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This First Edition is a work-in-progress of 424 pages and 127,000 words. It includes a biography, 1,550 catalogue records and 700 images of the estimated 3,000 works of art painted by Haughton Forrest"........[Members of The Forrest Project] compiled a web-based catalogue that included a history of Haughton Forrest and his family, an inventory of his paintings, with information on provenance and ownership, and a virtual 'gallery' of images of as many paintings as could be obtained. This pooling of energy, enthusiasm and expertise has achieved a great deal. It now finds monumental expression in this splendid book that will stimulate wider interest in Forrest and provide a solid foundation for further research and reappraisal of his work."Michael BennettProfessor of HistoryUniversity of Tasmania
This 3rd Edition supersedes all previous editions which have now been removed from BLURB to avoid any confusion.It comprises TWO volumes:Volume 1 Biography and Catalogue of Paintings [THIS BOOK]Volume 2 Gallery of PaintingsThe combined volumes of this book is a work-in-progress of some 672 pages, 1,600 catalogue records and 850 images of the estimated 3,000 works of art painted by Haughton Forrest. "........[Members of The Forrest Project] compiled a web-based catalogue that included a history of Haughton Forrest and his family, an inventory of his paintings, with information on provenance and ownership, and a virtual 'gallery' of images of as many paintings as could be obtained. This pooling of energy, enthusiasm and expertise has achieved a great deal. It now finds monumental expression in this splendid book that will stimulate wider interest in Forrest and provide a solid foundation for further research and reappraisal of his work."Michael BennettProfessor of HistoryUniversity of Tasmania
This 3rd Edition supersedes all previous editions which have now been removed from BLURB to avoid any confusion.It comprises TWO volumes:Volume 1 Biography and Catalogue of PaintingsVolume 2 Gallery of Paintings [THIS BOOK].The combined volumes of this book is a work-in-progress of some 672 pages, 1,600 catalogue records and 850 images of the estimated 3,000 works of art painted by Haughton Forrest. "........[Members of The Forrest Project] compiled a web-based catalogue that included a history of Haughton Forrest and his family, an inventory of his paintings, with information on provenance and ownership, and a virtual 'gallery' of images of as many paintings as could be obtained. This pooling of energy, enthusiasm and expertise has achieved a great deal. It now finds monumental expression in this splendid book that will stimulate wider interest in Forrest and provide a solid foundation for further research and reappraisal of his work."Michael BennettProfessor of HistoryUniversity of Tasmania
‘The rats I frighten away by throwing books or anything hard at the spot at which they commence their gnawing,’ wrote emigrant Janet Ronald in her journal kept aboard the Invincible in 1857. Packed in cheek by jowl with fellow passengers and crew, life on board the ships transporting convicts and free settlers from Britain and Ireland to Australia in the nineteenth century was rigidly defined by social class: lower-class passengers dined on homemade concoctions of mutton fat pudding and preserved potatoes, while those travelling first-class enjoyed elaborate multi-course dinners, including fresh meat, slaughtered on board. Navigating the social mores on these giant floating microcosms was only half the story. Amid the chronicles of flirtations and hijinks, odours and rats, nineteenth-century diaries capture tales of despotic captains, disease and domestic discord. From those sailing under servitude to emigrants seeking a new life, the people who braved the journey changed Australia.
This is an exciting tale of the courage of 16-year-old Grace Bussell, an ordinary teenage girl who is thrust into an extraordinary situation when a steamship runs aground near her home on the south-west coast of Australia in 1876. Using eyewitness accounts and other historical documents of the time, the author brings this compelling true story alive. On the night that the Georgette leaves Fremantle, the ship starts taking on water. With the water rising, the situation becomes desperate and some of the passengers are herded onto a lifeboat, only to be thrown into the chilly water after the Georgette, struck by a huge wave, ploughs into the little boat. What follows is a story of acts of bravery, as frantic attempts to rescue the drowning are made. When the Bussells hear the news of a ship that has run aground on the coast near their home, Grace doesn't hesitate and leaps on her horse, riding for an hour to get to the sinking ship. There she and Sam, the family's stockman, gallop into the wild surf to save the remaining crew and passengers.
The first of several volumes to be published in association with the Australian National Gallery, this book offers a comprehensive analysis of Australian painting from the 1820s to the mid-1880s. Bonyhady's rigorous analysis of the individual works, supported by a wealth of biographical and historical detail, recreates the lively and influential artistic climate that prevailed during the first hundred years of colonial settlement.