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Hear My Eyes is a story of a young man growing up in Harlem, New York City as an only child, being raised by a single father. The Author provides an intimate revelation of young man struggling to find the right combination for his life’s journey. His father is a strict Caribbean man who governs his household with an iron fist of rules and regulations that stifle his son’s potential, causing emotional and psychological scars. The effects of those scars are manifested primarily during his college years and process. The tumultuous relationship with his dad, leads to an estranged relationship with his mother and siblings. His need to reconcile with his family leads to some unhealthy roads to where he tries to find the best way towards peace and balance.
'Eye hEar The Visual in Music' employs the concept of the visual in proximate relation to music, producing a tension: 'is it not the case that there is a gulf between painting and music, between the visible and the audible? One is full of colour and light yet silent; one is invisible and marvellously noisy.' Such a belief, this book argues, betrays an ideological constraint on music, desiccating it to sound, and art to vision. The starting point of this study is more hybrid (and hydrating): that music is never employed without numerous and complex intersections with the visual. By involving the concept of synaesthesia, the book evokes music's multi-sensory nature, stops it from sounding alone, and offers music as a subject for art historians. Music bleeds into art and visuality, in its graphic depiction in notation, in the theatre of performance, its sights and sites. This book looks at music in its absolute guise as a model for art; at notation and the conductor as the silent visual fulcra around which music circulates; at the music and image of Erik Satie; at the concert hall as white cube; at the symphonic film '2001: A Space Odyssey'; and at the liminality of John Cage and Andy Warhol.
Hear Me with Your Eyes examines the intrusion of the voice into the cinematographic gaze and the intersections (and ruptures) of the sound-image in Argentine women filmmakers from a feminist perspective. In different ways, Maria Luisa Bemberg, Lita Stantic, Lucrecia Martel, Albertina Carri, Maria Victoria Menis, Lucia Puenzo, Sabrina Farji, Paula de Luque, Anahi Berneri, Sandra Gugliotta, and Gabriela David explore the visual realm through the continuities, intrusions, irrelevancies, harmonies, and desynchronizations of the voice. Or, instead, they explore different voices and their modulations, including whispers, screams, singing, echoes, breathing, resonance, sighs, and the transcendent voice, the narrative voice, the silenced voice, the articulated and unarticulated voice, and that which is none of the above. These voices suggest another relationship with the audiovisual realm, one that seems to include a closeness that erases, if only intermittently, the unalterable relationship between subject and object that characterizes the patriarchal visual regime.
Mike May spent his life crashing through. Blinded at age three, he defied expectations by breaking world records in downhill speed skiing, joining the CIA, and becoming a successful inventor, entrepreneur, and family man. He had never yearned for vision. Then, in 1999, a chance encounter brought startling news: a revolutionary stem cell transplant surgery could restore May’s vision. It would allow him to drive, to read, to see his children’s faces. But the procedure was filled with gambles, some of them deadly, others beyond May’s wildest dreams. Beautifully written and thrillingly told, Crashing Through is a journey of suspense, daring, romance, and insight into the mysteries of vision and the brain. Robert Kurson gives us a fascinating account of one man’s choice to explore what it means to see–and to truly live. Praise for the National Bestseller Crashing Through: “An incredible human story [told] in gripping fashion . . . a great read.” –Chicago Sun-Times “Inspiring.” –USA Today “[An] astonishing story . . . memorably told . . . May is remarkable. . . . Don’t be surprised if your own vision mists over now and then.” –Chicago Tribune “[A] moving account [of] an extraordinary character.” –People “Terrific . . . [a] genuinely fascinating account of the nature of human vision.” –The Washington Post “Kurson is a man with natural curiosity and one who can feel the excitement life has to offer. One of his great gifts is he makes you feel it, too.” –The Kansas City Star “Propulsive . . . a gripping adventure story.” –Entertainment Weekly NAMED ONE OF THE BEST BOOKS OF THE YEAR BY THE CHICAGO TRIBUNE
Richard Blade’s autobiography is much more than a spotlight on any one decade. Instead, he gives you a jaw-dropping, uncensored insider’s look into the world of music, movies, and television and its biggest stars, starting in the sixties and continuing through to the new century. Richard takes you on a journey that few have experienced: from his early days as a student at Oxford to the wild, lascivious nights of being a disco DJ touring the clubs of Europe, to coming to America and working with Michael Jackson, Barbra Streisand, and Sarah Jessica Parker and finally breaking through into the L.A. radio scene and becoming the number one morning drive personality in California. From his TV and radio shows to his feature films and live gigs, Richard shares stories that have until now remained secret. His unique perspective will take you on the road with Depeche Mode, to Australia with Spandau Ballet, into the recording studio with Morrissey, and onto the main stage at Live Aid with Duran Duran. He opens up about his friendships with Michael Hutchence and George Michael, as well as his passionate love affair with Terri Nunn of Berlin. This is a no-holds-barred look at life, sex, and death, set to a pulsing backbeat of music. For the first time, Richard Blade shares his extraordinary story, allowing us to see the world through his eyes.
Survivors of sexual trauma can be female or male and come from every ethnicity, family structure, and socioeconomic group. Whether or not you are a survivor, it is very likely you know someone who is. The personal stories in Hear My Story: Walking with Survivors of Sexual Trauma offer hope that healing is possible — and are an invaluable aid for helping others find healing. Each writer shares her or his own journey from the edge of the cliff, through the valley, and into the Lord’s arms. This book is meant not just for survivors of sexual assault but for those who know and love them. Sometimes the people we count on to help us deal with trauma are stuck in their own reality, unwilling or unable to acknowledge that darkness and evil has happened to someone they love — and possibly at the hands of someone they know. A true companion on the journey to healing must listen to each story with empathy, believe that it really happened, grieve with the brokenhearted, and commit to participating in the journey to complete inner healing. This book is not only for the quarter of our society that has been wounded but for anyone who is called to accompany the wounded toward healing. Let the voices in this book become a beacon of hope.
In November 1960, all of America watched as a tiny six-year-old black girl, surrounded by federal marshals, walked through a mob of screaming segregationists and into her school. An icon of the civil rights movement, Ruby Bridges chronicles each dramatic step of this pivotal event in history through her own words.
Meet Tim Tebow: He grew up playing every sport imaginable, but football was his true passion. Even from an early age, Tim has always had the drive to be the best player and person that he could be. Through his hard work and determination, he established himself as one of the greatest quarterbacks in the history of college football and as a top prospect in the NFL. Now, in Through My Eyes: A Quarterback's Journey, he shares the behind-the-scenes details of his life, on and off the football field. Tim writes about his life as he chooses to live it, revealing how his Christian faith, his family values, and his relentless will to succeed have molded him into the person and the athlete he is today.
NEW YORK TIMES BESTSELLER “As sweet and funny and sad and true and heartfelt a memoir as one could find.” —from the foreword by Augusten Burroughs Ever since he was young, John Robison longed to connect with other people, but by the time he was a teenager, his odd habits—an inclination to blurt out non sequiturs, avoid eye contact, dismantle radios, and dig five-foot holes (and stick his younger brother, Augusten Burroughs, in them)—had earned him the label “social deviant.” It was not until he was forty that he was diagnosed with a form of autism called Asperger’s syndrome. That understanding transformed the way he saw himself—and the world. A born storyteller, Robison has written a moving, darkly funny memoir about a life that has taken him from developing exploding guitars for KISS to building a family of his own. It’s a strange, sly, indelible account—sometimes alien yet always deeply human.
Following in the footsteps of Rigoberta Menchu, Maria Teresa Tula describes her childhood, marriage, and growing family, as well as her awakening political consciousness, activism, imprisonment, and torture. She gains international recognition as a human rights activist through her work in CO-MADRES, the Committee of Mothers and Relatives of Political Prisoners, Disappeared and Assassinated of El Salvador.