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Love is calling... Wait for the beep! A widowed mother of two, Annie Harlowe has a secret: She likes to call her late husband's cell phone just to hear his voice, even if it is only a recording. Then one night she dials-and something extraordinary happens... Thomas Brannock IV has had his life mapped out since he was a kid, but a free-spirited woman with flowing hair and sun-kissed cheeks is about to change all that. Still reeling from her heart-to-heart with the other side-and wondering if she's so lonely she's gone off her rocker-Annie literally bumps into Thom at the posh soiree she's catering at his family's Southampton mansion. From the moment she looks into his eyes she feels like she's experiencing a true heavenly intervention-as two people from totally different worlds begin to make the most passionate connection of all... With a little help from above!
In Hello, It’s Me, pop culture historian Chris Epting celebrates the cultural touchstones of the past 40 years—the music, movies, television, hobbies, and fads that have defined recent generations. Whether it’s shooting hoops with NBA legend Elgin Baylor, drinking whiskey in a Radio City Music Hall broom closet with Ron Wood and Rod Stewart while thousands of fans scream from below, sharing a milkshake with Jerry Lewis, running into Alfred Hitchcock’s stomach as a young child, or jumping on a trampoline with Sally Struthers, Chris Epting takes us on his own strange trip through time, space and hula hoops. Beginning in the 1970s and continuing through the 1980s, 1990s, and up to the present day, Epting writes about the humorous, ironic, poignant, and inspiring moments he’s experienced with a host of pop-culture icons—Mick Jagger, Keith Richards, Jay Leno, Johnny Thunders, Edward Albee, John Cheever, Milton Berle, etc.—as well as his personal memories of the era’s most famous pop-culture fads, products, and gimmicks—Pet Rocks, lava lamps, mood rings, 8-track tapes, bootleg records, Zotz, halter tops, strawberry wine. . . .
In Hello, It’s Me, pop culture historian Chris Epting celebrates the cultural touchstones of the past 40 years—the music, movies, television, hobbies, and fads that have defined recent generations. Whether it’s shooting hoops with NBA legend Elgin Baylor, drinking whiskey in a Radio City Music Hall broom closet with Ron Wood and Rod Stewart while thousands of fans scream from below, sharing a milkshake with Jerry Lewis, running into Alfred Hitchcock’s stomach as a young child, or jumping on a trampoline with Sally Struthers, Chris Epting takes us on his own strange trip through time, space and hula hoops. Beginning in the 1970s and continuing through the 1980s, 1990s, and up to the present day, Epting writes about the humorous, ironic, poignant, and inspiring moments he’s experienced with a host of pop-culture icons—Mick Jagger, Keith Richards, Jay Leno, Johnny Thunders, Edward Albee, John Cheever, Milton Berle, etc.—as well as his personal memories of the era’s most famous pop-culture fads, products, and gimmicks—Pet Rocks, lava lamps, mood rings, 8-track tapes, bootleg records, Zotz, halter tops, strawberry wine. . . .
I had no reason to question the life I was living. I did everything I was supposed to do to live an amazing life - great education, great career, married, mother, home-owner, nice-car owner, fancy vacation taker - or so I thought. I was just rushing to cross things off my to-do list one after another, never stopping to ask myself if all this doing was making me happy. None of my checklists said find joy, be fulfilled, authentically align with my soul. But then through a series of serendipitous circumstances, perfectly orchestrated by the Universe, it all came crashing in on me. I was forced to realize that none of the life I created made me happy. My life was amazing on the outside. But on the inside, I longed for something deeper, meaningful, more. So, I scheduled a breakdown.Hello Universe, It's Me is not just my wakeup call. It's yours too. I take you on my journey but as I do I provide you with the tools you need to see that your story matters, the way you navigate your life matters, and finding who you are meant to be and what you are meant to offer this world matters too.
Confessions of a Serial Songwriter is an amusing and poignant memoir about songwriter Shelly Peiken's journey from young girl falling under the spell of magical songs to working professional songwriter writing hits of her own. It's about growing up, the creative process – the highs and the lows, the conflicts that arise between motherhood and career success, the divas and schemers, but also the talented and remarkable people she's found along the way. It's filled with stories and step-by-step advice about the songwriting process, especially collaboration. And it's about the challenge of staying relevant in a rapidly changing and youth-driven world. As Shelly so eloquently states in Confessions of a Serial Songwriter: “If I had to come up with one X factor that I could cite as a characteristic most hit songs have in common (and this excludes hit songs that are put forth by an already well-oiled machine...that is, a recording artist who has so much notoriety and momentum that just about anything he or she releases, as long as it's 'pretty good ' will have a decent shot at succeeding), I would say it would be: A universal sentiment in a unique frame.” Peiken has tapped the universal sentiment again and again; her songs have been recorded by such artists as Christina Aguilera, Natalie Cole, Selena Gomez, Celine Dion, the Pretenders, and others. In Confessions of a Serial Songwriter, she pulls the curtain back on the music business from the perspective of a behind-the-scenes hit creator and shares invaluable insight into the craft of songwriting.
As I continue to learn the importance of self love, I now understand that I create my world; little did I know or understand it's just that easy. Love comes from within. It's deep, it's beautiful, it's freedom. A freedom from loneliness, fear, self-doubt, shame and abandonment. I truly understand and now know the truth, that choice is the key to everything; the key to unlock your life, and the key to freedom! We only ever have to choose. That's the greatest thing about free will and choice. I ask you to ask yourself, do you want to be free? Or do you want to be held in the imprisonment of the linear life, and controlled by the ego conditioned mind, continuing the third-dimensional matrix? Or are you ready to break free of all linear aspects?
In a word: hilarious. . . . These are some of the funniest stories I have ever read and they're also some of the most unexpectedly heartfelt--Laura Zigman, author of "Animal Husbandry."
Atwood Gibson Writers' Trust Fiction Prize, Finalist • One of Indigo’s Most Anticipated Canadian Books • One of the CBC’s Canadian Fiction Books to Read in Fall 2024 Women Talking meets Study for Obedience in this stunning depiction of fresh grief by Fawn Parker, the Giller Prize–longlisted author of What We Both Know. Shortly after her mother’s death, Fawn arrives at the farmhouse. While there, she will stay in her mother’s bedroom in the house that is also occupied by four other women who live by an unusual set of beliefs. Wrestling with longstanding compulsive and harmful behaviours, as well as severe self-doubt, Fawn is confronted with the reality of her mother’s death. It is her responsibility to catalogue the furniture and possessions in the room, then sell or dispose of them. Instead, Fawn becomes fixated on archiving her mother’s writing and documents, searching for signs, and drawing tenuous connections to help her understand more about the enigmatic woman in the pages. I am surrounded by mocking evidence of her inhabitancy of this room. Quickly, it is expiring. Today she was alive. When the day runs out that will no longer be true. Tomorrow I will be able to say that yesterday she was alive, at least. The next day, nothing. She will just be dead. The fact seems to be at its smallest now, growing with time. For now she is many things, and there are many places left to find her. In Hi, It’s Me, Fawn Parker is unafraid to explore the bewildering relationship between the living and the dead. Strikingly original, provocative, and engrossing Hi, It’s Me takes us into the furthest corners of grief, invoking the physicality and painful embodiment of terminal illness with astonishing precision and emotional force. This mesmerizing, devastating novel asks: Why must it be this way?
The life of Harry Chapin, charismatic musician and iconic humanitarian, was unexpectedly and tragically taken on July 16, 1981. He was 38 years old. A human dynamo whose sheer tenacity landed him on the Billboard charts, on Broadway, in the White House, and at the forefront of the world hunger movement, Chapin lived by the mantra of "When in doubt, do something." In following this mentality, Chapin's 10-year solo career encompassed more than 2,000 concerts, nine studio albums, the creation of global nonprofit World Hunger Year (now WhyHunger), and the love and respect of fans, fellow musicians, and key political influencers alike. Hailed as a consummate musical storyteller, Chapin is best known for his character-driven tunes - "Taxi," "Sniper," "W-O-L-D," "A Better Place to Be," "30,000 Pounds of Bananas," and "Cat's in the Cradle" included. Yet despite having only four Top 40 hits to his name, Chapin's songs remain one of a kind - elevating him to the same artistic status as classic singer-songwriters of the era like James Taylor, Jim Croce, Gordon Lightfoot, and John Denver. Now, nearly 40 years after his death, the following 10-chapter oral history seeks to tell Harry Chapin's story through the firsthand, on-the-record testimonies of the "characters" who knew him best - more than 60 family members, friends, business associates, and musical contemporaries. The result is a well-rounded retrospective of a man whose life, being, sense of accomplishment, and legacy remain unsurpassed to this day.
Faced with the difficulties of growing up and choosing a religion, a twelve-year-old girl talks over her problems with her own private God.