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His new book, Finding Your Irish Ancestors, is intended as a companion volume to the venerable Pocket Guide. Making use of the case study technique employed in the Pocket Guide, this new book expounds on topics that are not found in his earlier book and expands on others that are. For example, Irish surnames and place names represent a treasure trove of historical information and contain genealogical clues that are frequently overlooked by researchers. Accordingly, Finding Your Irish Ancestors includes two chapters on the importance of surnames and the importance of place names in family history. The place name chapter, for instance, explains the etymological origins of a number of Irish townlands and the importance in Irish research of the all-important finding aid the General Alphabetical Index to the Townlands and Towns, Parishes and Baronies of Ireland. Another neglected topic is the role of local history in Irish genealogy. In the final chapter of his new book, Mitchell uses the case study method to illustrate how delving into published town histories and unpublished local manuscript collections can unearth buried evidence on Irish ancestors. Although a list of government-supported Genealogy Centres in Ireland can be found in the Pocket Guide, Mitchell now shows the reader, in some detail, how best to use these important resources. And he ought to know, inasmuch as he has administered the Derry Genealogy Centre for more than a decade. The chapter pertaining to emigration and Irish passenger lists includes a brief history of 19th-century Irish emigration, while another one focuses on how to make the best use of church registers--perhaps the single most important source in Irish genealogy. Drawing on his first-hand experience as a genealogist and as a geographer, Brian Mitchell delivers a new volume that is full of first-hand explanations and expertly drawn maps of Ireland and Northern Ireland. If you own a copy of the Pocket Guide, you are sure to want Brian Mitchell's latest collection of Irish genealogy essays, Finding Your Irish Ancestors.
The New York Times 100 Notable Books of 2020 Time Magazine's 100 Must-Read Books of 2020 NPR's Best Books of 2020 National Book Award in Poetry, Longlist Frank Sanchez Book Award After her mother died, poet Victoria Chang refused to write elegies. Rather, she distilled her grief during a feverish two weeks by writing scores of poetic obituaries for all she lost in the world. In Obit, Chang writes of “the way memory gets up after someone has died and starts walking.” These poems reinvent the form of newspaper obituary to both name what has died (“civility,” “language,” “the future,” “Mother’s blue dress”) and the cultural impact of death on the living. Whereas elegy attempts to immortalize the dead, an obituary expresses loss, and the love for the dead becomes a conduit for self-expression. In this unflinching and lyrical book, Chang meets her grief and creates a powerful testament for the living. "When you lose someone you love, the world doesn’t stop to let you mourn. Nor does it allow you to linger as you learn to live with a gaping hole in your heart. Indeed, this daily indifference to being left behind epitomizes the unique pain of grieving. Victoria Chang captures this visceral, heart-stopping ache in Obit, the book of poetry she wrote after the death of her mother. Although Chang initially balked at writing an obituary, she soon found herself writing eulogies for the small losses that preceded and followed her mother’s death, each one an ode to her mother’s life and influence. Chang also thoughtfully examines how she will be remembered by her own children in time."—Time Magazine
Before there was a death care industry where professional funeral directors offered embalming and other services, residents of the Arkansas Ozarks—and, for that matter, people throughout the South—buried their own dead. Every part of the complicated, labor-intensive process was handled within the deceased's community. This process included preparation of the body for burial, making a wooden coffin, digging the grave, and overseeing the burial ceremony, as well as observing a wide variety of customs and superstitions. These traditions, especially in rural communities, remained the norm up through the end of World War II, after which a variety of factors, primarily the loss of manpower and the rise of the funeral industry, brought about the end of most customs. Gone to the Grave, a meticulous autopsy of this now vanished way of life and death, documents mourning and practical rituals through interviews, diaries and reminiscences, obituaries, and a wide variety of other sources. Abby Burnett covers attempts to stave off death; passings that, for various reasons, could not be mourned according to tradition; factors contributing to high maternal and infant mortality; and the ways in which loss was expressed though obituaries and epitaphs. A concluding chapter examines early undertaking practices and the many angles funeral industry professionals worked to convince the public of the need for their services.
Every family history researcher hits a dead end at some point in their search. Where better to turn than the battle-tested experience of other genealogists? In Quick Tips for Genealogists you'll find dozens of innovative solutions originally submitted by Ancestry Daily News readers about how to find those elusive ancestors and hard-to-find documents. The book is organized by topics such as home sources, cemetry research, online tips, and more.
Uncle Tom Allen once told me that every time you speak a name of someone deceased somewhere, somehow they feel it and it makes them feel good. My mother had a hobby of clipping obituaries out of newspapers, which she started before I was ever born. She said that they made her laugh and they made her cry. They gave her strength during trying times. After I was born, I too took up the hobby and later in life began to share some of the old epitaphs with friends. This book is a collection of those obituaries, witty epitaphs and a list of where famous people are buried. Later, I wrote newspaper articles and shared with my readers some of these old epitaphs. They wrote me letters telling me how they enjoyed them. Later, I sent copies to friends in the hospital and nursing homes. They told me it cheered them up. So, I decided to write this book to prove that there is some wit in death. It will make you laugh, cry and feel good!