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Healing Scarred Hearts follows the story of Hayden Hoemke, who died at age twenty two due to a serious drug addiction, and his devastated family in the years following his passing. Emotional, raw and gripping, this family memoir serves as a wake-up call to America about the opioid epidemic sweeping the country, and as a symbol of hope to others experiencing loss like this. Finding your light again is possible, no matter how dark the days seem now.
Bestselling author Jennifer Millikin delivers an emotional small-town romance about a misunderstood man and the woman who can set him free. There's a thin line between being a hero and a villain, and I'm well aware I walk right down the middle of it. My reputation precedes me, even when I'm making a bad choice for the right reason. This is how I wind up in the back of a police car late one night. My infamous last name keeps my record clean, with a single caveat: community service at a ranch recently purchased by Jo Shelton. I think I'd rather go to jail than serve time with the woman who has made it clear she can't stand me, even though we used to be friends. Despite the tense atmosphere and how she keeps me at arms' length, I show up every day, ready to work. Quickly I learn a valuable lesson: while it's difficult being around someone I don't like, it's far more difficult being around someone I find myself intensely attracted to, but cannot have. Because Jo, the woman who's driving me crazy with her quiet strength and beautiful face, is in a relationship. With a man who, I'd like to point out, is not out there getting his hands dirty on his girlfriend's ranch. Possession is 9/10th's of the law, and as far as I'm concerned, I'm currently in possession of Jo's time and attention. One day, the unexpected happens. Her blue eyes pierce my callused exterior, seeing deep down into a wound I work hard to hide. It's in this moment, and so many that follow, that I become certain there's no hope left for me. I'm in love with Jo, and I'm desperate to show her I'm someone worthy of her love in return. Lucky for me, nobody rises to the occasion quite like an outlaw. *Author's Note: The Hayden Family series is standalone, but for maximum enjoyment it is recommended it be read starting from book one.
From the author of Sunday Times bestsellers One Child and Ghost Girl comes a heartbreaking story of one teacher's determination to turn a chaotic group of damaged children into a family.
Based on her extensive experience in the urban communities of Los Angeles, historian and architect Dolores Hayden proposes new perspectives on gender, race, and ethnicity to broaden the practice of public history and public art, enlarge urban preservation, and reorient the writing of urban history to spatial struggles. In the first part of The Power of Place, Hayden outlines the elements of a social history of urban space to connect people's lives and livelihoods to the urban landscape as it changes over time. She then explores how communities and professionals can tap the power of historic urban landscapes to nurture public memory. The second part documents a decade of research and practice by The Power of Place, a nonprofit organization Hayden founded in downtown Los Angeles. Through public meetings, walking tours, artists's books, and permanent public sculpture, as well as architectural preservation, teams of historians, designers, planners, and artists worked together to understand, preserve, and commemorate urban landscape history as African American, Latina, and Asian American families have experienced it. One project celebrates the urban homestead of Biddy Mason, an African American ex-slave and midwife active betwen 1856 and 1891. Another reinterprets the Embassy Theater where Rose Pesotta, Luisa Moreno, and Josefina Fierro de Bright organized Latina dressmakers and cannery workers in the 1930s and 1940s. A third chapter tells the story of a historic district where Japanese American family businesses flourished from the 1890s to the 1940s. Each project deals with bitter memories—slavery, repatriation, internment—but shows how citizens survived and persevered to build an urban life for themselves, their families, and their communities. Drawing on many similar efforts around the United States, from New York to Charleston, Seattle to Cincinnati, Hayden finds a broad new movement across urban preservation, public history, and public art to accept American diversity at the heart of the vernacular urban landscape. She provides dozens of models for creative urban history projects in cities and towns across the country.
Starlight 3 is third volume of in Patrick Nielsen Haden's original anthology series, which includes short stories from Susanna Clarke, Cory Doctrow, Stephen Baxter, Maureen F. McHugh, and Jane Yolen. Since its debut in 1996, Starlight has been recognized as the preeminent original anthology of science fiction and fantasy. Its stories have won the Nebula Award, the Sturgeon Award, and the Tiptree Award. Starlight 1 itself won the World Fantasy Award for Best Anthology. The series represents the best new short fiction in fantasy and SF. Now, with Starlight 3, award-winning editor Patrick Nielsen Hayden offers a new serving of powerful, original stories. Some are playful, some rigorous, or exuberant, or melancholy; some are set in the world of today, and some amidst the farthest stars or in worlds that never were. "Patrick Nielsen Hayden [is] one of the most literate and historically aware editors in science fiction." --The Washington Post At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.
The noted feminist theorist argues for a new conception of architectural design and outlines housing plans that will support new patterns of nurturing and opportunity for a range of individuals and families
The lives of notorious bad guys, perpetrators of mischief, visionary--if misunderstood--thinkers, and other colorful antiheroes, jerks, and evil doers from history all get their due in the short essays featured in these enlightening, informative books. Speaking Ill of the Dead: Jerks in Connecticut History features fifteen short biographies of nefarious characters, from Benedict Arnold to P.T. Barnum.
URL: https://www.areditions.com/rr/rra/a071.html The eight Little House books by Laura Ingalls Wilder (1867¿1957), anchored in her family¿s history and filled with memories of frontier life, are cornerstone classics in American children¿s literature. Embedded in them are citations to 127 pieces of music--from parlor songs, stage songs, minstrel show songs, patriotic songs, Scottish and Irish songs, hymns and spirituals, to fiddle tunes, singing school songs, play party songs, folk songs, broadside ballads, catches and rounds. No books in American literature of comparable standing and popularity feature America¿s vernacular music so centrally, assign it such a major narrative role, and index it in such rich abundance. This edition is a reconstruction of "the family songbook," based on the music referenced in Wilder¿s books. Although no such object ever existed, her representations of music-making have likely informed the imaginations of more Americans than many a paper-and-bindings anthology, for what millions of readers have come to know about America¿s musical heritage is what they learned from the Little House books¿the titles and lyrics to songs; how songs and tunes functioned; where they were heard; what they meant; the importance of music to individuals, families, and communities. Wilder¿s references and her evocative images of music-making thus form the basis of understanding about "American music" to many readers. The Ingalls Wilder Family Songbook is an effort to give fresh voice and sound to the music inscribed in these great books and new appreciation about how music functioned during a place and time important in American history and mythology.