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Gilb has created more than a literary anthology--this is a mosaic of the cultural and historical stories of Texas Mexican writers, musicians, and artists.
When the early Spanish and Mexican colonists came to settle Texas, they brought with them a rich culture, the diversity of which is nowhere more evident than in the folk art and folk craft. This first book-length publication to focus on Texas-Mexican material culture shows the richness of Tejano folk arts and crafts traditions.
Arts as intimate as a piece of needlework or a home altar. Arts as visible as decorative iron, murals, and low riders. Through such arts, members of Tucson's Mexican American community contribute much of the cultural flavor that defines the city to its residents and to the outside world. Now Tucson folklorist Jim Griffith celebrates these public and private artistic expressions and invites us to meet the people who create them. Josefina Lizárraga learned to make paper flowers as a girl in her native state of Nayarit, Mexico, and ensures that this delicate art is not lost. Ornamental blacksmith William Flores runs the oldest blacksmithing business in town, a living link with an earlier Tucson. Ramona Franco's family has maintained an elaborate altar to Our Lady of Guadalupe for three generations. Signmaker Paul Lira, responsible for many of Tucson's most interesting signs, brings to his work a thoroughly mexicano sense of aesthetics and humor. Muralists David Tineo and Luis Mena proclaim Mexican cultural identity in their work and carry on a tradition that has blossomed in the last twenty years. Featuring a foreword by Tucson author Patricia Preciado Martin and a spectacular gallery of photographs, many by Pulitzer prize-winning photographer José Galvez, this remarkable book offers a close-up view of a community rich with tradition and diverse artistic expression. Hecho a Mano is a piñata bursting with unexpected treasures that will inspire and inform anyone with an interest in folk art or Mexican American culture.
When the “counter-canon” itself becomes canonized, it’s time to reload. This is the notion that animates New Border Voices, an anthology of recent and rarely seen writing by Borderlands artists from El Paso to Brownsville—and a hundred miles on either side. Challenging the assumption that borderlands writing is the privileged product of the 1970s and ’80s, the vibrant community represented in this collection offers tasty bits of regional fare that will appeal to a wide range of readers and students. Among the contributions are: Introduction A “Southern Renaissance” for Texas Letters —José E. Limón The Texas-Mexico Border: This Writer’s Sense of Place —Rolando Hinojosa-Smith The Rain Parade —Paul Pedroza
Forced to confront both her painful past and the seemingly inevitable loss of her old home, Sofia realizes that she must reevaluate everything she thought she knew about art, love, men, miracles, and money."--BOOK JACKET.
Raul Luis “Ruly” Cruz is a young Mexican American who lives in El Paso, just across the Rio Grande from Mexico, home of his an-cestors and some of his current relatives. As he grows from awkward adolescent to manhood, he negotiates the precarious borders of family, tradition, and identity trying to find his own place in the Chicano community and in the larger world. This is an engaging and moving story of growing up in a borderland that is not only geographical but cultural as well.
Apolonia "Lina" Flores is a sock enthusiast, a volleyball player, a science lover, and a girl who's just looking for answers. Even though her house is crammed full of books (her dad's a bibliophile), she's having trouble figuring out some very big questions, like why her dad seems to care about books more than her, why her best friend's divorced mom is obsessed with making cascarones (hollowed eggshells filled with colorful confetti), and, most of all, why her mom died last year. Like colors in cascarones, Lina's life is a rainbow of people, interests, and unexpected changes. In her first novel for young readers, Diana López creates a clever and honest story about a young Latina girl navigating growing pains in her South Texan city.
Ten “stark, realistic” short stories from the PEN/Hemingway Award–winning author ‘told in mostly gritty matter-of-fact prose” (The Boston Globe). Dagoberto Gilb wrote most of the stories in Before the End, After the Beginning while he recovered from a stroke he suffered in 2009. The result is a powerful and triumphant volume that tackles common themes of identity, mortality, and the physical limitations which arose during his own illness. Taking readers throughout the American West and Southwest, from Los Angeles and Albuquerque to El Paso and Austin, these ten stories cover territory close to Gilb’s heart—a mother and son’s relationship in Southern California in the story ‘Uncle Rock’ or a man looking to shed his chaotic past in ‘The Last Time I Saw Junior’—while describing the American experience in his raw, inimitable style. With this new collection, Gilb offers what may be his most extraordinary achievement to date with “an authenticity that’s unimpeachable” (San Antonio Express News).
A National Book Critics Circle Award Finalist: A wide-ranging collection of essays on the Mexican American experience by the acclaimed Chicano author. Once a struggling journeyman carpenter, Dagoberto Gilb has won widespread acclaim as a crucial and compelling voice in contemporary American letters. Known for his novels and short stories, he has also been a prolific essayist for publications such as Harper’s Magazine and the New Yorker, as well as a popular commentator on NPR’s Fresh Air. In Gritos, Gilb collects some of his finest works of nonfiction. Spanning twenty years of output, the entries are divided into four sections: “Culture Crossing,” “Cortés and Malinche,” “The Writing Life,” and “Working Life and La Family.” Tackling everything from cockfighting to Cormac McCarthy, Gritos offers a startling portrait of an artist—and a Mexican American—working to find his place in both the literary world and the world at large, to say nothing of his strange and beloved borderland of Texas. While “Dagoberto Gilb might be speaking for himself . . . he speaks so well that what he says becomes universal” (Houston Chronicle). “[Gritos] is a collection about prejudice and pride, told with the flair of a storyteller known for his fiction. . . . [Gilb’s] prose is easy-flowing and thoughtful. He can be unbelievably funny. . . . What he has to say and how he says it is so interesting, you can’t help but pay attention.” —Marta Barber, The Miami Herald “An arresting essayist, he is unabashedly himself, and his zest for life, passion for illuminating Mexican American culture, and seductive storytelling skills infuse his astute observations, reminiscences, and critiques with compelling energy and momentum.” —Booklist
It's summer before eighth grade, and Erica "Chia" Montenegro is feeling so many things that she needs a mood ring to keep track of her emotions. She's happy when she hangs out with her best friends, the Robins. She's jealous that her genius little sister skipped two grades. And she's passionate about the crushes on her Boyfriend Wish list. And when Erica's mom is diagnosed with breast cancer, she feels worried and doesn't know what she can do to help. When her family visits a cuarto de milagros, a miracle room in a famous church, Erica decides to make a promesa to God in exchange for her mom's health. As her mom gets sicker, Erica quickly learns that juggling family, friends, school, and fulfilling a promesa is stressful, but with a little bit of hope and a lot of love, she just might be able to figure it out. Confetti Girl author Diana Lopez returns with this sweet, funny, and utterly honest story about being a girl in a world full of good (and bad) surprises.