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Dear Jackson, I'm leaving you this note because I know you're very busy and I don't want to waste the town sheriff's time. Lord knows I've already wasted enough of it. Thank you for taking me home last night and...everything else. I made you a basket of wild blueberry muffins for your trouble. That seemed like the appropriate baked good for getting naked in your living room. I wasn't myself last night. I didn't mean to kiss you or fondle your backside or ask all those intimate questions. Thank you for pretending to enjoy it. It was very noble of you to sleep on the couch while I was starfished on your bed. I couldn't help but notice it's quite large. The bed, that is. I swear, I didn't notice anything else when I let myself out this morning. As you know, Talbott's Cove is a ridiculously small town and there's no chance we can avoid each other. Not that I'd want to avoid you, of course, but I'm not sure I can look at you without thinking of the forty different ways I made a fool of myself. Instead of avoidance, let's try to be friends. We'll forget all about last night…if that's what you want. Please burn this note after you read it— Annette p.s. I whipped up some cinnamon buns, too. Please enjoy them. I'm not sure why, but I couldn't get buns out of my mind today.
This volume surveys the history of printmaking with a particular focus on artists and works that expanded the boundaries of various media, including woodcuts, etchings, engravings, lithographs, mezzo-tints, screen prints and more, right up to the digital and photographic processes of today. Originally published in hardback in 2000 this title received excellent reviews. Now republished in paperback making it more accessible to an even wider market 84 colour illustrations
Hard-Pressed in the Heartland tells the heartbreaking but empowering story of a spirited local union trying to resist management's drive for concessions--while fending off a conservative national union leadership unwilling to support its own members. Going beyond academic history, it offers useful perspectives for rebuilding a democratic, militant, community-based unionism that can succeed where today's bureaucratic unionism cannot.
Sequel to Acting Out When one man has the worst of reputations and believes any misfortune befalling him is deserved, it’s hard to feel worthy of love. Can absolution arrive in three little words? Journalist Phillip Drake is beginning to doubt the career he’s chosen, his motivation, his whole existence. When an assignment arises to trail up and coming, and coming out, actor Gary Caldwell he’s well aware it’s his duty to dig for dirt ... and when Caldwell seems less than co-operative, Phillip half-convinces himself he’ll be happy to do so. Gary has always been attracted to the reporter and finds it difficult to maintain a distance. Something is going on with Drake, not least of all the surprising revelation when Gary realises Drake is gay, and the attraction is mutual. After an intimate encounter, Drake disappears and Gary sets out to unravel a mystery that not only involves tracking down the reporter’s whereabouts, but may also explain why Drake has done the things he has, why Drake harbours more than a little self-hate and more than emotional scars, and why the one thing Drake doesn’t believe he deserves -- love -- is the one thing he’s worthy of.
In Hardpressed, the highly anticipated second book of the Hacker Series that began with Hardwired, Blake and Erica face threats that put both their love and their lives on the line. Despite Blake Landon's controlling ways, the young and wealthy hacker finally won the trust of the woman he loves. Internet entrepreneur Erica Hathaway broke down the walls that kept her from opening her heart and her business to Blake. Ready to start this new chapter in her life, Erica is determined not to let anything come between them, even if that means giving Blake back some of the control he craves in and out of the bedroom. But when demons from her past threaten their future, Erica makes a decision that could change their lives forever.
Working in the fields of education, health and social care demands a great deal of energy, effort and commitment on the part of the practitioner or trainee. When a research project is added to a workload the pressures can be great, particulary if the would-be-researcher is not confident about the process involved. The Hard-pressed Researcher provides practical guidance on how to undertake a research project. It has been written specially for practitioners and students in the fields of education, health and social care and assumes no specific knowledge of the research process. This revised and updated version of the first edition covers the major modes of research (experimental research, survey work, case study, interpretative research and action research) and provides step-by-step guidance from conceptualization through to report writing. Each chapter provides sources for further reading and the book ends with a series of statistical tables. All those studying or working in the caring professions will welcome the very straightforward and sympathetic approach of the authors, both of whom have considerable experience in the supervision of research work.
In his captivating study of faith and class, John Hayes examines the ways folk religion in the early twentieth century allowed the South's poor--both white and black--to listen, borrow, and learn from each other about what it meant to live as Christians in a world of severe struggle. Beneath the well-documented religious forms of the New South, people caught in the region's poverty crafted a distinct folk Christianity that spoke from the margins of capitalist development, giving voice to modern phenomena like alienation and disenchantment. Through haunting songs of death, mystical tales of conversion, grassroots sacramental displays, and an ethic of neighborliness, impoverished folk Christians looked for the sacred in their midst and affirmed the value of this life in this world. From Tom Watson and W. E. B. Du Bois over a century ago to political commentators today, many have ruminated on how, despite material commonalities, the poor of the South have been perennially divided by racism. Through his excavation of a folk Christianity of the poor, which fused strands of African and European tradition into a new synthesis, John Hayes recovers a historically contingent moment of interracial exchange generated in hardship.
Hard Damage works to relentlessly interrogate the self and its shortcomings. In lyric and documentary poems and essayistic fragments, Aria Aber explores the historical and personal implications of Afghan American relations. Drawing on material dating back to the 1950s, she considers the consequences of these relations--in particular the funding of the Afghan mujahedeen, which led to the Taliban and modern-day Islamic terrorism--for her family and the world at large. Invested in and suspicious of the pain of family and the shame of selfhood, the speakers of these richly evocative and musical poems mourn the magnitude of citizenship as a state of place and a state of mind. While Hard Damage is framed by free-verse poetry, the middle sections comprise a lyric essay in fragments and a long documentary poem. Aber explores Rilke in the original German, the urban melancholia of city life, inherited trauma, and displacement on both linguistic and environmental levels, while employing surrealist and eerily domestic imagery.
Welcome to Talbott's Cove, Maine, a place where everyone deserves second chances and happy ever afters. Included in this collection: Fresh Catch Take a vacation, they said. Get away from Silicon Valley's back-stabbing and power-grabbing. Recharge the innovative batteries. Unwind, then come back stronger than ever. Instead, I got lost at sea and fell in love with an anti-social lobsterman. There's one small issue: Owen Bartlett doesn't know who I am. Who I really am. *** I don't like people. I avoid small talk and socializing, and I kick my companions out of bed before the sun rises. No strings, no promises, no problems. Until Cole McClish's boat drifts into Talbott's Cove, and I bend all my rules for the sexy sailor. I don't know Cole's story or what he's running from, but one thing is certain: I'm not letting him run away from me. Hard Pressed Dear Jackson, I'm leaving you this note because I know you're very busy and I don't want to waste the town sheriff's time. Lord knows I've already wasted enough of it. Thank you for taking me home last night and...everything else. I made you a basket of wild blueberry muffins for your trouble. That seemed like the appropriate baked good for getting naked in your living room. I wasn't myself last night. I didn't mean to kiss you or fondle your backside or ask all those intimate questions. Thank you for pretending to enjoy it. It was very noble of you to sleep on the couch while I was starfished on your bed. I couldn't help but notice it's quite large. The bed, that is. I swear, I didn't notice anything else when I let myself out this morning. As you know, Talbott's Cove is a ridiculously small town and there's no chance we can avoid each other. Not that I'd want to avoid you, of course, but I'm not sure I can look at you without thinking of the forty different ways I made a fool of myself. Instead of avoidance, let's try to be friends. We'll forget all about last night...if that's what you want. Please burn this note after you read it- Annette p.s. I whipped up some cinnamon buns, too. Please enjoy them. I'm not sure why, but I couldn't get buns out of my mind today. Far Cry Brooke Markham needs a man. A real good man. But she's not looking for a keeper. She's too busy kicking ass, running an empire, and caring for her ailing father to spend time with men who want annoying things like relationships and commitment and...conversation. Brooke knows what she wants and it's not a future with the growly barkeep. JJ Harniczek needs money. A whole lot of money. He's determined to launch his distillery, expand his tavern, and put Talbott's Cove on the foodie tourism map. But there's no way he's asking Brooke for a dime. Not before he takes her to bed and definitely not after. JJ knows where he's headed and the blonde bombshell isn't about to change that. Not until she changes his entire world. Rough Sketch Smart, successful, and sitting pretty at the top of her game, Neera Malik has it all figured out. Save for the small issue of Gustavo Guillmand. The artist with a cult-and Instagram-following has a problem and it's not his preference for shirtless selfies. No, he has an attitude problem, a minding his own business problem, an infuriatingly sexy problem. They can't stand each other and they can't stay away from each other.
Bob Dylan’s iconic 1962 song “A Hard Rain’s A-Gonna Fall” stands at the crossroads of musical and literary traditions. A visionary warning of impending apocalypse, it sets symbolist imagery within a structure that recalls a centuries-old form. Written at the height of the 1960s folk music revival amid the ferment of political activism, the song strongly resembles—and at the same time reimagines—a traditional European ballad sung from Scotland to Italy, known in the English-speaking world as “Lord Randal.” Alessandro Portelli explores the power and resonance of “A Hard Rain’s A-Gonna Fall,” considering the meanings of history and memory in folk cultures and in Dylan’s work. He examines how the ballad tradition to which “Lord Randal” belongs shaped Dylan’s song and how Dylan drew on oral culture to depict the fears and crises of his own era. Portelli recasts the song as an encounter between Dylan’s despairing vision, which questions the meaning and direction of history, and the message of resilience and hope for survival despite history’s nightmares found in oral traditions. A wide-ranging work of oral history, Hard Rain weaves together interviews from places as varied as Italy, England, and India with Portelli’s autobiographical reflections and critical analysis, speaking to the enduring appeal of Dylan’s music. By exploring the motley traditions that shaped Dylan’s work, this book casts the distinctiveness and depth of his songwriting in a new light.