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To celebrate one hundred days in Miss Bindergarten's kindergarten class, all her students bring one hundred of something to school, including a one hundred-year-old relative, one hundred candy hearts, and one hundred polka dots.
A brutal car accident that claimed the life of her best friend has left seventeen-year-old Catherine in a state of shock and severe depression. She longs to move forward with her life, but feels she can’t until she is somehow assured of her friend’s forgiveness. On a Christmas visit to her grandmother in Pasadena, a mysterious and handsome stranger approaches Catherine at church claiming that he can put her in touch with her dead friend. Catherine is wary of the stranger’s claims and his ghostly appearance but feels he may be the only key to escaping her past. She tells no one of the meeting but is approached by an elderly woman who warns her of the stranger’s powers. The woman’s teenage diary and eerie rumors surrounding other troubled girls who have disappeared from the church community leave Catherine fearful of the stranger’s true intentions. She realizes she must find some way to confront this supernatural presence as well as the ghosts of her past. A classic ghost story from one of Clarion’s most distinguished authors. Eve Bunting brings a new edge to the genre of suspense by interweaving contemporary issues with sharp and frightful storytelling.
Describes over 2,000 sites of supernatural occurances in the United States, including places visited by ghosts, UFOs, and unusual creatures.
Ghosts are the single most common paranormal experience, fascinating and frightening to people of all ages. What makes some people linger on beyond the grave? Are ghosts real, are they imagined, or are they some weird aberration of time and space? ""Ghosts and Haunted Places"" will examine the history, folklore, science, technology, and personal experience of ghosts and hauntings, as well as the major themes in ghostlore. Featuring accounts of true cases and scenarios, this fascinating book explores the different types of ghosts and hauntings and their possible explanations, as well as the major figures and groups involved in ghost research throughout history. Special information is provided for readers who wish to conduct their own ghost hunts or haunting investigations.Chapters include: Dead People Who Don't Go Away, Where Do Ghosts Come From? Screaming Banshees and Death Omen Ghosts, Animal Ghosts and Phantimals, and Ghost Hunting with the Pros.
An objective yet fun look at stories of the unexplained in New Jersey, including ghosts from shipwrecks, seaside hauntings, demons and monsters such as the Jersey Devil, witches, and encounters with UFOs.
From ancient graveyards and monuments to modern restaurants and hotels, this book offers a delightful collection of uncanny legends and eerie folklore about Florida's beautiful west coast. Walk through the picturesque city of Pensacola in Florida's Panhandle, where the spirits of the dead are beckoned by an eerie lighthouse shining through the night, or stroll through Pensacola's Seville Quarter, where you may spot the specter of a long-dead bartender. Visit the Island Hotel and Restaurant in Cedar Key, where thirteen spirits are said to roam the building. Venture again into the unknown with Greg Jenkins, who will guide you through some of Florida's most frightening haunted locations. Prepare yourself for the spine-chilling and uncanny tales of specters and ghosts that inhabit Haunted Florida. See all of the books in this series
From the mediums of Spiritualism's golden age to the ghost hunters of the modern era, Taylor shines a light on the phantasms and frauds of the past, the first researchers who dared to investigate the unknown, and the stories and events that galvanized the pubic and created the paranormal field that we know today.
The turn of the millennium has heralded an outgrowth of culture that demonstrates an awareness of the ephemeral nature of history and the complexity underpinning the relationship between location and the past. This has been especially apparent in the shifting relationship between landscape, memory and sound in film, television and other media. The result is growing interest in soundtracks, as part of audiovisual culture, as well as an interest in the spectral aspects of culture more generally. This collection of essays focuses on audiovisual forms that foreground landscape, sound and memory. The scope of inquiry emphasises the ghostly qualities of a certain body of soundtracks, extending beyond merely the idea of 'scary films' or 'haunted houses.' Rather, the notion of sonic haunting is tied to ideas of trauma, anxiety or nostalgia associated with spatial and temporal dislocation in contemporary society. Touchstones for the approach are the concepts of psychogeography and hauntology, pervasive and established critical strategies that are interrogated and refined in relation to the reification of the spectral within the soundtracks under consideration here.
From the jail cell that once held John Dillinger to quaint shops with dark beginnings, the restless spirits of Crown Point purportedly result from a century-old hex. Legend had it that a caravan of gypsies found themselves unfairly exiled from town. Forced to leave their beloved dead behind in unmarked graves, they invoked a venomous curse on the townspeople and vowed that no ancestor would be allowed eternal peace. Paranormal researcher Judith Tometczak exposes evidence of this deceptively quiet town's dark side.
At the heart of America’s slave system was the legal definition of people as property. While property ownership is a cornerstone of the American dream, the status of enslaved people supplies a contrasting American nightmare. Sarah Gilbreath Ford considers how writers in works from nineteenth-century slave narratives to twenty-first-century poetry employ gothic tools, such as ghosts and haunted houses, to portray the horrors of this nightmare. Haunted Property: Slavery and the Gothic thus reimagines the southern gothic, which has too often been simply equated with the macabre or grotesque and then dismissed as regional. Although literary critics have argued that the American gothic is driven by the nation’s history of racial injustice, what is missing in this critical conversation is the key role of property. Ford argues that out of all of slavery’s perils, the definition of people as property is the central impetus for haunting because it allows the perpetration of all other terrors. Property becomes the engine for the white accumulation of wealth and power fueled by the destruction of black personhood. Specters often linger, however, to claim title, and Ford argues that haunting can be a bid for property ownership. Through examining works by Harriet Jacobs, Hannah Crafts, Mark Twain, Herman Melville, Sherley Anne Williams, William Faulkner, Eudora Welty, Toni Morrison, Octavia Butler, and Natasha Trethewey, Ford reveals how writers can use the gothic to combat legal possession with spectral possession.