers, the imposing figure of The Cardinal, and the near-mythical assassin Paucar Wami. Wami is a law unto himself, a shadowy, enigmatic figure who can apparently kill anyone he chooses without fear of punishment or retribution. And Al is about to find out that he has a lot more in common with Wami than he could ever have imagined...
New York Times bestselling novelist Darren Shan presents the final book in his The City series. For ten years Capac Raimi has ruled the City. Created by the first Cardinal to continue his legacy, Capac cannot be killed. Then Capac disappears. His trusted lieutenant, Ford Tasso, suspects the mysterious villacs, ancient and powerful Incan priests. To Ford, only one man has the cunning to outwit such adversaries-Al Jeery, who has taken the guise of his father, the terrifying assassin Paucar Wami. Al has no love for Capac and no wish to tangle with the villacs. Until Ford promises him the one thing he truly craves-retribution against the man who killed those he loved most and destroyed his life. Lured into the twisted, nightmarish world of the Incan priests, Al will learn more about the City than he ever imagined, and be offered more power than he ever desired. But in the City, everything comes at a cost...
An A-Z guide to one of the cinema's most popular genres. It covers over 2000 war films, set in every period from Ancient Greece to the Gulf. The range extends from the greatest movies to the least successful, together with all the actors and directors involved, and supported by a bibliography.
From Darren Shan, the Master of Horror, comes the gripping second book in the Zom-B series. Waking up in a military complex, months after zombies attacked school, B has no memory of the last few months. Life in the UK has turned tough since the outbreak, and B is woven into life- and battle- in the new military regime quickly. But as B learns more about the zombies held in the complex and the scientists keeping them captive, unease settles in. Why exactly was B saved? And is there anyone left in the world to trust?
Boldly go where no mage has gone before. The battle for reality itself ignites as mages of all stripes vie for the fabled Horizon Realms, the dimensions juxtaposing Earth and…elsewhere. A villain from the mages’ past returns to claim his legacy, embroiling Earth’s magick makers in a struggle both for survival and for dominance of all known creation. Based on Mage: The Ascension™ from White Wolf Game Studio, The Road to Hell is the first installment in the Horizon War Trilogy. Robert Weinberg is author of the popular Masquerade of the Red Death Trilogy.
Marq de Villiers takes readers on a journey into the strange richness of the human imaginings of hell, deep into time and across many faiths, back into early Egypt and the 5,000-year-old Mesopotamian epic of Gilgamesh. This guide ventures well beyond the Nine Circles of Dante's Hell and the many medieval Christian visions into the hellish descriptions in Islam, Buddhism, Jewish legend, Japanese traditions, and more.
THE 12TH JOURNEY OF THE BEST-SELLING GRIZZLY KILLER SERIES. Fall of 1833 - Zach Connors, his partners and friends are in the middle of their trapping season when a call for help finds them. Three young Bannock hunters have disappeared from their hunting party. The Bannock hunters are many days travel from their homeland, in country they do not know. Zach, better known as Grizzly Killer, and his partners heed the call for help. They put away their traps and leave their families behind as they search for the lost boys, not realizing that the search would lead them hundreds of miles from their home into unfamiliar lands and against ruthless enemy warriors. They wonder, as they crest each new horizon, what kind of hell they will find... "Lane R Warenski does a fabulous job of recreating the life, danger, beauty and heroism of the western mountain man."
A Kirkus Best Book of the Year During World War II, with apocalypse imminent, a group of well-known Jewish scientists and artists sidestepped despair by challenging themselves to solve some of the most difficult questions posed by our age. Many had just fled Europe. Others were born in the United States to immigrants who had escaped Russia’s pogroms. Alternately celebrated as mavericks and dismissed as eccentrics, they trespassed the boundaries of their own disciplines as the entrance to nations slammed shut behind them. In Stargazing in the Atomic Age, Anne Goldman interweaves personal and intellectual history in exuberant essays that cast new light on these figures and their virtuosic thinking. In lyric, lucent sentences that dance between biography and memoir as they connect innovation in science with achievement in the arts, Goldman yokes the central dramas of the modern age with the brilliant thinking of earlier eras. Here, Einstein plays Mozart to align mathematical principle with the music of the spheres and Rothko paints canvases whose tonalities echo the stark prose of Genesis. Nearby, Bellow evokes the dirt and dazzle of the Chicago streets, while upon the heels of World War II, Chagall illuminates stained glass no less buoyant than the effervescent notes of Gershwin's Rhapsody in Blue. In these essays, Goldman reminds readers that Jewish history offers as many illustrations of accomplishment as of affliction. At the same time, she gestures toward the ways in which experiments in science and art that defy partisanship can offer us inspiration during a newly divisive era.
Written by a knowledgeable film critic and Korean War scholar, this is the only guide exclusively devoted to the study of Hollywood and television films based on the Korean War, 1950-1953. It opens with eight short essays, discussing the appeal of the war film genre, government and filmmaker cooperation, the isolation of Korean War films from other war films, why John Wayne didn't make a Korean War film, the other actors who did, the plots of Korean War films, television and Korean War films, and the myths resulting from films. Eighty-four films are then discussed in alphabetically arranged entries. The entries include production unit, color status, producer, director, screenwriter, actors and actresses, movie length, and the author's numerical rating of the film. The commentary places each film within the context of other war films, the Korean War, trends in Hollywood, and the social and political realities of the United States. The films also are listed chronologically. Producers, directors, screenwriters, actors, and actresses are indexed by responsibility and are included in the general index. The book also provides a list of 109 documentary films available for public viewing.