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Hellboy, Mike Mignola’s famed comic book demon hunter, wanders through a haunting and horrific world steeped in the history of weird fictions and wide-ranging folklores. Hellboy's World shows how our engagement with Hellboy's world is a highly aestheticized encounter with comics and their materiality. Scott Bukatman’s dynamic study explores how comics produce a heightened “adventure of reading” in which syntheses of image and word, image sequences, and serial narratives create compelling worlds for the reader’s imagination to inhabit. Drawing upon other media—including children’s books, sculpture, pulp fiction, cinema, graphic design, painting, and illuminated manuscripts—Bukatman reveals the mechanics of creating a world on the page. He also demonstrates the pleasurable and multiple complexities of the reader’s experience, invoking the riotous colors of comics that elude rationality and control and delving into shared fictional universes and occult detection, the horror genre and the evocation of the sublime, and the place of abstraction in Mignola’s art. Monsters populate the world of Hellboy comics, but Bukatman argues that comics are themselves little monsters, unruly sites of sensory and cognitive pleasures that exist, happily, on the margins. The book is not only a treat for Hellboy fans, but it will entice anyone interested in the medium of comics and the art of reading.
Hellboy, Mike Mignola’s famed comic book demon hunter, wanders through a haunting and horrific world steeped in the history of weird fictions and wide-ranging folklores. Hellboy's World shows how our engagement with Hellboy's world is a highly aestheticized encounter with comics and their materiality. Scott Bukatman’s dynamic study explores how comics produce a heightened “adventure of reading” in which syntheses of image and word, image sequences, and serial narratives create compelling worlds for the reader’s imagination to inhabit. Drawing upon other media—including children’s books, sculpture, pulp fiction, cinema, graphic design, painting, and illuminated manuscripts—Bukatman reveals the mechanics of creating a world on the page. He also demonstrates the pleasurable and multiple complexities of the reader’s experience, invoking the riotous colors of comics that elude rationality and control and delving into shared fictional universes and occult detection, the horror genre and the evocation of the sublime, and the place of abstraction in Mignola’s art. Monsters populate the world of Hellboy comics, but Bukatman argues that comics are themselves little monsters, unruly sites of sensory and cognitive pleasures that exist, happily, on the margins. The book is not only a treat for Hellboy fans, but it will entice anyone interested in the medium of comics and the art of reading.
With a new Hellboy series on the stands, fans of the world's greatest paranormal detective can find older favorites collected for the first time in the seventh volume of the Hellboy Saga. Hellboy: The Troll Witch and Others collects short stories from The Dark Horse Book of the Dead, Witchcraft, Hauntings, and Monsters, the 2004 Hellboy: Wizard 1/2, as well as the critically acclaimed 2006 miniseries, Hellboy: Makoma by Mignola and comics legend Richard Corben, and a previously unpublished Hellboy story by P. Craig Russell and Mike Mignola, along with sketches and story notes. Contains new Hellboy story by Mike Mignola & P. Craig Russell!
Mignola has expanded Hellboy into the most exciting group of books since the early Marvel universe, and his style has influenced art and illustration far beyond the world of comics. Selected finished pieces are shown alongside sketches and raw scans from the last twenty years. * Never-before-seen art! * Mignola's best pieces from the last twenty years! "Nothing is better than having Mignola himself rendering Hellboy's world."—IGN "I envy the sheer variety and invention Mignola brings to Hellboy's world. [He] consistently manages to depict even the most grotesque monstrosity and make it somehow beautiful."—Peter de Sève, award-winning New Yorker cover artist and character designer for Ice Age film series, from his introduction
Born in the flames of hell and brought to Earth as an infant to perpetrate evil, Hellboy was rescued from sinister forces by the benevolent Dr. Broom, who raised him to be a hero. In Dr. Broom's secret Bureau for Paranormal Research and Defense (B.P.R.D.), Hellboy creates an unlikely family consisting of the telepathic Mer-Man Abe Sapien and Liz Sherman, the woman he loves who can control fire. Hidden from the very society that they protect, they stand as the key line of defense against an evil madman who seeks to reclaim Hellboy to the dark side and use his powers to destroy mankind.
The Hellboy saga begins--with over 300 pages drawn by Mignola! For the first time, Hellboy's complete story is presented in chronological order for the ultimate reading experience. The story jumps from Hellboy's mysterious World War II origin to his 1994 confrontation with the man who summoned him to earth, and the earliest signs of the plague of frogs. Avoiding his supposed fate as the herald of the end of the world, Hellboy continues with the Bureau for Paranormal Research and Defense, fighting alongside Abe Sapien, Liz Sherman, and drafting Roger Homunculus into his own ill-fated service with the B.P.R.D. The four volume Hellboy Omnibus series along with the two volumes of The Complete Short Stories collect all of Mignola's award-winning Hellboy stories in chronological order for a definitive reading experience. This 368-page volume covers Hellboy's adventures from 1994 to 1997, reprinting Seed of Destruction, Wake the Devil, and "Wolves of St August," "The Chained Coffin," and "Almost Colossus," from The Chained Coffin and The Right Hand of Doom. ''Mignola, Byrne, and Chiarello have created a perfect introduction to Mignola's Hellboy, his mysterious surroundings, and the unanswered questions that surround his origin.''--Comics Authority
Monsters seem inevitably linked to humans and not always as mere opposites. Maaheen Ahmed examines good monsters in comics to show how Romantic themes from the eighteenth and the nineteenth centuries persist in today’s popular culture. Comics monsters, questioning the distinction between human and monster, self and other, are valuable conduits of Romantic inclinations. Engaging with Romanticism and the many monsters created by Romantic writers and artists such as Mary Shelley, Victor Hugo, and Goya, Ahmed maps the heritage, functions, and effects of monsters in contemporary comics and graphic novels. She highlights the persistence of recurrent Romantic features through monstrous protagonists in English- and French-language comics and draws out their implications. Aspects covered include the dark Romantic predilection for ruins and the sordid, the solitary protagonist and his quest, nostalgia, the prominence of the spectacle as well as excessive emotions, and above all, the monster’s ambiguity and rebelliousness. Ahmed highlights each Romantic theme through close readings of well-known but often overlooked comics, including Enki Bilal's Monstre tetralogy, Jim O'Barr's The Crow, and Emil Ferris’s My Favorite Thing Is Monsters, as well as the iconic comics series Alan Moore's Swamp Thing and Mike Mignola's Hellboy. In blurring the otherness of the monster, these protagonists retain the exaggeration and uncontrollability of all monsters while incorporating Romantic characteristics.
When ancient giants begin to reawaken in the British Isles, Hellboy is invited to join an ancient band of fellow monster hunters called the Wild Hunt and help bring them down. But an unexpected betrayal sends Hellboy after a quarry far more deadly: the Queen of Blood, first seen in 2007's best-selling Hellboy: Darkness Calls. This newly reborn evil has her murderous sights set on all of humanity, and the only way Hellboy can stop her is to finally confront the truth about his own dark heritage. * Mignola reunites with artist Duncan Fegredo for the eagerly anticipated follow-up to Hellboy: Darkness Calls. * Hellboy: The Wild Hunt collects the entire eight-issue miniseries, along with an extensive sketchbook section from both artists. * A New York Times bestseller!
After sacrificing himself to save the world, this epic conclusion of Hellboy's story follows him on a journey through Hell, where he once again faces off against the Vampire of Prague, pleads his case when accused of murder, and fulfills his destiny by destroying Pandemonium itself. This deluxe, oversized hardcover edition collects Hellboy in Hell: The Descent and The Death Card, plus an expanded sketchbook section. Mignola's complete Hellboy in Hell saga! ""The prophecies are coming to pass, the threads all coming together. It's a thing of true beauty, really. When it comes down to it, Mike Mignola creating, writing, and drawing the character feels like one of the most important things to ever happen to the medium . . . Epic, perfectly paced, and profoundly dark. Hellboy is comics. It's what the medium is all about."--Nerdist "Hellboy in Hell may be Mike Mignola's masterpiece . . . Mignola's sparse illustration is given deep, complex mood thanks to Stewart's transfixing color palettes. Grab the first volume, sit down with both of these monsters, and sink into the storytelling."--The Creator's Project
Mike Mignola's award-winning series Hellboy has earned fans all over the world, among them some of the most respected horror, fantasy, and mystery novelists in the field, and some of Hollywood's most talented writers and directors. Now a who's who list of these writers are drawn together to tell their own tales of Hellboy, to play with the characters and worlds Mignola has created. As part of Dark Horse's celebration of Hellboy in 2004, Christopher Golden (author of the Hellboy novels The Lost Army and The Bones of Giants) has brought together a stellar array of talents including filmmakers Frank Darabont and Hellboy movie director Guillermo del Toro, and novelists Charles de Lint, Graham Joyce, and Sharyn McCrumb, as well as many others. • Lavishly illustrated by creator Mike Mignola! • Filmmakers Frank Darabont (The Shawshank Redemption), Guillermo del Toro (Hellboy), and novelists Charles de Lint, Graham Joyce, Sharyn McCrumb and many others tell their own tales of Hellboy. • This Spring, the Hellboy movie opened to rave reviews and spectacular box office success, making it an instantly recognizable and incredibly popular property.