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For use in schools and libraries only. Ram and Jake do have one thing in common: They are lost boys who have never met their fathers. As Jake and Ram overcome their suspicions of each other, their friendship becomes a healing in a world of hurt.
"Sáenz' poetic narrative will captivate readers from the first sentence to the last paragraph of this beautifully written novel. . . . It is also a celebration of life and a song of hope in celebration of family and friendship, one that will resonate loud and long with teens."—Kirkus Reviews "…There is never a question of either Sáenz’s own extraordinary capacity for caring and compassion or the authenticity of the experiences he records in this heartfelt account of healing and hope."—Booklist "Offering insight into [an adolescent's] addiction, dysfunction and mental illness, particularly in the wake of traumatic events, Sáenz's artful rendition of the healing process will not soon be forgotten."—Publishers Weekly "Sáenz weaves together [18-year-old] Zach's past, present, and changing disposition toward his future with stylistic grace and emotional insight. This is a powerful and edifying look into both a tortured psyche and the methods by which it can be healed."—School Library Journal Zach is eighteen. He is bright and articulate. He's also an alcoholic and in rehab instead of high school, but he doesn't remember how he got there. He's not sure he wants to remember. Something bad must have happened. Something really, really bad. Remembering sucks and being alive—well, what's up with that? I have it in my head that when we're born, God writes things down on our hearts. See, on some people's hearts he writes Happy and on some people's hearts he writes Sad and on some people's hearts he writes Crazy on some people's hearts he writes Genius and on some people's hearts he writes Angry and on some people's hearts he writes Winner and on some people's hearts he writes Loser. It's all like a game to him. Him. God. And it's all pretty much random. He takes out his pen and starts writing on our blank hearts. When it came to my turn, he wrote. I don't like God very much. Apparently he doesn't like me very much either. Sad Benjamin Alire Sáenz is a prolific novelist, poet, and author of children's books. Sammy and Juliana in Hollywood, his first novel for young adults, was a finalist for the Los Angeles Times Book Prize and a Young Adult Library Services Association Top Ten Books for Young Adults pick in 2005.
"I mean, it's not as if I want a father. I have a father. It's just that I don't know who he is or where he is. But I have one." Ramiro Lopez and Jake Upthegrove don't appear to have much in common. Ram lives in the Mexican-American working-class barrio of El Paso called "Dizzy Land." His brother is sinking into a world of drugs, wreaking havoc in their household. Jake is a rich West Side white boy who has developed a problem managing his anger. An only child, he is a misfit in his mother's shallow and materialistic world. But Ram and Jake do have one thing in common: They are lost boys who have never met their fathers. This sad fact has left both of them undeniably scarred and obsessed with the men who abandoned them. As Jake and Ram overcome their suspicions of each other, they begin to move away from their loner existences and realize that they are capable of reaching out beyond their wounds and the neighborhoods that they grew up in. Their friendship becomes a healing in a world of hurt. San Antonio Express-News wrote, "Benjamin Alire Sáenz exquisitely captures the mood and voice of a community, a culture, and a generation"; that is proven again in this beautifully crafted novel.
"I mean, it's not as if I want a father. I have a father. It's just that I don't know who he is or where he is. But I have one." Ramiro Lopez and Jake Upthegrove don't appear to have much in common. Ram lives in the Mexican-American working-class barrio of El Paso called "Dizzy Land." His brother is sinking into a world of drugs, wreaking havoc in their household. Jake is a rich West Side white boy who has developed a problem managing his anger. An only child, he is a misfit in his mother's shallow and materialistic world. But Ram and Jake do have one thing in common: They are lost boys who have never met their fathers. This sad fact has left both of them undeniably scarred and obsessed with the men who abandoned them. As Jake and Ram overcome their suspicions of each other, they begin to move away from their loner existences and realize that they are capable of reaching out beyond their wounds and the neighborhoods that they grew up in. Their friendship becomes a healing in a world of hurt. San Antonio Express-News wrote, "Benjamin Alire Sáenz exquisitely captures the mood and voice of a community, a culture, and a generation"; that is proven again in this beautifully crafted novel.
Fifteen-year-old Ari Mendoza is an angry loner with a brother in prison, but when he meets Dante and they become friends, Ari starts to ask questions about himself, his parents, and his family that he has never asked before.
The “Hollywood” where Sammy Santos and Juliana Ríos live is not the West Coast one, the one with all the glitz and glitter. This Hollywood is a tough barrio at the edge of a small town in southern New Mexico. Sammy and this friends—members of the 1969 high school graduating class—face a world of racism, dress codes, war in Vietnam and barrio violence. In the summer before his senior year begins, Sammy falls in love with Juliana, a girl whose tough veneer disguises a world of hurt. By summer’s end, Juliana is dead. Sammy grieves, and in his grief, the memory of Juliana becomes his guide through this difficult year. Sammy is a smart kid, but he’s angry. He’s angry about Juliana’s death, he’s angry about the poverty his father and his sister must endure, he’s angry at his high school and its thinly disguised gringo racism, and he’s angry he might not be able to go to college. Benjamin Alire Sáenz, evoking the bittersweet ambience found in such novels as McMurtry’s The Last Picture Show, captures the essence of what it meant to grow up Chicano in small-town America in the late 1960s. Benjamin Alire Sáenz—novelist, poet, essayist and writer of children’s books—is at the forefront of the emerging Latino literatures. He has received both the Wallace Stegner Fellowship and the Lannan Fellowship, and is a recipient of the American Book Award. Born Mexican-American Catholic in the rural community of Picacho, New Mexico, he now teaches at the University of Texas at El Paso, and considers himself a “fronterizo,” a person of the border.
A warm-hearted story about a little bear and the special relationship between parent and child, perfect for reading together. Mum and Billy are very, very late. Billy says it's Rabbit's fault - Rabbit won't eat her breakfast. And now they have to run all the way to nursery. But in all the rush of saying goodbye, Mum forgets to tell Billy something very important . . . I Forgot to Say I Love You is a charming story from much-loved children's author, Miriam Moss, perfectly complemented by warm, classic-style illustrations from Anna Currey, illustrator of One Ted Falls Out of Bed and Rosie's Hat written by Julia Donaldson.
At seven, Gloria Santos accepts a ride with a charming stranger--and loses the only world she has ever known. Abducted and kept hidden by a respected academic for twenty long years, Gloria is raised in the shadow of her captor's dark, disturbed mind. She enters womanhood believing that life demands servitude, love means obsession, and fear is all-encompassing. Driven to violence to free herself, Gloria is caught between a world she hates and one she does not know. Now she must find the strength to bury her twisted past--or risk losing her newfound freedom forever. . . .
Eden faces a final reckoning when the cult's past victims hunt them down in this explosive, high-stakes thriller in the Sacramento series from New York Times bestselling author Karen Rose. For decades, Eden has remained hidden in the remote wilds of the Pacific Northwest, “Pastor” keeping his cult's followers in thrall for his personal profit and sexual pleasures. But the Founding Elders are splintering, and Pastor's surrogate son DJ is scheming to make it all his own. When two of Eden's newest members send out a cry for help, it reaches FBI Special Agent Tom Hunter, whose friend and fellow FBI Special Agent Gideon Reynolds and his sister, Mercy, are themselves escapees of the Eden cult, targeted by the Founding Elders who want them silenced forever. The three have vowed to find the cult and bring it down, and now, they finally have a solid lead. Neutralizing Eden’s threat will save captive members and ensure Tom’s new friends can live without fear. But when his best friend, ex-Army combat medic Liza Barkley, joins the case, it puts her life—and their blossoming love—in danger. With everything they hold dear in the balance, Tom and Liza, together with Gideon and Mercy, must end Eden once and for all.
A “mesmerizing, poetic exploration of family, friendship, love and loss” by the author of Aristotle and Dante Discover the Secrets of the Universe (The New York Times Book Review). Sal used to know his place with his adoptive gay father, their loving Mexican American family, and his best friend, Samantha. But it’s senior year, and suddenly Sal is throwing punches, questioning everything, and realizing he no longer knows himself. If Sal’s not who he thought he was, who is he? From the Printz Honor-winning author, this is “another stellar, gentle look into the emotional lives of teens on the cusp of adulthood” (Kirkus Reviews, starred review). “The themes of love, social responsibility, death, and redemption are expertly intertwined with well-developed characters and a compelling story line. This complex, sensitive, and profoundly moving book is beautifully written and will stay with readers.” —School Library Journal (starred review “Sal is one of those characters you wonder about after the book is closed.” —Booklist “What the world needs now is a book like this one. . . . Read it.” —Bill Konigsberg, Stonewall Award–winning author of Openly Straight