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Good Intentions' part 1! Released from prison, John Constantine discovers that an unseen hand has been pulling strings and making life very difficult for him. As he sets out to uncover the nature of the forces that have conspired against him, he experiences a different kind of danger.
Jamie Delano wraps up his run as regular writer with this extra-sized issue! Meet an alternate reality John Constantine who has made all the right choices and managed to rescue all his loved ones from their grisly fates in a tale featuring sequential art by Dave McKean (THE SANDMAN, ARKHAM ASYLUM).
He's done hard time in prison to ease his conscience, but now it's time for John Constantine to make amends to the kin of one Richard "Lucky" Fermin.
"Originally published in single magazine form in John Constantine, Hellblazer 292-300, John Constantine, Hellblazer Annual 1."
An apathetic, somewhat amoral occultist, John Constantine always manages to come out on top through a combination of luck, trickery and genuine magical skill. In this seminal Vertigo series, uncover a horror story wrapped in a mystery starring a hero who's at his best and worst all at the same time...
In a grimy London torn by racism and despair, John Constantine's battles with guilt lead him to help an ex-girlfriend, now hooked on heroin and forced into prostitution. Constantine finds himself facing the wrath, not only of the girl's pimp, but also of Satan, who intends to have his revenge.
The science behind the writers’ experience of characters developing their own will and taking objective forms. Many writers have the experience that their characters have evolved their own personalities. They start to tell their own stories, and sometimes they could even rebel against the author’s ideas for them and change the course of the whole plot. That is not all, though. Sometimes, literary characters assume objective appearances which are visible not just to the creators, but also to others and manifesting in the real world. These experiences raise several interesting philosophical and scientific questions. Have the writers unwittingly created quasi-conscious entities by the power of their minds? Can thoughts manifest as something tangible that can be seen, heard, or even touched? How genuine are the contents of the mind? Embodied Imaginations explores these questions, highlighting the results of an investigation on this fascinating topic, stemming from personal anecdotes of many writers. Providing scientific evidence for the existences of these mental constructs, the goal is to collect robust and reliable building blocks that may help to deconstruct perceptions and provide answers to this phenomenon. The book attempts to give modern science a place where spiritual, philosophical and mystical threads can be interwoven. Efforts have been made to corroborate theoretical claims with experimental evidence, contributing to research in cognitive psychology to determine the role of imagination in creating external reality. This book will introduce you to the mysterious and profound part of creative writing that you never knew existed before.
This volume includes sketch material, along with commentary and insights into Jean's creative process, and an afterword by Fables writer/creator Bill Willingham"--
John Constantine continues a cross-country trek through America's darkened backroads and finds that he can always rely on--and exploit--mankind's everyday viciousness.
Why would sovereigns ever grant political or economic liberty to their subjects? This book draws on a wide array of empirical and theoretical approaches to answer this question, investigating both why sovereign powers might liberalize and also when. Chapters cover topics as diverse as 17th-century England, 20th-century Chile, and why even democratic governments see a need to reduce state power.