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Oh, no the anguished cry rang out. For a sister and her brothers, it was terrible newsof a death in the familythe death that left them dumbfounded. Broken hearted, here they were, a grand family suddenly bereft of a great part. It made no sense. Sorry to inform you, the awful words struck like a thunderbolt. Mom and dad had crashed on their vacation trip. So unfair, so unreal, so jarringso final. All the siblings could think of was how much love was lost to them. Their parents were the linchpins; they were the finest; they were the most revered. At a loss due to a loss. So much love and affection was denied them in an unpredictable moment. What was to become of them? Mom with her daily wisdom. Dad with his usual counsel. Mom with her laugh. Dad with his wry humor. Mom with her catering and caring. Dad with his hugs and counsel. What will they do without them? The sister and her husband, the brothers and their wives, succumbed to the pain, weakening them. Where would the strength come from that was required to survive such a tragedy? When ravaged by happenstance, What holds the family together when hope and promise lose some of their dash? In the moments of crisis, inevitably, people are hanging on by hanging tough. That courage comes from their heritage, which is the real force, the saving grace. Its not just what they have inherited in family lore, but the bond that ties endowment and legacy together in a triumvirate that can spark the spirit. Haunting Memories says something about how desire can influence perception; by allowingor causingus to see what we want to see. We wonder when theyre gone, Did we do enough for them? Did we express our love and affection often enough? Were we good to them? We arent going to be able to answer yes to all such questions without some reservation. Because were never going to think weve done all that we could have or should have done for our loved ones. We cant get our minds off them. We cant let them go. We want them back. But we cant have them back. They are where they are. And we cant get there from here.
Explores the forgotten history and lost folklore of “America's Most Beautiful City,” which has a haunting history that will captivate the reader with the secrets it holds from its intriguing past, while mystery and mystique follow Tulsa's urban legends and prove that truth can be stranger than fiction. Original.
A trip to Montana to start a new life is a journey of dreams and faith. Where will Glori's faith take her and will she find what she is searching for? New author Norma Moore Sutton answers these questions and more in Matthew's Legacy, the first book in the Haunting Memories Series
Rhetorics Haunting the National Mall: Displaced and Ephemeral Public Memories vividly illustrates that a nation’s history is more complicated than the simple binary of remembered/forgotten. Some parts of history, while not formally recognized within a commemorative landscape, haunt those landscapes by virtue of their ephemeral or displaced presence. Rather than being discretely contained within a formal sites, these memories remain public by lingering along the edges and within the crevices of commemorative landscapes. By integrating theories of haunting, place, and public memory, this collection demonstrates that the National Mall, often referred to as “the nation’s front yard,” might better be understood as “the nation’s attic” because it hides those issues we do not want to address but cannot dismiss. The neatly ordered installations and landscaping of the National Mall, if one looks and listens closely, reveal the messiness of US history. From the ephemeral memories of protests on the Mall to the displaced but persistent presences of inequality, each chapter in this book examines the ways in which contemporary public life in the US is haunted by incomplete efforts to close the book on the past.
A doctor's memoir in the best tradition of William Carlos Williams, Marc Flitter recreates the life-or-death drama of brain surgery as he has practiced it for more than twenty years, filling an imaginary hospital wing with the true stories of the patients and colleagues whose fates will haunt him forever. "His prose is as elegant and delicate as his surgery, and his characters come to life as those from the best short stories do, and yet their power derives from our realization that these are actual people whose lives have transformed the physician who encountered them" (The New York Times Book Review).
In this book Tiya Miles explores the popular yet troubling phenomenon of "ghost tours," frequently promoted and experienced at plantations, urban manor homes, and cemeteries throughout the South. As a staple of the tours, guides entertain paying customers by routinely relying on stories of enslaved black specters. But who are these ghosts? Examining popular sites and stories from these tours, Miles shows that haunted tales routinely appropriate and skew African American history to produce representations of slavery for commercial gain. "Dark tourism" often highlights the most sensationalist and macabre aspects of slavery, from salacious sexual ties between white masters and black women slaves to the physical abuse and torture of black bodies to the supposedly exotic nature of African spiritual practices. Because the realities of slavery are largely absent from these tours, Miles reveals how they continue to feed problematic "Old South" narratives and erase the hard truths of the Civil War era. In an incisive and engaging work, Miles uses these troubling cases to shine light on how we feel about the Civil War and race, and how the ghosts of the past are still with us.
This book engages the globally pressing question of how to live and work with the haunting power of the past in the aftermath of mass violence. It brings together a collection of interdisciplinary contributions to reflect on the haunting of post-conflict memory from the perspective of diverse country case studies including South Africa, Rwanda, Zimbabwe, Northern Ireland, North and South Korea, Palestine and Israel, America and Australia. Contributions offer theoretical, empirical and practical insights on the nature of historical trauma and practices of collective healing and repair that include embodied, artistic and culturally relevant forms of wisdom for dealing with the past. While this question has traditionally been explored through the lens of trauma studies in relation to the post-Holocaust experience, this book provides new understandings from a variety of different historical contexts and disciplinary perspectives. Its chapters draw on, challenge and expand the trauma concept to propose more contextually relevant frameworks for transforming haunted memory in the aftermath of historical trauma.
Past and present collide when a secret from the 1920s wreaks havoc on Marlow House. Walt struggles to remember what he may have forgotten before it’s too late.
A lonely troll and a fierce, spiky girl form an unlikely alliance in Leonie Agnew's extraordinary novel for children aged 9 years and up. For as long as Seth can remember he’s been trapped behind the iron bars of the public gardens, desperate to explore the world outside. By day he’s frozen in a stone skin as a statue of a shepherd boy. As soon as the sun sets he’s free to roam the park, ravenously hungry. He’s a troll, and the food he seeks is human memories. But somehow he’s yearning for something more than an endless cycle of hunting and loneliness. Then he meets Stella, who has just moved to live with her grandfather in a house neighbouring the park. Her mind is sharp and quick and there’s something so different about her — she’s the only human Seth has met whose memories make his insides burn. He doesn’t want to feed off her. He simply wants to talk to her. Maybe she can help him find another way to live? Engrossing, spine-chilling and surprising, this is a novel that grabs the reader and holds them spellbound. What terrible memory is Stella trying to escape? What are the fragments of memory that Seth is trying to put together? And is there any possibility that Seth could escape the lonely garden and start truly living?
Since the Korean Wara the forgotten wara more than a million Korean women have acted as sex workers for U.S. servicemen. More than 100,000 women married GIs and moved to the United States. Through intellectual vigor and personal recollection, Haunting the Korean Diaspora explores the repressed history of emotional and physical violence between the United States and Korea and the unexamined reverberations of sexual relationships between Korean women and American soldiers.