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Catholic polemical works, and their portrayal of Protestants in print in particular, are the central focus of this work. In contrast with Germany, French Catholics used printing effectively and agressively to promote the Catholic cause. In seeking to explain why France remained a Catholic country, the French Catholic response must be taken into account. Rather than confront the Reformation on its own terms, the Catholic reaction concentrated on discrediting the Protestant cause in the eyes of the Catholic majority. This book aims to contribute to the ongoing debate over the nature of the French Wars of Religion, to explain why they were so violent and why they engaged the loyalities of such a large portion of the population. This study also provides an example of the successful defence of catholicism developed independently and in advance of Tridentine reform which is of wider significance for the history of the Reformation in Europe.
Discusses what a hate group is and how it operates, how we legally define hate speech and hate crimes, and what the history is of organizing around hate and how we recognize and confront it.
A Convenient Hatred chronicles a very particular hatred through powerful stories that allow readers to see themselves in the tarnished mirror of history. It raises important questions about the consequences of our assumptions and beliefs and the ways we, as individuals and as members of a society, make distinctions between us and them, right and wrong, good and evil. These questions are both universal and particular.
This book analyzes such symbolic designs of the modern troubled imagination as the conspiracy theory of society, deterministic concepts of identity and order, antisemitic obsessions, self-hatred, and the myth of the loss of roots. It offers, among other things, the unique East-Central European materials incorporated in a broad, imaginative synthesis and critique of contemporary social analysis.
"'Would you like to be a Hero?' It's what many dream of, and what one young girl is offered when she is woken by a mysterious stranger with a television for a head. In the middle of the night, she is whisked away into a world of fantastical metaphor, where emotions take physical form and the inanimate comes alive. Surrounded by a cast of whimsical characters and unnamed dangers, and guided by the stranger RGB, who has terrifying secrets of his own, she must find it within herself to choose her own path amid the destiny that has been chosen for her." --
Written by the TEDx Speaker & Award-winning creative: Amples RegianiAre you sure that hatred is evil?Since ancient Greece, the concept of hatred has been lowered, ignored, belittled, undervalued and sometimes even demonized. And its power minimized, underestimated and diminished, from Aristotle to Descartes all philosophers have interpreted it as something negative, defining it as "The desire for the annihilation of an object and have considered it incurable over time."The logic is straightforward: if love is good and hate is the opposite of love, then hatred is bad.At first glance it is evident. In 'The Power of Hate' we will review History and enter an exciting journey through some of the most brilliant minds of humanity to discover that hate, a feeling cursed through the centuries, is the ultimate powerful engine for human overcoming.Understand and learn how great personalities used hate as fuel to achieve the impossible, reviewing the analysis and practical exercises of each chapter:1. Ferruccio Lamborghini2. Jack Ma3. Michael Jordan4. Reed Hastings5. Steve Jobs6. Mike Tyson7. La Madre Teresa8. Cristiano Ronaldo9. Elon Musk10. Rudolf & Adolf Dassler11. Lance Armstrong12. Madonna CicconeJoin me in this short but intense story in which you will understand the capacity of hate to serve as a powerful tool of motivation, capable of decisively changing our lives.
For the last 2,500 years literature has been attacked, booed, and condemned, often for the wrong reasons and occasionally for very good ones. The Hatred of Literature examines the evolving idea of literature as seen through the eyes of its adversaries: philosophers, theologians, scientists, pedagogues, and even leaders of modern liberal democracies. From Plato to C. P. Snow to Nicolas Sarkozy, literature’s haters have questioned the value of literature—its truthfulness, virtue, and usefulness—and have attempted to demonstrate its harmfulness. Literature does not start with Homer or Gilgamesh, William Marx says, but with Plato driving the poets out of the city, like God casting Adam and Eve out of Paradise. That is its genesis. From Plato the poets learned for the first time that they served not truth but merely the Muses. It is no mere coincidence that the love of wisdom (philosophia) coincided with the hatred of poetry. Literature was born of scandal, and scandal has defined it ever since. In the long rhetorical war against literature, Marx identifies four indictments—in the name of authority, truth, morality, and society. This typology allows him to move in an associative way through the centuries. In describing the misplaced ambitions, corruptible powers, and abysmal failures of literature, anti-literary discourses make explicit what a given society came to expect from literature. In this way, anti-literature paradoxically asserts the validity of what it wishes to deny. The only threat to literature’s continued existence, Marx writes, is not hatred but indifference.
'This book is a not-so-small joy in itself.' NIGELLA LAWSON 'Parkinson has the gift of making you look with new eyes at everyday things. The perfect daily diversion.' JOJO MOYES 'Always funny and frank and full of insight, I absolutely love Parkinson's writing.' DAVID NICHOLLS 'I loved this book . . . Parkinson's writing transports you to unexpected places of joy and comfort . . . these pages contain happiness.' MARINA HYDE 'The twenty-first century feels a lot more bearable in Parkinson's company.' CHARLOTTE MENDELSON Drawn from the successful Guardian column, these everyday exultations and inspirations will get you through dismal days. Hannah Jane Parkinson is a specialist in savouring the small pleasures of life. She revels in her fluffy dressing gown ('like bathing in marshmallow'), finds calm in solo cinema trips, is charmed by the personalities of fonts ('you'll never see Comic Sans on a funeral notice'), celebrates pockets and gleefully abandons a book she isn't enjoying. Parkinson's everyday exaltations - selected from her immensely successful Guardian column - will utterly delight. FEATURES BRAND NEW MATERIAL 'A compendium of delights.' OBSERVER 'Delightful . . . a love letter to those little moments of bliss that get us through the daily grind.' RED
What do you do when everything you know and believe in crashes around you in a hail of fists and boots, flying chairs and broken glass? And not just once, but seemingly every time you leave the house? When it seemed that no one was listening, that I was just another white face from a council estate, and that there was nowhere else to go and nothing else to do, the violence and racism of the far right offered me an alluring escape from the mediocrity of school, work and boredom. In 1980s Britain, the belligerent sentiments of a few hundred lonely white men went almost unnoticed...But this tiny minority had grand designs. Fuelled by alcohol and violence, they built a party that would go on to hold seats in council chambers across England and in the European Parliament. And hidden behind those large union flags were individuals - me included - prepared to bomb and kill to make their dreams a reality. But what do you do when you realise that the hatred, patriotism and violence haunting you - from the playground to the pub to the ballot box - stem from your own demons? The answer: you switch sides.