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""Whispers. You must have heard that? Closer now, clearer. Things I must repeat, amplify. My head's full of them."" So are these whispers about people, places and myself that have taken shape and floated to the surface of my consciousness in a collection of poems which will move you to uncomfortable extremes at times, grant you space to think and may even, if you are lucky, turn back into whispers for you to keep. These are no shapeless dreams which have wandered past. They have been nurtured and guided such that every word has been placed carefully in a mosaic to not just tell a story but give itself, generously, to the reader as a gift. The challenge does not come in reading or even in understanding these whispers, the challenge comes in the willingness of the reader to hold them, engage them and keep them close enough to take them forward. The question mark will be who the reader might become if they accept the whispers as their own. ""Things I must repeat, amplify. My head's full of them.""
Wealth of information on fifty trees, including their attributes, lore, powers, and seasonal correspondences. Book jacket.
Some of the key benefits of studying from Arundeep’s Book are : 1. Chapter-wise/Topic-wise presentaion for systematic and methodical study. 2. Strictly based on the latest CBSE Curriculum released on 7th July 2020 for Academic Year 2020-21, following the latest NCERT Textbooks. 3. Previous Years’ Question Papers with Marking Scheme & Toppers’ Answers for exam-oriented study. 4. Questions form various competencies including-conceptual understanding, creative expression, reasoning, justifying and applying literary conventions. 5. Latest Typologies of Questions developed by Arundeep’s Editorial Board included.
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"Adrienne Rich's new prose collection could have been titled The Essential Rich."—Women's Review of Books These essays trace a distinguished writer's engagement with her time, her arguments with herself and others. "I am a poet who knows the social power of poetry, a United States citizen who knows herself irrevocably tangled in her society's hopes, arrogance, and despair," Adrienne Rich writes. The essays in Arts of the Possible search for possibilities beyond a compromised, degraded system, seeking to imagine something else. They call on the fluidity of the imagination, from poetic vision to social justice, from the badlands of political demoralization to an art that might wound, that may open scars when engaged in its work, but will finally suture and not tear apart. This volume collects Rich's essays from the last decade of the twentieth century, including four earlier essays, as well as several conversations that go further than the usual interview. Also included is her essay explaining her reasons for declining the National Medal for the Arts. "The work is inspired and inspiring."—Alicia Ostriker "[S]o clear and clean and thorough. I learn from her again and again."—Grace Paley
Quis custodiet ipsos custodes? There is clearly someone in the Office of the Witchfinder General who is working for or with English Wizardry, and Danesh and the Crow are determined to track them down. It might even be one of the Lord High Witchfinders. Who can they trust? Can Danesh even trust the Crow? To ensure the traitor is not alerted, Danesh conducts an off-the-books investigation under cover of an inquiry into a cold case. But not all cold cases stay cold; not all dead witches stay dead; and not all traitors stay hidden… … and what is the significance of the goat’s skull? Cover design: Alison Buck
Tuscany, 1096 AD. Luca, young heir to the title of Conte de Falconi, sees demons. Since no one else can see them, Luca must keep quiet about what he sees, or risk another exorcism by the nefarious priest Ramberti. Luca also has dreams—dreams that sometimes predict the future. Night after night Luca sees his father murdered, and vows to stop it coming true. Even if he has to go against his father's wishes and follow him on the great pilgrimage to capture the Holy Lands. Far away in Cappadocia, Suzan has dreams too. Consigned with her mute mother to a life in an underground convent, she has a vision of a brown-haired boy riding through the desert. A boy with an ancient book that holds some inscrutable power. A boy who will take her on an adventure that will lead to places beyond both their understanding. Together, Luca and Suzan will realise their true quest: to defeat the forces of man and demon that wish to destroy the world.
Poetry. Angela Topping's carefully crafted poetry probes love, death, parenthood and the intricacies of relationships. She exposes human frailty in her unpacking of family history, the suppressed eroticism of forbidden love and the magic of the everyday. Her wit is metaphysical in its playfulness and she slyly makes us laugh at ourselves. She uses familiar figures such as Peter Pan and Frankenstein's monster to comment on marriage and parenthood, using imagery which is often both deeply sensuous and startlingly original. Angela Topping writes in a very sharp, clear voice that never minces words and makes you see the wider significance of a seemingly minor event. This book shows a strong awareness of craft and a dlightful use of words -- City Life.
Little did Elsie or her family know, that from the moment she took the sickly-looking baby into her arms, she became the carrier of a very ancient curse. A curse that had been buried too deep. Too late for the crying souls of the women who laid it, but just in time for others, as the large sprawling roots of the trees in the old dead woods, had finally brought it to the surface. And now, nestled in its host, the six-hundred-year-old curse would use Elsie to carry out its mission.
'God, it's good' STEPHEN KING On a windswept moor, an old house guards its secrets... The new standalone horror novel from 'a true master of horror.' All Hallows Hall is a rambling Tudor mansion on the edge of the bleak and misty Dartmoor. It is not a place many would choose to live. Yet the former Governer of Dartmoor Prison did just that. Now he's dead, and his children – long estranged – are set to inherit his estate. But when the dead man's family come to stay, the atmosphere of the moors seems to drift into every room. Floorboards creak, secret passageways echo, and wind whistles in the house's famous priest hole. And then, on the same morning the family decide to leave All Hallows Hall and never come back, their young son Timmy disappears – from inside the house. Does evil linger in the walls? Or is evil only ever found inside the minds of men? Praise for Graham Masterton: 'A true master of horror' James Herbert 'One of the most original and frightening storytellers of our time' Peter James 'A natural storyteller with a unique gift for turning the mundane into the terrifyingly real' New York Journal of Books 'This is a first-class thriller with some juicy horror touches. Mystery readers who don't know the Maguire novels should change that right now' Booklist 'One of Britain's finest horror writers' Daily Mail