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A mysterious gentleman arrives at Papa Briquet’s circus, and applies to be a clown; unable to do a backflip, and with the circus unwilling to accept the idea of political discourse among the clowns, they settle together on the role of He Who Gets Slapped. Unfortunately for the troupe, He has motives for joining that aren’t immediately apparent; motives that start to threaten the integrity of the circus. He Who Gets Slapped was first presented in Moscow in 1915 to enthusiastic audiences, although critics at the time were confused about Leonid Andreyev’s subtexts. It is his most famous play, at least partially due to the later release in 1924 of a film adaptation by the newly-formed MGM Studios.
This novel was adapted from the Leonid Adreyev drama and the Victor Seastrom photoplay. Illustrated with scenes from the MGM motion picture starring Norma Shearer and John Gilbert.
Leonid Andreyev was once considered one of Russia's greatest dramatists, but his opposition to the Bolshevik Revolution and the Communist government's unilateral support of naturalism on the stage conspired to undermine his career. He was imprisoned, died in poverty, and has become increasingly obscure. Andreyev is symbolic and romantic. Fate and Chance are the two dark, unknown, at times brutal forces which dwell ever before his mind's eye. He sees human beings in the form of ghosts and ghosts in the form of human beings. Andreyev's best-known play, He Who Gets Slapped tells the story of a famous writer who takes a job as a circus clown in order to escape his past. In this carnival of human outcasts, Andreyev fashions a meaningful portrait of an intellectual's struggle to exist in a world ruled by Fate, Chance, and the almighty dollar. Also included are two extraordinarily haunting plays adapted from Andreyev's short stories: Call of the Revolution and The Serpent's Tale.
A mysterious gentleman arrives at Papa Briquet’s circus, and applies to be a clown; unable to do a backflip, and with the circus unwilling to accept the idea of political discourse among the clowns, they settle together on the role of He Who Gets Slapped. Unfortunately for the troupe, He has motives for joining that aren’t immediately apparent; motives that start to threaten the integrity of the circus. He Who Gets Slapped was first presented in Moscow in 1915 to enthusiastic audiences, although critics at the time were confused about Leonid Andreyev’s subtexts. It is his most famous play, at least partially due to the later release in 1924 of a film adaptation by the newly-formed MGM Studios. This book is part of the Standard Ebooks project, which produces free public domain ebooks.
Issues for 1912-16, 1919- accompanied by an appendix: The Dramatic books and plays (in English) (title varies slightly) This bibliography was incorporated into the main list in 1917-18.
The Dramatic index for 1912-16, 1919-49 accompanied by an appendix: The Dramatic books and plays (in English) (title varies slightly). This bibliography was incorporated in the main list in 1917-18.