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The kitchen is the heart of the home – it's where we spend leisure time as a family, where we feed ourselves and where we entertain our friends. The average western family spends more money on the kitchen than they do on a car or a vacation. We fill our kitchens with objects and tools that reflect our needs, tastes and desires. There is nowhere else in daily domestic life where design impinges quite as much as in the kitchen. Every item in the kitchen has its own story. Through 100 familiar objects, The Modern Kitchen maps the progress and development of this functional yet also wildly aspirational space. Why do the Le Creuset casserole dish and the wooden salad bowl exert such a cultural hold over us? Has the accumulation of electrical appliances led us to cook and eat differently? As well as studying the individual objects that have had such a huge impact on the way we live now, The Modern Kitchen examines kitchen design, economics, and gender politics through a series of essays. Embodying notions about class, gender, wealth, and health, the home kitchen and its layout, set-up, and contents, remains a neat illustration of our beliefs, tastes, aesthetics, and aspirations – the portrait of our domestic lives.
The simple petal shape takes center stage in this charming book, Playful Petals by Corey Yoder. Each of the 18 appliqué projects employ simple piecing techniques; the appliqué is straightforward, eliminating the need for reverse templates, additional seam allowances, and time consuming methods. The techniques are well suited for sewists of all levels.
Every time it is invaded the City gets a new name, but to the natives in is the Nameless City, and they survive by not letting themselves get involved--but now the fate of the City rests in the hands of Rat, a native, and Kaidu, one of the Dao, the latest occupiers, and the two must somehow work together if the City is to survive.
“A humorous and informative trip through the drug’s various medicinal compounds, a timeline of the its history, and recipes that take you beyond the standard pot brownie—with pro tips from cannabis-friendly celebrities sprinkled throughout.”—Vanity Fair Once literally demonized as “the Devil's lettuce,” and linked to all manner of deviant behavior by the establishment's shameless anti-marijuana propaganda campaigns, cannabis sativa has lately been enjoying a long-overdue Renaissance. So now that the squares at long last seem ready to rethink pot's place in polite society, how, exactly, can members of this vibrant, innovative, life-affirming culture proudly and properly emerge from the underground—without forgetting our roots, or losing our cool? In How to Smoke Pot (Properly), VICE weed columnist and former High Times editor David Bienenstock charts the course for this bold, new, post-prohibition world. With plenty of stops along the way for "pro tips" from friends in high places, including cannabis celebrities and thought leaders of the marijuana movement, readers will learn everything from the basics of blazing, to how Mary Jane makes humans more creative and collaborative, nurtures empathy, catalyzes epiphanies, enhances life's pleasures, promotes meaningful social bonds, facilitates cross-cultural understanding, and offers a far safer alternative to both alcohol and many pharmaceutical drugs. You'll follow the herb's natural lifecycle from farm to pipe, explore cannabis customs, culture and travel, and discover how to best utilize and appreciate a plant that's at once a lifesaving medicine, an incredibly nutritious food, an amazingly useful industrial crop, and a truly renewable energy source. You'll even get funny and informative answers to burning questions ranging from: How can I land a legal pot job? to Should I eat a weed cookie before boarding the plane? In two-color, with charts and illustrations throughout, How to Smoke Pot (Properly) is truly a modern guide to this most revered herb.
Steve Case, co-founder of America Online (AOL) and one of America's most accomplished entrepreneurs, shares a roadmap for how anyone can succeed in a world of rapidly changing technology. We are entering, he explains, a new paradigm called the "Third Wave" of the Internet. The first wave saw AOL and other companies lay the foundation for consumers to connect to the Internet. The second wave saw companies like Google and Facebook build on top of the Internet to create search and social networking capabilities, while apps like Snapchat and Instagram leverage the smartphone revolution. Now, Case argues, we're entering the Third Wave: a period in which entrepreneurs will vastly transform major "real world" sectors like health, education, transportation, energy, and food-and in the process change the way we live our daily lives.
A must-have for any street art enthusiast, this book presents the most mind blowing examples of renegade creativity in San Francisco. San Francisco's vibrant street art scene exists in areas off the city's well-worn tourist paths. The alleyways and hidden side streets of the Haight, the Tenderloin, and especially the Mission district's Clarion Alley offer unexpected treats to visitors lucky enough to stumble upon them. For more than five years, photographer Steve Rotman has obsessively documented this scene as it evolved on walls, sidewalks, billboards, fences, doors, and other public spaces. Culled from thousands of images, the result is a collection of work that attests to the artists' personal and stylistic diversity, from Mars1's robotic depictions of alternate universes which reflect the local counterculture spirit, to Neck Face's whimsically ghoulish creatures that serve as a testament to entrepreneurial hipsterdom, to Bigfoot's friendly green primates inspired by the area's rich graffiti culture. San Francisco's charm as an international destination also causes foreign artists to contribute to the street dialogue--Brazilian duo Os Gemeos, Londoner D*Face and German painter Dome have all graced the city's walls with their unique points of view. An enterprising photographer, Rotman has forged relationships with many of these often-reclusive artists, allowing him access to some of the lesser-known corners of the street art world.
The scandalous true crime story about the Papin Sisters, as told by one of comics' most stylized talents. Christine Papin, an overworked live-in maid, is reunited with her younger sister, Lea, who has also been hired by the wealthy Lancelin family. They make the estate's beds, scrub the floors, and spy on the domestic strife that routinely occurs within its walls. What starts as petty theft by the maids ― who are flashing back to their tumultuous time in a convent ― shortly turns into something more nefarious. Madame Lancelin’s increasingly unhinged abuse ignites the sisters' toxic upbringing and social class exploitation and explodes into a ghastly double murder, an event that shocked and fascinated 1930s France and beyond. Maids has high bravura and high intrigue, all drawn in Skelly’s highly stylized manner, which combines the best of pop art, manga, and Eurocomics.
Recounts one woman's life from childhood home, to the first love that she will never forget, to the creation of the idea of herself that she can grow old with and the home that she can grow old in
Collects all three volumes of the Eisner Award-nominated graphic novels series, which skewers a self-important male literary poser. Living in a beat-up motel and consorting with the downtrodden as well as the mid-level literati, Fante Bukowski must overcome great obstacles ― a love interest turned rival, ghostwriting a teen celebrity's memoirs, no actual talent ― to gain the respect and adoration from critics and, more importantly, his father. Van Sciver has created a scathing, hilarious, and empathetic character study of a self-styled author determined that he's just one more poem (or drink) away from success. The book includes a foreward by novelist Ryan Boudinot (Blueprints of the Afterlife), a facsimile reproduction of Bukowski's literary debut, 6 Poems (thought lost to time in the wake of a motel fire that destroyed the entire original print run), a "Works Cited" section, and a selection of "visual tributes" by over two dozen cartoonists including Nina Bunjevac, Simon Hanselmann, Jesse Jacobs, Ed Piskor, Leslie Stein, and others.
One of The Telegraph's Best Music Books 2011 We live in a pop age gone loco for retro and crazy for commemoration. Band re-formations and reunion tours, expanded reissues of classic albums and outtake-crammed box sets, remakes and sequels, tribute albums and mash-ups . . . But what happens when we run out of past? Are we heading toward a sort of culturalecological catastrophe where the archival stream of pop history has been exhausted? Simon Reynolds, one of the finest music writers of his generation, argues that we have indeed reached a tipping point, and that although earlier eras had their own obsessions with antiquity—the Renaissance with its admiration for Roman and Greek classicism, the Gothic movement's invocations of medievalism—never has there been a society so obsessed with the cultural artifacts of its own immediate past. Retromania is the first book to examine the retro industry and ask the question: Is this retromania a death knell for any originality and distinctiveness of our own?