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This book was inspired by the passing of some of my younger friends that are in heaven with The Lord. This book is designed to primarily help children understand the truth about death and dying and to look forward to heaven someday as an amazing place that God created for those who have received His Son Jesus, as their Lord and Savior. Included in the book is a prayer for salvation.
The world has gone to hell and it isn't coming back. It happened in a year: starvation, gangs of kids with guns, and every adult in the world dead from the Sickness. Houses are now mausoleums. Civilization lies in the hands of children who've never had to feed themselves or survive a winter without gas or electricity. Most will die. Others - a bare few - will tread a different path. Fourteen-year-old Jack Ferris is a survivor - because his parents raised him that way. Leveraging qualities rare for his age, he must lead his desperate companions to a secret refuge. Too late, he learns that safety is a mirage, and that the high price of hope is paid in blood. "An emotional and action filled post-apocalyptic story with unforgettable characters. You won't want to put this one down!" - Nicholas Sansbury Smith, author of the "Extinction Cycle." "John L. Monk brings a remarkable wit and elegance to his storytelling through the use of vivid descriptions and complex characters." - J. Thorn, Amazon Top 100 Author in Action & Adventure. "A Post Apocalyptic Lord of the Flies that's both terrifying and uplifting." - Nick Cole, author of CTRL-ALT-REVOLT, creator of Apocalypse Weird. Fans of One Second After, The Hunger Games, and Alas Babylon should enjoy this what-if tale of inventiveness, character, and courage. Order your copy today.
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From the 1950s to the 1980s, the New Zealand government took more than 100,000 children from experiences of strife, neglect, poverty or family violence and placed them under state care in residential facilities. In homes like Epuni and Kingslea, Kohitere and Allendale, the state took over as parent. The state failed. Within institutions, children faced abysmal conditions, limited education and social isolation. They endured physical, sexual and psychological violence, as well as secure cells, knock-out sedatives and electro-convulsive therapy. This book tells the story of 105 New Zealanders who experienced this mass institutionalisation. Informed by thousands of pages of Child Welfare accounts, letters, health reports, legal statements as well as interviews, Stanley tells the children’s story: growing up in homes characterised by violence and neglect; removal into the State’s ‘care’ network; daily life in the institutions; violence and punishment; and the legacy of this treatment for victims today. The state masqueraded as a good parent, but its violence and negligence made things worse for children. This book is a moving account of the experiences of those placed into state care, and a powerful call for redress and change. It was over and over, it wasn’t just one night, it was many drunken nights, you know the smell of alcohol and stuff like that. I was often beaten . . . I got so used to the beatings that I never used to cry any more . . . I hid under the cot, and every time I knew they were coming I’d have to come out and just be prepared for anything – Ed He said to me ‘You’re going somewhere’. He said it with glee. ‘You’re going somewhere where they know how to treat people like you’. It was like he knew what the place [Hokio] was like and what was in store for me and it gave him a great deal of pleasure. I find that really cruel – Ray . . . I remember looking out the window and said ‘There’s police out there, what’s going on?’ Yeah and they’d come to pick me up, to put me in the girls’ home . . . I was just in shock . . . they wanted to take me. ‘What have I done? . . . The police just took me down to the station...and then the social worker took me from there to Bollard and then I was chucked in the cells. – Nanette
Mystery turns to mortal danger as one young man’s quest to clear his father’s name ensnares him in a net of deceit, conspiracy, and intrigue in 1750s England. Caleb has spent his life roaming southern England with his Pa, little to their names but his father’s signet ring and a puppet theater for popular, raunchy Punch and Judy shows — until the day Pa is convicted of a theft he didn’t commit and sentenced to transportation to the colonies in America. From prison, Caleb’s father sends him to the coast to find an aunt Caleb never knew he had. His aunt welcomes him into her home, but her neighbors see only Caleb’s dark skin. Still, Caleb slowly falls into a strange rhythm in his new life . . . until one morning he finds a body washed up on the shore. The face is unrecognizable after its time at sea, but the signet ring is unmistakable: it can only be Caleb’s father. Mystery piles on mystery as both church and state deny what Caleb knows. From award-winning British author Tanya Landman comes a heart-stopping story of race, class, family, and corruption so deep it can kill.
From the author of Refuge, a magical novel about a young Iranian woman lifted from grief by her powerful imagination and love of Western culture. Growing up in a small rice-farming village in 1980s Iran, eleven-year-old Saba Hafezi and her twin sister, Mahtab, are captivated by America. They keep lists of English words and collect illegal Life magazines, television shows, and rock music. So when her mother and sister disappear, leaving Saba and her father alone in Iran, Saba is certain that they have moved to America without her. But her parents have taught her that “all fate is written in the blood,” and that twins will live the same life, even if separated by land and sea. As she grows up in the warmth and community of her local village, falls in and out of love, and struggles with the limited possibilities in post-revolutionary Iran, Saba envisions that there is another way for her story to unfold. Somewhere, it must be that her sister is living the Western version of this life. And where Saba’s world has all the grit and brutality of real life under the new Islamic regime, her sister’s experience gives her a freedom and control that Saba can only dream of. Filled with a colorful cast of characters and presented in a bewitching voice that mingles the rhythms of Eastern storytelling with modern Western prose, A Teaspoon of Earth and Sea is a tale about memory and the importance of controlling one’s own fate.
ADHD has cast a long shadow over Daniel's life, and over that of his mother Alison. In this candid account of life with an ADHD child, Alison openly discusses her family's experiences with education, the police, and medication.
The children of Lake Park are disappearing. In his frantic efforts to solve the case, detective Clive Armstrong will come face to face with unimaginable horror.
What is the nature of Hell? What role(s) may Hell play in religious, political, or ethical thought? Can Hell be justified? This edited volume addresses these questions and others; drawing philosophers from many approaches and traditions to analyze and examine Hell.
I read No Exit in my early twenties, and I remember thinking hell might very well be other people, okay, sure, but under what far-fetched conditions would anyone ever actually be trapped forever in the company of strangers with no sleep or means of escape? Then I became a parent. From Deborah Copaken Kogan, the acclaimed author of the national bestseller Shutterbabe, comes this edgy, insightful, and sidesplitting memoir about surviving in the trenches of modern parenting. Kogan writes situation comedy in the style of David Sedaris and Spalding Gray with a dash of Erma-Bombeck-on-a-Vespa: wry, acutely observed, and often hilarious true tales, in which the narrator is as culpable as any character. In these eleven linked pieces, Kogan and her husband are almost always broke while working full-time and raising three children in New York City, one of the most expensive and competitive cities in the world. In one episode, exhausted from a particularly difficult childbirth, Kogan finds herself sharing a hospital room with a foul-mouthed teen mother and her partying posse. In another, Kogan manages to crawl her way to her own emergency appendectomy, which inconveniently strikes the same week her infant's babysitter is away on vacation, her adolescents are off from school, her New York Times editor needs his edit, and the whole family catches the flu. And in the book's capper essay, she drives twelve hours, solo, with a screaming toddler in a rent-a-car in a futile effort to catch a glimpse of her eldest child in his summer camp play. Yes, Shutterbabe is all grown up and slightly worse for the wear, but her clear-eyed vision while under fire has remained intact: You've never read funnier war stories.