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The annals of literature contains the record of various memorable friendships which have existed between authors and publishers. The names of Scott and Constable, ôTomö Moore and Longman, Browning and George Murray Smith, are permanently linked together. Yet it is doubtful if among all such notable friendships, any can rival that of Hawthorne and Ticknor. The value of the fragmentary story of this association, as set forth in the following pages, must of necessity lie in those passages in which the subjects speak for themselves. Especially does Hawthorne in his frank and spontaneous communications, penned from the consulate at Liverpool, reveals himself with a freedom from all restraint, not to be found elsewhere in his letters and journals.
The Scarlet Letter: A Romance is an 1850 fictional novel in a historical setting, written by American author Nathaniel Hawthorne. The book is considered to be his "masterwork". Set in 17th-century Puritan Massachusetts Bay Colony, during the years 1642 to 1649, it tells the story of Hester Prynne, who conceives a daughter through an affair and struggles to create a new life of repentance and dignity. Throughout the book, Hawthorne explores themes of legalism, sin, and guilt.
Hawthorne was, with his own complicity, long described as a writer of unreal romances (as he preferred to call his novels) or "allegories of the heart" as he termed some of his short stories. The essays in this collection contribute to the turn in recent Hawthorne criticism which shows how deeply implicated in realism his writing was."--BOOK JACKET.
Handsome, reserved, almost frighteningly aloof until he was approached, then playful, cordial, Nathaniel Hawthorne was as mercurial and double-edged as his writing. “Deep as Dante,” Herman Melville said. Hawthorne himself declared that he was not “one of those supremely hospitable people who serve up their own hearts, delicately fried, with brain sauce, as a tidbit” for the public. Yet those who knew him best often took the opposite position. “He always puts himself in his books,” said his sister-in-law Mary Mann, “he cannot help it.” His life, like his work, was extraordinary, a play of light and shadow. In this major new biography of Hawthorne, the first in more than a decade, Brenda Wineapple, acclaimed biographer of Janet Flanner and Gertrude and Leo Stein (“Luminous”–Richard Howard), brings him brilliantly alive: an exquisite writer who shoveled dung in an attempt to found a new utopia at Brook Farm and then excoriated the community (or his attraction to it) in caustic satire; the confidant of Franklin Pierce, fourteenth president of the United States and arguably one of its worst; friend to Emerson and Thoreau and Melville who, unlike them, made fun of Abraham Lincoln and who, also unlike them, wrote compellingly of women, deeply identifying with them–he was the first major American writer to create erotic female characters. Those vibrant, independent women continue to haunt the imagination, although Hawthorne often punishes, humiliates, or kills them, as if exorcising that which enthralls. Here is the man rooted in Salem, Massachusetts, of an old pre-Revolutionary family, reared partly in the wilds of western Maine, then schooled along with Longfellow at Bowdoin College. Here are his idyllic marriage to the youngest and prettiest of the Peabody sisters and his longtime friendships, including with Margaret Fuller, the notorious feminist writer and intellectual. Here too is Hawthorne at the end of his days, revered as a genius, but considered as well to be an embarrassing puzzle by the Boston intelligentsia, isolated by fiercely held political loyalties that placed him against the Civil War and the currents of his time. Brenda Wineapple navigates the high tides and chill undercurrents of Hawthorne’s fascinating life and work with clarity, nuance, and insight. The novels and tales, the incidental writings, travel notes and children’s books, letters and diaries reverberate in this biography, which both charts and protects the dark unknowable core that is quintessentially Hawthorne. In him, the quest of his generation for an authentically American voice bears disquieting fruit.
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At his death, Nathaniel Hawthorne (1804–1864) was universally acknowledged in America and England as "the Great Romancer." Novels such as The Scarlet Letter and The House of the Seven Gables and stories published in such collections as Twice-Told Tales continue to capture the minds and imaginations of readers and critics to this day. Harder to capture, however, were the character and personality of the man himself. So few of the essays that appeared in the two years after his death offered new insights into his life, art, and reputation that Hawthorne seemed fated to premature obscurity or, at least, permanent misrepresentation. This first collection of personal reminiscences by those who knew Hawthorne intimately or knew about him through reliable secondary sources rescues him from these confusions and provides the real human history behind the successful writer. Remembrances from Elizabeth Peabody, Sophia Hawthorne, Oliver Wendell Holmes, Ralph Waldo Emerson, Bronson Alcott, Rebecca Harding Davis, and twenty others printed in Hawthorne in His Own Time follow him from his childhood in Salem, through his years of initial literary obscurity, his days in the Boston and Salem Custom Houses, his service as U.S. Consul to Liverpool and Manchester and his life in the Anglo-American communities at Rome and Florence, to his late years as the "Great Romancer." In their enlightening introduction, editors Ronald Bosco and Jillmarie Murphy assess the postmortem building of Hawthorne's reputation as well as his relationship to the prominent Transcendentalists, spiritualists, Swedenborgians, and other personalities of his time. By clarifying the sentimental associations between Hawthorne's writings and his actual personality and moving away from the critical review to the personal narrative, these artful and perceptive reminiscences tell the private and public story of a remarkable life.
The first major Hawthorne biography to be published in two decades, featuring original scholarship on both unpublished and published sources The Life of the Author: Nathaniel Hawthorne presents a rich and nuanced portrait of one of America’s greatest writers, exploring the thoughts and ideas of a man whose profound insights about the human condition continue to resonate in the modern day. Accessible to those with little knowledge of Hawthorne, this unique volume uses a new biographical approach based on exhaustive primary research that provides readers with a better understanding of the artist and his work. Author Dale Salwak challenges the presumption that Hawthorne was a reclusive, eccentric, and alienated man whose relevance to modern times is diminishing. Drawing from his forty-five years’ experience reading, studying, and teaching Hawthorne, the author reveals a more approachable Hawthorne. In-depth and reflective chapters explore topics such as the circumstances that led Hawthorne to become a writer, the influence of Sophia Hawthorne on her husband’s work, the theory of the unfulfilled homoerotic relationship between Hawthorne and Herman Melville, and more. Offers a fresh reading of Hawthorne’s life and work from birth to death Provides new perspectives on Hawthorne and stories surrounding his work Draws from a wide variety of sources, including novels, tales, children’s books, notebooks, and personal letters to and from Hawthorne Suggests new strategies for teaching Hawthorne to today’s students Includes a detailed index and comprehensive introductory and concluding chapters Highlighting Hawthorne’s special contributions to American literature, The Life of the Author: Nathaniel Hawthorne is essential reading for scholars, lecturers, and college students taking courses including Literary History, American Literature, and History of the Novel as well as anyone interested in biography, literature, and creativity