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In his poetry, Thomas Hardy describes himself as posthumous, as rekindling the cinders of passion, as the guardian of the dead forgotten by history and as haunted by ghosts, particularly the spectre of the lost child (as in the rumour that he fathered a child in the 1860s). Using Derrida, Abraham and Torok and other theorists, and referring to Victorian debates on materialism, this book investigates ghostliness, historicity and memory in Hardy's poetry.
A fiendish scarecrow walks and talks. . . . On a stormy night, the Hardys' only hope of rescue is a ship piloted by ghosts. . . . The dungeon of a Scottish castle is haunted by a cruel and notorious pirate. . . . Frank and Joe are about to confront the powers of darkness in six terrifying tales of Halloween fright.
Ghosts don't leave footprints!There's a mysterious light in the old, burned down house across the road. Could it be the ghost of old lady Hampton? Or maybe the firefighter who died trying to save her? And why is Mrs. Tsosie so afraid to get close to the property? Kenny doesn't believe in ghosts, but when strange footprints are discovered in the neighborhood, he and his brother search the old ruins for clues. Kenny knows he is getting close to unraveling the mystery when he discovers firsthand just how dangerous crime solving can be!
ATAC Briefing for Agents Frank and Joe Hardy: Special Paranormal Operation MISSION: Investigate possible supernatural disturbances at the Undercliff House of Detention, formerly an insane asylum in the 1800s. LOCATION: Juvenile detention center in Glastonbury, CT. POTENTIAL VICTIMS: Many of the inmates appear to be dying from pure terror! SUSPECTS: Lara Renner claims to be a psychic with a direct line to the spirit behind the hauntings, but perhaps her motives are more down-to-earth. Then there's the cafeteria worker with a major grudge. Or could it be the culprits are truly ghosts?
In 1992 Italy was convulsed by two brazen Mafia assassinations of high-ranking officials. The latest "excellent cadavers" were Giovanni Falcone and Paolo Borsellino, the Sicilian magistrates who had been the Cosa Nostra's most implacable enemies. Yet in the aftermath of the murders, hundreds of "men of honor" were arrested and the government that ad protected them for nearly half a century was at last driven from office. This is the story that Stille tells with such insight and immediacy in Excellent Cadavers. Combining a profound understanding of his doomed heroes with and unprecedented look into the Mafia's stringent codes and murderous rivalries, he gives us a book that has the power of a great work of history and the suspense of a true thriller. "Riveting...a well-paced and highly informative account stocked with well-drawn characters."--Philadelphia Inquirer "Masterful...[Stille] delivers a stiletto-sharp portrait of the bloodthirsty Sicilian mafia."--Business Week
Thomas Hardy and the Folk Horror Tradition takes the uncanny and unsettling fiction of Thomas Hardy as fundamental in examining the lineage of 'Hardyan Folk Horror'. Hardy's novels and his short fiction often delve into a world of folklore and what was, for Hardy the recent past. Hardy's Wessex plays out tensions between the rational and irrational, the pagan and the Christian, the past and the 'enlightened' future. Examining these tensions in Hardy's life and his work provides a foundation for exploring the themes that develop in the latter half of the 20th century and again in the 21st century into a definable genre, folk horror. This study analyses the subduing function of heritage drama via analysis of adaptations of Hardy's work to this financially lucrative film market. This is a market in which the inclusion of the weird and the eerie does not fit with the construction of a past and its function in creating a nostalgia of a safe and idyllic picture of England's rural past. However, there are some lesser-known adaptations from the 1970s that sit alongside the unholy trinity of folk horror: the adaptation for television of the Wessex Tales. From a consideration of the epistemological fissure that characterize Hardy's world, the book draws parallels between then and now and the manifestation of writing on conceptual borders. Through this comparative analysis, Thomas Hardy and the Folk Horror Tradition posits that we currently exist on a moment of fracture, when tradition sits as a seductive threat.
The handwritten will of a deceased world-traveler is strange and mysterious. Its cryptic instructions are to deliver “the valuable Aztec warrior to the rightful owner, a descendant of an Aztec warrior.” Frank and Joe Hardy have only one slim clue to work with: the name of a complete stranger who can help. Despite the harassments, the threats, and the attacks made upon them, Frank and Joe unravel clue after clue in their adventure-packed search for the living descendant of the mighty Aztec nation which once ruled in Mexico. It takes as much high courage as clever deduction for the young detectives to defeat their ruthless foes and to decipher the fascinating secrets of the strange and mysterious will.
Nancy becomes involved in a double mystery concerning a haunted bridge and jewel thieves.
*Includes "The House on Ashley Avenue," currently in development as a NETFLIX FEATURE FILM! There are haunted places in the world, all existing in reality and every bit as tangible and accessible as the house next door. Sometimes it is the house next door. In this brilliant debut collection, Ian Rogers explores the border-places between our world and the dark reaches of the supernatural. A mysterious double murder draws the attention of an insurance company with a special interest in the paranormal. A honeymoon cabin with an unspeakable appetite finally meets its match. A suburban home is transformed into the hunting ground for a new breed of spider. A nightmarish jazz club at the crossroads of reality plays host to those who can break a deal with the devil...for a price. With remarkable deftness, Rogers draws together the deadly and the disturbing in twenty-two showcase stories that will guide you through terrain at once familiar and startlingly fresh. Blurbs: "Ian is a fantastic storyteller of horror. He has an ability to create a unique reading experience with great scares and memorable characters. I knew the moment I finished reading Every House Is Haunted that Ian was someone I wanted to work with." - Sam Raimi, Director of Doctor Strange in the Multiverse of Madness "...the 22 stories in Rogers's debut collection demonstrate the author's talent for finding the terrifying in the seemingly ordinary... This work of classic horror in the style of Shirley Jackson, Richard Matheson, and early Stephen King should attract fans of a more refined kind of horror." - Library Journal "...Rogers offers some real gems. Every House Is Haunted is a harbinger of great things to come." - San Francisco Book Review IAN ROGERS is an award-winning author whose short fiction has appeared in Tor.com, Cemetery Dance, Broken Pencil, and Shadows & Tall Trees. His work has been selected for The Best Horror of the Year and Imaginarium: The Best Canadian Speculative Writing. For more information, visit www.ian-rogers.com..
Haunted Heaney: Spectres and the Poetry looks at the ghosts and spectres present within the poetry of the Nobel Prize winning poet Seamus Heaney. Covering Heaney’s work from his first collection, Death of a Naturalist, to his final collection, Human Chain, this volume analyses Heaney’s poetry through the lens of hauntology as presented by Jacques Derrida in Specters of Marx. This book presents spectres and ghosts not in the conventional sense, as purely supernatural, physical manifestations haunting a place, but instead as having a non-physical presence. In this sense past cultures, societies, texts, poets, and memories are examined as having a spectral influence on Heaney’s writing. His work is indebted to hauntedness as the past in all its forms sutures itself within the present of his thinking and writing, and our reading of the poetry. Topics for discussion include the Norse spectres in the early poetry; British colonialism and its haunting influence on the poet; a renewed look at the bog poems as being influenced by the spectral; the classical influence of Virgil and Dante; and a reading of ‘Route 110’ that incorporates the major instances of Heaney’s career into a singular poem. The book also incorporates Heaney’s prose work and interviews into the discussion and uses these works as a metacommentary to the poetry offering a deeper insight into the mind of one of Ireland’s greatest writers.