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In this remarkable memoir, Dorfman describes an extraordinary life, torn between the United States, South America, and his Jewish heritage, between English and Spanish, between revolution and repression. Interwoven with the story of how Dorfman switched languages and countries--not once, but three times--is a day-to-day account of his multiple escapes from death during Pinochet's military takeover of Chile in 1973. Combining eight vignettes of his life before 1973 with eight scenes from the coup, Dorfman filters these events through an engaging, hybrid consciousness.A beautifully written and deeply moving auto-biography by one of the "greatest living Latin American writers" (Newsweek), Heading South, Looking North is at once a vivid account of a life as complex and mysterious as the fictional characters Dorfman has created, and an enthralling search for a permanent home, a political cause, and a cultural identity.
Dorfman portrays, through visceral scenes and powerful intellect, the personal and political maelstroms underlying his migrations from Buenos Aires, on the run from Pinochet's death squads, to safe houses in Paris and Amsterdam, and eventually to America, his childhood home. The toll on Dorfman's wife and two sons, the 'earthquake of language' that is bilingualism, and his eventual questioning of his allegiance to past and party - all these crucibles of a life in exile are revealed with wry and startling honesty. Feeding on Dreams is a passionate reminder that 'we are all exiles', that we are all 'threatened with annihilation if we do not find and celebrate the refuge of common humanity', as Dorfman did during his 'decades of loss and resurrection'.
Freelance travel writer and Lonely Planet guidebook contributor Tim Richards decides to shake up his life by taking an epic rail journey across Australia. Jumping aboard iconic trains like the Indian Pacific, Overland, and Spirit of Queensland, he covers over 7,000 kilometres, from the tropics to the desert and from big cities to ghost towns. Tim's journey is one of classic travel highs and lows: floods, cancellations, extraordinary landscapes, and forays into personal and public histories—as well as the steady joy of random strangers encountered along the way.
The Norte Grande of Chile, the world's driest desert, had ''engendered contemporary Chile, everything that was good about it, everything that was dreadful,'' writes Ariel Dorfman in his brilliant exploration of one of the least known and most exotic corners of the globe. For 10,000 years the desert had been mined for silver, iron, and copper, but it was the 19th-century discovery of nitrate that transformed the country into a modern state and forced the desert's colonization. The mines' riches generated mansions and oligarchs in Chile's more temperate region—and terrible inequalities throughout the country. The Norte Grande also gave birth to the first Chilean democratic and socialist movements, nurturing every major political figure of modern Chile from Salvador Allende to Augusto Pinochet. In this richly layered personal memoir, illustrated with the author's own photographs, Dorfman sets out to explore the origins of contemporary Chile—and, along the way, seek out his wife's European ancestors who came years ago to Chile as part of the nitrate rush. And, most poignantly, he looks for traces of his friend and fellow 1960s activist, Freddy Taberna, executed by a firing squad in a remote Pinochet death camp.
Denying the future until government leaders end repression, revolutionary fetuses refusing to be born begin to argue amongst themselves and one by one choose to be born until only the son of Manuel Sendero is left.
“Suspenseful, riveting . . . Achieves a universality that is movingly personal.” —The New York Times The explosively provocative, award-winning drama set in a country that has just emerged from a totalitarian dictatorship Gerardo Escobar has just been chosen to head the commission that will investigate the crimes of the old regime when his car breaks down and he is picked up by the humane doctor Roberto Miranda. But in the voice of this good Samaritan, Gerardo's wife, Paulina Salas, thinks she recognizes another man—the one who raped and tortured her as she lay blindfolded in a military detention center years before. Relentlessly paced and filled with lethal surprises, Death and the Maiden is an inquest into the darker side of humanity—one in which everyone is implicated and justice itself comes to seem like a fragile, perhaps ambiguous invention.
The classic, critical and humorous study of cultural imperialism and children's literature; how the Disney fantasy world reproduces the "American Dream" fantasy world, and the disastrous effect of Disney comics and other "mass" cultural merchandise on the development of the so-called "Third" World. In 1973 this work was banned and burned in Chile, and later the English edition was banned for more than a year by the US government. In comic book format with cartoon examples, introduction by David KUNZLE on the Disney world, a bibliography of left writings on cultural imperialism and the comics, and an appendix by John Shelton LAWRENCE on the book's US censorship and the legal-political issues involved in the right to criticize Disney
"Let me tell you, America, of the hopes I had for you," Dorfman writes after the fall of the Twin Towers, remembering back to an earlier September 11 in 1973, when he was on the staff of Salvador Allende, then president of Chile, the day he was removed from office and murdered in a coup in which the U.S. government was complicit. "Beware the plague of victimhood, America . . . Nothing is more dangerous than a giant who is afraid." Included in Other Septembers, Many Americas are major essays about the America south of the border, exploring the ambiguous relationship between power and literature and touching on topics as diverse as bilingualism, barbarians, and video games. In the essay "A Different Drum," Dorfman asks, "Isn’t it time, as war approaches yet again, to tell each other stories of peace over and over again?" Over and over in these jewel-like essays, his best shorter work of the last quarter-century, Dorfman weaves together sentiment and politics with his sense of the larger historical questions, reminding Americans of our unique role in the world, so different from the one put forward by the current administration: the power to resist and to imagine.
"A man and a woman enter a room. We see only a small bed, two chairs, and a table. Is it an asylum? A prison? Interrogation room? Questions are asked and answered. We feel we know the story. In this room, both the man and woman are faced with the truths of their lives. Playwright Ariel Dorfman puts before us the question of justice and forgiveness. Are there crimes for which there can be no forgiveness? If there is no forgiveness, how do we move on with our lives? Purgatorio reacquaints us with the tragedy of Jason and Medea."--Publisher's website.
This book evaluates Kofi Annan’s endeavor to reform the United Nations, seeking to understand why it was unsuccessful in so many cases, but also how global politics and ideological divisions played so forcefully into the many intra-institutional debates.