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The West End of London has long been popular with theatre-goers and tourists to the capital, but this historic area is also home to a multitude of terrifying ghosts. From the theatre where a female spectre cradles a severed head in her lap and the haunted house where two people have died of fright, to the ghostly voices of children heard in a modern office block built over a plague pit, this spine-chilling collection of tales is guaranteed to make your blood run cold. Richly illustrated, Haunted West End is sure to appeal to everyone interested in the paranormal and the history of London. Read on - if you dare!
In researching these theatrical ghost stories the authors have held vigil in dark auditoriums, lonely stairwells and melancholy boxes, behind the scenery and underneath the stages in the search of the theatrical phantoms. From the Lyceum to the Lyric, the astounding results demonstrate the historical links between spirits and the stage. It will captivate anyone who is interested in the shadowy past of London's haunted West End theatres.
This title takes the intrepid ghost seeker on a truly hair-raising journey to some of the capital's spookiest places. From the chilling manifestations at the infamous 50 Berkeley Square to the eternal restlessness of Jack the Ripper's victims, no haunted house is left unmentioned.
Dyson and Nyman's worldwide cult phenomenon--in print for the first time.time.
I will ever be grateful for the almost psychic gift that enabled me to write Blithe Spirit in five days during one of the darkest years of the war.' Written in 1941, Blithe Spirit remained the longest-running comedy in British Theatre for three decades thereafter. Plotted around the central role of one of Coward's best loved characters, a spirit medium Madame Arcati (originally performed by Margaret Rutherford) Coward's play is an escapist comedy about a man whose two previous wives return to haunt him. "A minor comic masterpiece of the lighter sort" Professor Allardyce Nicoll
A New York Times Book Review Editor's Choice A comprehensive, authoritative and readable history of the evolution of the ghost in the west, examining the behavior of the subject in its preferred environment: the stories we tell each other. "Roger Clarke tells this [the story that inspired Henry James' The Turn of the Screw] and many other gloriously weird stories with real verve, and also a kind of narrative authority that tends to constrain the skeptical voice within... [An] erudite and richly entertaining book." —New York Times Book Review No matter how rationally we order our lives, few of us are completely immune to the suggestion of the uncanny and the fear of the dark. What explains sightings of ghosts? Why do they fascinate us? What exactly do those who have been haunted see? What did they believe? And what proof is there? Taking us through the key hauntings that have obsessed the world, from the true events that inspired Henry James's classic The Turn of the Screw right up to the present day, Roger Clarke unfolds a story of class conflict, charlatans, and true believers. The cast list includes royalty and prime ministers, Samuel Johnson, John Wesley, Harry Houdini, and Adolf Hitler. The chapters cover everything from religious beliefs to modern developments in neuroscience, the medicine of ghosts, and the technology of ghosthunting. There are haunted WWI submarines, houses so blighted by phantoms they are demolished, a seventeenth-century Ghost Hunter General, and the emergence of the Victorian flash mob, where hundreds would stand outside rumored sites all night waiting to catch sight of a dead face at a window. Written as grippingly as the best ghost fiction, A Natural History of Ghosts takes us on an unforgettable hunt through the most haunted places of the last five hundred years and our longing to believe.
Haunted Theaters comprises more than two dozen suspenseful stories of spooky happenings and ghostly tales in historic theaters, opera houses, and other stages in the United States (Broadway and beyond), Canada, and England.
Proud and solitary, Eel Marsh House surveys the windswept reaches of the salt marshes beyond Nine Lives Causeway. Arthur Kipps, a junior solicitor, is summoned to attend the funeral of Mrs Alice Drablow, the house's sole inhabitant, unaware of the tragic secrets which lie hidden behind the shuttered windows. It is not until he glimpses a wasted young woman, dressed all in black, at the funeral, that a creeping sense of unease begins to take hold, a feeling deepened by the reluctance of the locals to talk of the woman in black.
Uncovers the ways in which the spectator's memory informs theatrical reception