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Choosing and Using Fiction and Non-Fiction 3-11 is a guide for primary teachers to the many kinds of texts children encounter, use and enjoy in their nursery and primary school years, providing an invaluable insight into the literature available. Addressing important issues and allowing for the voices of teachers, reviewers and children to be heard, it contains suggestions of best practice which offer a more creative approach to learning. Including both fiction and non-fiction, with genres ranging from picturebooks to biographies, this fully updated second edition features: New coverage on recent books Discussion of new changes in concepts of literacy, particularly focused on technological advances in moving image media and virtual worlds The balance between print and screen-based texts on developing children’s visual and multimodal literacy Annotated booklists for each genre for different age groups New sections on equality, diversity and translation Exploring fiction, non-fiction and poetry, Choosing and Using Fiction and Non-Fiction 3-11 is an invaluable resource, supporting teachers as they help children on their journey to becoming insightful and critical readers of non-fiction, and sensitive and reflective readers of fiction.
"This is my first tax return. Thank you...erm for offering to... for helping. I realise it's a bit weird. It's just. This is...it's the only way I can think to make it better. The only way I can think to do it. With other people. Like this." Tax is really, really taxing for Ben Edwards. Self-employed. And afraid... And now he must face his dreaded self assessment form, with every receipt evoking the good times and the bad - memories of things gone wrong, gone right, the journeys he's been on, the relationships that have begun and ended and the people he has lost. As Ben begins to stitch together the patchwork quilt that was the Tax Year 2009/2010, he relives a year that was both hilarious and tragic, all mixed up in one shoe box of receipts. Award-winning playwright James Graham presents an affectionate and funny portrait of one man's year-long experience, pieced together from receipts, shopping and commercial transactions. With a web of narratives, the play's structure is innovative and flexible. In performance, each receipt triggers a unique story and the actor plucks the receipts from the audience's hands at random.
Secret terror cells, political conspiracy, police bungling, state-sponsored bomb plots... This is London, 1896. Inspired by Joseph Conrad's classic novel, The Secret Agent is theatre O's heartbreaking and hilarious chronicle of passion, betrayal and terrorism. Set at a time of social upheaval and growing disparity between rich and poor, at the heart of this tale is a woman fighting to protect her young brother from exploitationand violence. In their trademark highly imaginative style, described by The New York Times as, "vivid, enlightening, inventive and compelling", music halland early cinema collide in theatre O's return to the stage after five years away
Deals with a man who makes a decision to always tell the truth whatever the consequences. It is a play that looks at the tightrope we all teeter upon between kindness and devastating honesty and asks the question with sometimes hilarious and moving results: Is honesty always the best policy?
Hazel, the heroine, travels to her Aunt's country house for a holiday. Her Aunt is bitter, angry and rude, so Hazel expects her stay to be a nightmare - little does she expect, though, that there are actual nightmares living in the garden. These creatures - scary amalgams of different animals such as gorillas and leopards - haunt her Aunt every night in her dreams with horrific scenarios. Much to her surprise Hazel is drawn into their world of creating and rehearsing these nightmares. With her new social circle consisting of gorillas crossed with leopards, pythons crossed with porcupines, ducks who smoke cigarettes, wooden-headed dogs and murderers and lunatics Hazel finds herself exploring the scariest depths of the unknown and learns a useful lesson along the way about the nature of friendship. The lively, exciting and fast-paced narrative and quick humour makes this book an addictive read.
Life's full of clatter, but none of it matters, only who'll hold your paw when you die. What would you do if you lost an hour from your day? How far would you go to rescue what you've lost? In search of a lost hour that has tipped the balance of her life, Lisa Jones is on a quest through a surreal world, filled with insecurity guards, flying cars, singing polar bears and wild-goose chases. The inhabitants of Dissocia are a curious blend of the funny, the friendly and the downright brutal. Anthony Neilson's cult play is a poignant and comical delve into the nature of mental illness. This edition was published to coincide with the major London revival at Theatre Royal Stratford East in September 2022.
From dragons and wyverns to vampires, werewolves and mischievous gremlins, pixies and fairies, Breverton's Phantasmagoria is a unique compendium of over 250 mythical animals. Prepare to revisit familiar myths, such as vampires, werewolves and the Loch Ness Monster, the Minotaur and Medusa from Greek legend, and Biblical beasts such as Behemoth and Leviathan. Discover new mysterious animals like the giant serpents of Central America, the lethal Mongolian death worm, and the Ennedi tiger in Africa, and investigate the evidence for sightings of Bigfoot and the reclusive Yeti. Packed with quirky line illustrations and a wealth of weird and wonderful information, Breverton's Phantasmagoria surveys the globe to uncover over 250 imaginary creatures passed down from generation to generation.
“Captivating, passionate, enthralling, and beguiling, Madelynne Ellis’s turbulent tale of love, loss, passion, obsession, and emotion is simply erotic romance at its superb and unforgettable best!” Ecataromance. 1800—For three years, Miss Bella Rushdale has enjoyed a hedonistic and thoroughly scandalous ménage à trois with her bisexual lovers, Viscount Lucerne Marlinscar, and Vaughan, Marquis of Pennerley. All that changes when Vaughan vanishes without warning or explanation, leaving their tempestuous relationship in flux. Initially thrilled to have Lucerne all to herself, things soon sour when Bella discovers Lucerne is not the man she believed him to be. Moreover, her soul longs for what they’ve lost. Determined to reclaim Vaughan and set things to rights again, Bella pursues him to his family seat, a castle on the Welsh Border, where preparations are underway for a diabolical gothic celebration on All Hallows Eve—a phantasmagoria. Dark, brooding, and burning with passion, Vaughan is far from thrilled by Bella’s arrival, particularly when his true love remains absent. His volatility only increases when Lucerne arrives impenitent. Here in the wilds, amidst the shadows and phantoms, Bella and her lovers peel away the deceits and desires of past and future to expose the shocking heart of their volatile relationship and what they truly mean to one another. Phantasmagoria is a dark, tempestuous, spicy Regency historical romance featuring three tortured souls who live for passion, heart-searing angst, obsession, cruelty, diabolical behaviour, and decadence. Expect ribald language, MMF interactions, and tangled relationships. Best keep a stiff tipple and the smelling salts to hand. This is the second full-length novel in the Scandalous Seductions series, which is ideally intended to be read in order.
The year's best, and darkest, tales of terror, showcasing the most outstanding new short stories and novellas by contemporary masters of the macabre, including the likes of Ramsey Campbell, Neil Gaiman, Brian Keene, Tanith Lee, Elizabeth Massie, Kim Newman, Michael Marshall Smith, and Gene Wolfe. The Mammoth Book of Best New Horror also includes a comprehensive annual overview of horror around the world in all its incarnations; an impressively researched necrology; and a list of indispensable contact addresses for the dedicated horror fan and aspiring writer alike. It is required reading for every fan of macabre fiction.